Back in October one of the joys of Orgatec 2012 in Cologne was watching visitors reactions to Hella Jongerius' Sphere Table for Vitra. Most were highly amused and assumed it was a new kids product. An opinion that quickly changes when you learn the background to the object. Developed for Hella Jongerius' recently completed redevelopment of the North Delegate's Lounge at the United Nations in New York, the Sphere Table is a response to a brief that said the lounge could contain no internal
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Enter "Stuttgart architecture" into a well known search engine and you''ll get an awful lot of responses relating to the Stuttgart 21 Central Train Station redevelopment project. A situation which, in our opinion, does the city and its architecture a great disservice. For Stuttgart's architecture tradition is perhaps richer and more interesting than anywhere else in Europe. And yes we're talking about modern, 20th century architecture. What happened before the flushing toilet and
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In our interview with the Stuttgart based designers Markus Jehs and Jürgen Laub one of the more interesting quotes is the pair's assertion that "...in Stuttgart people don’t talk so much about their success: an awful lot of creativity originates in Stuttgart but you don’t necessarily know that because no one talks about it." A quote which to be honest hasn't left us in peace since.... One organisation who do talk about creativity in Stuttgart, 20 times a year to be precise, is the Verein zur
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As any fool know contemporary product design arose from traditional crafts. The birth however wasn’t the smoothest, and the conflict between the form loving traditionalists who believed in a future of craft based industrial production and the machine fixated modernists with their focus on functionality dominated the inter-war years. Post World War II the modernists had largely succeeded in establishing their position and in his review of the 1951 exhibition “Design for Use USA” Wilhelm
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As any fool know, we traditionally begin our round-up of the summer semester student shows at the Bauhaus University Weimar. This year however Thüringen is having to yield to Stuttgart, and specifically the Akademie der Bildenden Künste Stuttgart. In relation to institutions such as the Bauhaus Uni Weimar or Burg Giebichenstein Halle, the Industrial Design department at the Akademie der Bildenden Künste Stuttgart is relatively small, but no less interesting. For the 2013 Rundgang there were
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Since establishing their own design studio in Stuttgart in 1994 Markus Jehs and Jürgen Laub have quietly gone on to become two of the busiest and most successful German product designers of their generation. With a client portfolio that includes the likes of Thonet, Wilkhahn, Fritz Hansen, Authentics or Belux Jehs+Laub are just at home with designing office furniture as with domestic furniture, lighting and accessories. And in a career splattered with international awards the highlight
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If you thought you'd seen the epitome of kitsch, we give you..... An olive bowl in the shape of Celine Dion's swimming pool. Just writing that sentence makes us want one. And of course the accompanying bowl for sun-dried tomatoes in the shape of Brad Pitt and Angelina Jolie's swimming pool. Created by Zurich based designer Damian Fopp the Celeb Bowls collection is a series of porcelain bowls based on celebrity swimming pools, or to be more precise the swimming pools of Frank Sinatra, John
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In December 2012 Vitrashop, the shop fitting arm of the Vitra Group, and of course the original rock on which the Vitra seed germinated and grew, took formal occupation of their new distribution centre. Conceived by Tokyo based architects Kazuyo Sejima & Ryue Nishizawa aka SANAA, the imaginatively titled "SANAA Factory Building" is the latest addition to the Vitra Campus and was officially presented to the public on April 19th 2013. Vitra CEO Rolf Fehlbaum first approached Kazuyo Sejima &
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Back in October at Orgatec 2012 Vitra unveiled Workbay, the new concept from Ronan and Erwan Bouroullec. The latest stage in the brother's career-long "room within a room" research Workbay is a flexible system based around fleece walls and aluminium supports that resembles a cross between the Alcove Sofa and the Bouroullec's Communal Cells from Orgatec 2010. When we saw Workbay in Cologne we thought, nice idea, nice extension of the Bouroullec programme... and went back to concentrating on
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As many of you know we officially gave up reporting on private design awards a couple of years ago - for us the emphasis in such awards is more often than not too heavily biased towards generating income for the organisers rather than helping or otherwise furthering the designers and their works. And as such don't merit our support. While some awards are obviously more honourable than others; we decided ignoring all would be fairest. However as Angela Merkel continues to teach us: what is
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A couple of years ago N.W.A. frontman Ice Cube shot a short celluloid tribute to Charles and Ray Eames. Without even having to use his AK ... We didn't think anything more culturally acontextual could happen to the pair. And now ? On Thursday March 7th the exhibition "Eames by Vitra" opens at the Wasserschloß Klaffenbach in Chemnitz. A Charles and Ray Eames exhibition. In Chemnitz. The story of Charles and Ray Eames as furniture designers starts with their collaborations with Hermann
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Older readers will be aware that we have often held up the absence of some of Germany's most important designer furniture manufacturers as an unmissable indicator of an inherent weakness in the IMM Cologne brand. Those same readers will therefore understand the confusion we felt on seeing that Wilde+Spieth would, finally, be attending IMM Cologne in 2013. We were delighted they were participating. We however now have one argument less. Based in Esslingen near Stuttgart, Wilde+Spieth were
