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Vitra Children's Furniture in Leipzig

smow Leipzig
Burgplatz 2
04109 Leipzig

+49 341 124 83 30
leipzig@smow.de

Opening times:
Mon-Fri 10 am - 7 pm
Sat 10 am - 4 pm
Hang It All
Eames Elephant
Elephant Stool
Elihu the Elephant
Omar the Owl
Fernando the Fish
Panton Junior
Eames Elephant Small
Coat Dots Set of 3
Eames Elephant Special Collection
Special Edition
Eames Elephant Plywood

More about 'Children' in our journal

Fairy Tale. Childhood in Lithuania during the late Soviet era at Kaunas Picture Gallery

...And by a monumental hippopotamus that is as much a furniture object as it is plaything, designed by Natalija Andriuščenko along with Vita Kašėtaitė-Čaplikienė and Regina Pakstaitė, that definitely was produced, if only once, and which finds an echo in Alexandra Kiesel's monumental leather rhinoceros Clara who one meets in Design for Children at the Bröhan Museum, Berlin, an exhibition that serves as an excellent conversation partner with Fairy Tale at a number of levels... And also still exists in the reflections and considerations it enables and empowers on the relationships between childhood and society, on childhood as a component of society, a space within society, arguably the first of many we occupy; thoughts that are also one of the myriad previously noted dialogues between Fairy Tale and Design for Children and that also provide an alternative context to reflect on Retrotopia...

Design for Children at the Bröhan Museum, Berlin

...With the exhibtion Design for Children the Bröhan Museum, Berlin, explore the relationships between design, children and childhood over the century and a bit of their co-existence... A period at the turn of the 19th/20th century in which Design for Children opens, and that in many regards in Dresden where in September 1901 Germany's first Kunsterziehungstag, Art Education Symposium, was held, an event motivated by positions that, as the organisers opined, "the artistic sense and artistic power of our people can only be inherited if we awaken the artistic talents of future generations and develop them within the possible limits", whereby as they emphasised, "we do not want to educate artists or art connoisseurs, but rather open the eyes and hearts of our young people to genuine, healthy, German art"1; a link between art and society, of the necessity of advancing the former by way of advancing the latter, of degenerate art producing degenerate societies, and of a national component in art, of art as an identifiable and definable component of a nation, reflective of the prevailing positions amongst creatives of all hues, and all nationalities, of the period...


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