Established in 1996 by three friends with a shared passion for classic metal furniture, Müller Möbelfabrikation has grown steadily over the last decade and a half into one of Europe's most interesting contemporary furniture manufacturers. They don't do anything especially revolutionary, and there is certainly no danger of them ever redefining the fabric of furniture design. However, they are currently producing some of the most interesting, brash and accessible furniture on the market, and
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This past week it's been hard to escape images of a bentwood bike purporting to have been created by a London based artist for German furniture manufacturer Thonet. We choose not to run the story. Something about it troubled us from the beginning. The fact that only computer generated, rendered, images were available, for example. Plus knowing what we know about Thonet, it just didn't make sense. Didn't feel like Thonet. Wasn't right. And now the confirmation from Frankenberg, it's all a
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As The Smiths so succinctly put it, "Stop us, oh,oh,oh, stop us. Stop us if you think that you've heard this one before" But once again October is out there, lurking, tacitly, like some not especially friendly sounding nuclear submarine. And once more we find ourselves questioning not only the nature of our existence and the sociological sense of product design, but also why the European design weeks can't sit down together and plan their year better? As is traditional our October begins
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Browsing through the catalogue for the exhibition "Der Stuhl" in Stuttgart one item in particular caught our attention: "Der Federdreh by Albert Stoll, Waldshut (Baden)" - and not just because it is a delightful piece of woodworking. Loosely translated as "The Sprung Swivel" Der Federdreh does what it promises - swivels and has spring suspension. Might not sound that interesting, but back then Der Federdreh was the very first chair of its kind. Anywhere. Consequently Der Federdreh is, in
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It's probably fair to say the biggest surprise at Salone Satellite 2012 was seeing Rui Alves aka My Own Super Studio. Because we thought 2011 had been the last year he was allowed to exhibit. Turns out we can't count. And that the rules for Salone Satellite are a lot more complicated than even we were aware. Fortunately. For in addition to the chance to catch up with Rui, he also had new projects with him. While most industry attention of late has been focused on his Lapa chair, for us the
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Although we regularly use the term "furniture market", one must technically speak from two furniture markets; domestic and office. OK you could also add retail, hotel, airport etc... but for the sake of convenience let's consider them as genre-crossing mongrels. Like folk-rock. Regardless however of how one categorises the industry, its probably fair to say that the past four years have been no real fun for European furniture producers. Especially not for those involved in the office
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On his 2009 album "Waxing Gibbous" Falkirk balladeer Malcolm Middleton included the song "Red Travellin' Socks" a jaunty - if for us touch too obvious - ode to his love/hate relationship with, well his Red Travellin' Socks. Wearing his socks he's reminded of the freedom of the open road that is currently helping him fulfilling his primitive desires - until such time as the romantic myth of the endless highways explodes and he begins to long for home. The red socks symbolising his frustration
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We've long since accepted that there are more design weeks in a year than actual weeks. But we still can't accept the poor coordination between the various festivals. June, July, August.Basically nothing. September, October. Every day Copenhagen, London, Brussels, Budapest, Istanbul, Vienna, Eindhoven, Leipzig, Lodz, Zürich.... Every 2 years Orgatec in Cologne. And in the midst of all this Berlin sprouts Qubique. Hallo! We however have no choice. Or at least little choice. Our October
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Vitrastanden på Orgatec 2010 var domineret af især to tegnestuers arbejde: Antonio Citterio og Ronan og Erwan Bouroullec. Udover at præsentere nye variationer af deres Alcove Sofa og Playns 'workstation', løftede Vitra også sløret for Bouroullecs nye 'Communal Cells' - modulære skillevægge/indretningsarkitektur-systemer og deres 'High Meeting Table'. Foruden at diskutere de to brødres kommende yacht-projekt, talte vi også om de nye Vitraprodukter, om hvordan brødrernes eget kontor ser
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Name: Erik Wester Born: Oslo, Norway Alma mater: Furniture and product design, Kingston University London Products: Standing Task Light Tartan Modular (smow)blog: Why the decision to become a product designer? Erik Wester: That’s what I like doing! Since I was small I’ve been interested in drawing and building and was searching for what I could use my skills for and arrived at product and furniture design. (smow)blog: And why the decision to study Product and Furniture Design at
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The Vitra stand at Orgatec 2010 was dominated by the work of two design studios: Antonio Citterio and Ronan and Erwan Bouroullec. In addition to presenting new variations of their Alcove Sofa and Playns workstation, Vitra also unveiled the Bouroullec's new Communal Cells modular partition/interior architecture system and their High Meeting Table Apart from discussing the brothers forthcoming yacht project, we also talked about, the new Vitra products, what the Bouroullec's own office looks
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Although he was not showing any new products at Orgatec 2010 Alberto Meda used the show to catch up a little on what other designers were up to. And when we caught up with Alberto Meda on the Vitra stand we learned something wonderful: Alberto Meda uses the same office chair as the (smow)blog crew... (smow)blog: Unless we've missed something you aren't showing anything at Orgatec 2010? Alberto Meda: No, but I am working on a new product with Vitra, but that is not yet ready and so I am
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Although the public face of Vitra is unquestionably their "Home Collection", for decades the backbone of the company has been their office furniture division. Consequently a central feature of Vitra's daily work involves developing new approaches to office design and attempting to predict what will be important for office workers in the coming years. In 1991 Vitra commissioned the designers Michele de Lucchi, Ettore Sottsass and Andrea Branzi to develop some plans for future office design.