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In our Orgatec interview with Vitra CDO Eckart Maise we talked about the office system as the central component of the Vitra office furniture philosophy. One designer who has done more than most to establish Vitra's reputation in the office furniture sector is without question Antonio Citterio. Since his first collaborations with the company in the late 1980s Antonio Citterio has worked with Vitra on numerous key projects including the Ad Hoc system, the AC and ID office chair systems and most
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There are few things more pleasing in the world of furniture design than seeing a designer successfully replicating a winning form in a new object from another product genus. Seamlessly translating an idea developed for one project into a new context. A particularly good example of such a translation can be seen in the PS 07 bureau by Berlin based Delphin Design for Müller Möbelfabrikation. If we're honest, when we saw the PS 07 on the Müller stand at IMM Cologne 2013, although we noticed a
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As already said, we sadly won't make it to Stockholm Furniture Fair and Design Week this year. However, we still wanted to bring you a bit of Scandinavian design flair. Albeit Scandinavian design flair with a very strong Breton accent. Back at Orgatec 2012 one of the more surprising new product series on show was the so-called "A-Collection" by Ronan and Erwan Bouroullec for HAY. A truly delightful family of simple wooden objects, the collection principally surprised us because we had never
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Technically after IMM Cologne we should pack our kit bags and head of to Sweden for Stockholm Furniture & Light Fair + Stockholm Design Week. Technically. Sometimes however other things get in the way. Life, for example...... And so we'll sadly not make it to Stockholm this year. Sadly because Stockholm in February is just the most magical place. And sadly because of the wonders that we expect we'd find there. As Scandanavia's largest furniture and lighting trade fair, Stockholm is the
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In our interview with Michel Charlot about his lamp U-Turn for Belux he told us that "I like it when people look at an object and find it “normal”, but that is something which is quite difficult to achieve...." Such an object is without question Stool 60 by Alvar Aalto. As so to help explain the complexity hidden in the simplicity, and celebrate the object's 80th anniversary, the Ungers Archiv für Architekturwissenschaft are staging an exhibition during IMM Cologne 2013 devoted to this
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Back in the day the gentle flapping and choral honking of a snow goose skein heading south provided a comforting, aural background to the approaching winter. It meant our year was coming to an end and we could slowly wind down and enter a state of semi-hibernation. These days we dread the approaching Hitchcock cliche. The unrelenting, tuneless screeching reminding us it is time to decide: Should we travel to IMM Cologne in January? Really? And much like the migrating goose always follows the
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With over 100 members of the public getting in touch and 59 fake Wilhelm Wagenfeld WG 24 lamps being exchanged for licensed originals, Bremen based manufacturer Tecnolumen have declared themselves very satisfied with their recent "No Fake" promotion. Not least because they sense an increased and increasing awareness amongst consumers as to the problems associated with unlicensed copies; especially in association with Bauhaus era products Among the more interesting points made by the company
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At Orgatec 2012 Augsburg based Müller Möbelfabrikation introduced their new WORKSPACE product range(s). Developed in cooperation with Andreas Struppler and Sebastian Frank from Munich based Struppler Industriedesign, WORKSPACE is technically two ranges - WORK and SPACE, or "Labor et Spatium" for any scholars of historic furniture design who may be reading - that combine to create a modular office furniture system. WORK is represented by two height adjustable desks, one electronic the other
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Wandering round the Vitra spaceship at Orgatec there was one product that you simply couldn't fail to notice. On every table, in every Workbay, in every Alcove stood a lamp. A Vitra lamp? Not technically. Technically a lamp from Swiss producer Belux. However since 2001 Belux has been part of the Vitra family and at Orgatec 2012 they made good use of their family connections to unveil the latest addition to their portfolio, U-Turn by ECAL Lausanne graduate Michel Charlot. Older readers will
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Cork. At the moment there is simply no getting away from it. A couple of weeks ago Ronan and Erwan Bouroullec unveiled their Cork Desk for Vitra at Orgatec. Back in April we had Cover by Daphna Laurens at Dutch Invertuals in Milan. And last year at Dutch Design Week we marvelled at Tiago Sá da Costa's Corkmatters Lamp exhibited as part of the Made Out Portugal #4 show. Might not sound like much, but given that before Eindhoven 2011 the last serious cork product we can remember seeing was
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In February 1991 the grand doyen of Italian design Ettore Sottsass approached Vitra CEO Rolf Fehlbaum with a suggestion for a joint project looking at the nature and being of life and work in the office. The project wasn't aimed at developing office furniture, simply exploring the microcosmos "Office" in its multifarious facets. Rolf Fehlbaum willingly agreed and together with Michele de Lucchi, Andrea Branzi and James Irvine, Sottsass and Vitra set off an exploratory journey: researching,
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Anyone who had anything to do with the UK childrens toy market of the 1970s - either as a user (child) or consumer (adult) - will be well aware that no matter how hard you try, how hard you push them and how devilish you are, Weebles wobble, but they don't fall down. Stand-up by Thorsten Frank applies a similar logic, albeit in the more urbane world of furniture. The concept isn't new, indeed it could even be said that stools that rock and flow with your body are a fully established furniture
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