| Product type | Office swivel chair |
| Dimensions |  Dimensions in mm |
| Colours | Armrests/back bracket:  Hopsak (Backrest):                Hopsak (Seat) Silk Mesh (Seat and backrest):  |
| Material | Frame: Five-foot base made of polyamide (deep black) with double castors (Ø 60 mm, basic dark) Backrest: polyamide, polyurethane foam Seat: polyamide seat plate, polyurethane foam Armrest/back bracket: polyamide Covers Hopsak (100% polyamide) or Silk Mesh (67% polyester, 33% polyamide) |
| Variants | Optionally available with hard castors for carpets or soft castors for hard floors. |
| Function & properties | Back height adjustable via means of quick release and by 5 cm Synchronous mechanism can be locked in the upright position Delivered with seat height and depth adjustment as standard Maximum load: 110 kg |
| Concept | |
| Care | Dust and everyday dirt can be simply vacuumed. To treat stains a damp cloth and a mild, neutral detergent is recommended. Professional cleaning should always be completed in the assembled state and with the use of upholstery foam pads or using a mobile washing-extraction device. |
| Certificates & Sustainability | Office chair conforming to EN 1335 Vitra conform to ISO 9001: 2008 (Quality management systems) ISO 14001: 2004 (Environmental management systems) |
| Warranty | 24 months |
| Datasheet | Click for more information (ca. 0,5 MB). |
| Product presentation |
...Konstantin Grcic's Open Design class... And analogue vernacular technology that has proven its worth in North Africa and the Middle East over time, and which arguably has a place, and an important function, in Europe going forward, that, we'd argue, is very much reflected in and embodied by the Fiasco radiatore developed by Valerio Sampognaro in context of Konstantin Grcic's Open Design class...
...And Konstantin Grcic's 360° stool for Magis, that contemporary re-interpretation of Nelson and Probst's work... And in many regards it is only really in the 21st century that the perch, the half-standing sitting solution has become established in offices, arguably, being popularly revived through works such as, for example, Plint by Kersti Sandin and Lars Bülow for Materia from 2001, or Konstantin Grcic's aforementioned 360° stool for Magis from 2009...
...With the exhibition New Normals at Haus am Waldsee, Berlin, Konstantin Grcic presents some exceedingly odd things and in doing so invites us all to reflect on the fact that that which is not yet, will one day be... New normal is, yes, very much a term associated with the Covid pandemic; however, as Konstantin Grcic is keen to underscore, New Normals is not a Covid pandemic exhibition, is an exhibition whose development began in the pandemic but at a time when all assumed that by January 2022 the pandemic would be behind us, would be an ex-normal, and is thus an exhibition which has its origins less in the new normal of the face mask or the later flow test as in more general objects and rituals which initially appeared strange, alien, but quickly established themselves as thoroughly normal, Grcic naming examples such as urban surveillance cameras or smartphones...
Grcic A Konstantin; A Nurturing; A Reduction There are a great many legends surrounding the origins of Grcic, and while many are centred around the regions today known as München and Wuppertal, the more plausible appears to be that Grcic arose in the days of...
...At Orgatec 2014 that programme has been extended by, amongst other works, new collaborations with Konstantin Grcic and Antonio Citterio and a re-edition of works by Jean Prouvé... The medial highlight will unquestionably be the "Hacker Workshop" featuring Konstantin Grcic's Allstar office chair and Hack table...
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