read moreAt Orgatec 2010 we spoke to USM Haller CEO Alexander Schärer about the company's return to Orgatec after a 12 year absence, their new "Living Essentials" collection and what his own office looks like....
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When USM Haller last exhibited at Orgatec we were still in Kindergarten and our only experience with interior design was the wonderful shapes one could create on walls with wax crayons. 12 years later and not only have we discovered that marker pens are much better suited to drawing on walls, but USM Haller have returned to Cologne and Orgatec. One of the real joys of the USM Haller system is that it has remained unchanged over the decades. Units bought 20 years ago can be extended with
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Amongst the plethora of new products launched by Vitra at Orgatec 2010 in Cologne was HAL, a new shell chair series by British designer Jasper Morrison. Over a cup of tea we spoke to Jasper Morrison about HAL, Vitra - and what his own office looks like. (smow)blog: Your presenting your new shell chair series HAL here at Orgatec, how long was the development phase? Jasper Morrison: About three years, with a lot of effort going into the form of the shell and the performance of the shell.
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On the opening day of Orgatec we managed to grab a quick 10 minutes in an Alcove Sofa with Erwan Bouroullec. Aside from not showing us what was in his sketch book, Erwan told us about one of the brother's forthcoming projects. A sail boat. Yeah, yeah we thought, the cheeky Breton is having a bit of fun with the naive (smow)blog crew. A sail boat! However, and despite our doubts, we're professionals and so we sought independent verification. The problem with the secretive world of
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Mannno! If we're honest we didn't expect Orgatec 2010 to be such fun, or to be so sorry to leave. For us Orgatec is one of those "must dos" Not must do as in the sense of, "If you don't go you'll regret it for the rest of your life" but more "your going, stop your bleating and accept it!" But at the end of the day we could have happily spent another couple of days in Cologne. Aside from a range of interesting new products at Vitra and Thonet, we discovered a host of new office
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Manno! We've only just got here and now we've got to go! Despite the number of shows, products and designers we've seen, tested and talked to - we can't shake the feeling that we've only scraped the surface of what can be found in Eindhoven. Which if we're honest isn't a negative feeling - because it implies that the Dutch Design Week is a very healthy event. And makes us all the keener to return next year! But for now its a train journey to Cologne, Orgatec and contemporary office
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According to the ever accurate wikipedia Eindhoven has a population of some 214,000. On Sunday's the population of Eindhoven is around 214. Eindhoven on a Sunday morning is a lonely and forbidding place. Gesloten is Dutch for "Closed" The parallels - typographic as well as semantic - with Get Lost are unmistakable. Even the bakers are closed. We can't remember the last time we were in a century, sorry city, where bakers close on a Sunday. Eindhoven on a Sunday morning is not for the faint
read moreThere are some design blogs who simply retype press releases, resize press photos and abracadabra - a blog post. Our standards are a little higher. Which is why we visit design fairs, design weeks, design competitions and design exhibitions. Because only by talking to designers, talking to producers and by actually testing the products can you decide if the PR hype is justified. The minus is of course that design fairs being the new film festivals - our schedule is an absolute nightmare.
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We at (smow)blog we have often mentioned Vitras Net'n'Nest office design concept - one the one hand because we like it and on the other because as an official Vitra partner we at smow like to draw attention to new developments and products from Vitra. We have, however, never made a secret of the fact that one can - if one wants - mix and match furniture from various producers. Which was pretty much our third thought upon seeing Adenike by Heidelberg based designer Bao-Nghi Droste at DMY
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Following the successful visit to USM Haller the (smow)team headed on to Basel and Vitra HQ. The contrast in the external appearances of the buildings could hardly be greater. As a company Vitra don't just engage designers to create furniture for them, they also encourage them to design buildings. The finest example being the Vitra Design Museum complex at Weil am Rhein; but in interests of chronological correctness more on that later. The original Vitra building in Basel building was
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We've previously stated our quiet dissatisfaction with awards ceremonies and for all there omnipresence. But love 'em or loath 'em when they are good they are one of the best ways to help consumers separate the chaff from the rye - or at least from amongst those producers who pay the entrance fees.... One of the most renowned awards in Europe is the red dot Awards organised annually by the Design Zentrum Nordrhein Westfalen. And while the red dot Awards fulfill almost all the criteria that we
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