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Panton Chair Classic Chrome Edition

by Verner Panton, 1958 — 1.709,00 €
Vitra Panton Chair Classic Chrome Edition

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Panton Chair Classic Chrome Edition

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Unfortunately this limited special edition is no longer available.

With Vitra's Panton Chair Classic Chrome Edition 2018, a design dream of Verner Panton comes true: mirrored surfaces have always fascinated designers, but the Panton Chair lacked the technical possibilities. Now, for the 50th anniversary of the design classic, Vitra launches a limited edition chrome edition of the Panton Chair Classic, whose sturdy surface shines and is an absolute must for lovers of Panton and collectors alike.

PLEASE NOTE: DUE TO THE UNPRECEDENTED DEMAND, THE SALE OF THE PANTON CHAIR CLASSIC CHROME EDITION IS LIMITED TO 1 CHAIR PER PERSON.

Details

Product type Multi-purpose chair
Dimensions

Dimensions in mm
Material Full hard foam shell made of, polished metallic

Please note: Every Panton Chrome is individually made by hand, consequently the surface can have small pores, inclusions, etc. Such are unavoidable owing to the nature of the manufacturing process and as such do not constitute a fault or ground for complaint.
Function & properties The brilliant mirror effect of the Panton Chair Classic Chrome Edition is created by a metallization; an effect achieved via in highly specialized manual work in which several layers of paint are applied one after the other. The fact that not only the surface of the chair is metallized, means that on the one hand it is more robust and scratch-resistant, and on the other hand more flexible and stable, so that it can easily yield to the sitter and lightly swing.
Care When cleaning the Panton Chair Classic Chrome Edition always use a soft, damp cloth and a mild, household, detergent.
Museums MoMA, New York
Certificates & Sustainability Greenguard: Indoor Air Qualitiy Certified

Vitra conform to
ISO 9001: 2008 (Quality management systems)
ISO 14001: 2004 (Environmental management systems)
Warranty 24 months

Register product and secure extended manufacturer's warranty of 10 years
Product family Panton Chairs
Accessories Suitable Seat Pad for Panton Chair and Leather Seat Pad by Parkhaus Berlin or Seat Dots and Soft Seats (Typ B) by Vitra available in different colours

FAQ

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Should the answers to your questions not be found here, our service team can be contacted Mon-Fri, 9 am - 5 pm via +49 341 2222 88 22.

How do I recognise an original Panton Chair?

The signature "Verner Panton" is engraved in the base.

More about 'Verner Panton', 'panton chair' in our blog

Stühle zum (Be)Sitzen, a smow Pop-up at the Grassi Museum für Angewandte Kunst, Leipzig

...A 1950s Denmark that also saw the origins of considerations on the possibility of a chair that it would be 1967 before it was realised and 1968 before it became a series product: Verner Panton's eponymous chair through Vitra... A Panton Chair that, arguably, couldn't have been realised in the Denmark of that period, regardless of the symbolism of Jacobsen's SAS Royal hotel, required Verner Panton to look outwith Denmark for a partner; a Panton Chair that took the cantilever of a Stam's S 33 and its contemporaries and not only translated it from steel tubing into polyurethane, thereby helping confirm the durability of synthetic plastics, but also rounded the Cubist corners of the Functionalist Modernist steel tube furniture of the 1920s as 30s, and thereby not only began to find a way back to the flowing curves of a Michael Thonet, but also created a piece of furniture more attune with the less formal, less rigid, less austere, less quadratic, somewhat freer, mellower, organic, western European society of the 1970s...

Colour Rush! An Installation by Sabine Marcelis at the Vitra Design Museum Schaudepot, Weil am Rhein

...And a rainbow extended and supported by leprechauns brief discussions on the colour approaches and understandings and practice of Albert Henry Munsell, Le Corbusier, Alexander Girard, Verner Panton, Hella Jongerius and Sabine Marcelis, and thus protagonists of various hues, pun intended, from across a century and a half of developing relationships with colours; and brief discussions which allow one to go beyond colours and into the classification of colours and the manners via which we seek to standardise and organise colour... Verner Panton once famously claimed that one sits more comfortably on a colour you like...

Verner Panton – Colouring a New World at Trapholt, Kolding

..."Space and form are important elements in the creation of the [interior] environment", opined the Danish architect, artist and designer Verner Panton in 1969, however, he continues, "colours are even more important"... And no-one, even those with but the briefest familiarity with Verner Panton, can oversee the colour in Verner Panton's work...

5 New Architecture & Design Exhibitions for September 2021

..."Verner Panton... or possibly not, for, as oft discussed in these dispatches, the popular simplification and reduction of design, the popular objectification of design, means that Verner Panton is all too often and all too easily simplified and reduced to the ageometric and the colourful...

Design. Colour. Theory.: Verner Panton - Lidt om Farver/Notes on Colour

"One sits more comfortably on a colour that one likes" declares Verner Panton in his 1997 book Lidt om Farver/Notes on Colour.1 A succinct expression of an understanding of colour as more than just a decorative element, and one of many reflections on the...

3daysofdesign Copenhagen 2019: #embassytour

In centuries past traditions were something that were established slowly, often becoming such long after those who had began them, who had understood their origins, meaning and function in contemporary society, had shuffled off this mortal coil; in our...

smow Blog Design Calendar: October 24th 1969 – Opening Qu'est-ce que le design? @ Musée des Arts Décoratifs Paris

...In an attempt to approach one the Musée des Arts Décoratifs Paris asked Charles Eames, Verner Panton, Roger Tallon, Joe Colombo and Fritz Eichler, Qu'est-ce que le design?... featured not only five of the leading international designers of the period but five designers who, on paper, represented five very different understandings of design: Charles Eames, one of the leading proponents of that post-War American interpretation of functionalism; the young Italian radical Joe Colombo with his utopian visions of our domestic spaces and understandings of design as much as a branch of linguistics as 3D forming; Roger Tallon, the Grand Doyen of French design, and for all of technical design for industry; Fritz Eichler, the first Design Director at Braun, a man very much associated with technical design for consumers, and the sober reduction of Germanic gute Form; and Verner Panton with his pop tendencies, holistic compositions and understanding of the role, the near primacy, of colour in design...

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Accessories

Soft Seats

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