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Knoll International

MR Coffee Table

by Ludwig Mies van der Rohe, 1927 — 1.642,00 €
Knoll International MR Coffee Table

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MR Coffee Table

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1.642,00 € *
1 x in stock, delivery time 2-3 working days (country of delivery Germany)
3 % advance payment discount*: 1.592,74 € (Save 49,26 €)

The MR Coffee Table from Knoll International fits seamlessly into the MR collection by Ludwig Mies van der Rohe. With its tubular steel frame and high-quality crystal glass table top, the Bauhaus-style Knoll coffee table presents itself with a quiet elegance.

Details

Product type Sofa/Coffee table
Dimensions Height: 35 or 52 cm
Diameter: 72,5 cm
Material Table top: crystal glass, 12 mm thick
Base: round tubular steel, seamlessly shaped and high-gloss chrome plated
Frame: flat steel profile, high gloss polished
Function & Properties The logo "KnollStudio" and the signature of Mies van der Rohe are engraved on the table legs.
The table top is firmly attached to the frame.
Care Please refer to the manufacturer's care instructions.
Certificates & Sustainability GREENGUARD Indoor Air Quality Certified®
Warranty 24 months

Popular versions

MR Coffee Table, H 35 cm
MR Coffee Table, H 52 cm

More about 'Ludwig Mies van der Rohe' in our journal

The Historia Supellexalis: X for X-Base Chair

X-Base Chair An xpression; An xpansion; An xposition Whereas the English word 'furniture' has its origins in the middle French verb 'fournir', to furnish, the French 'meuble' and German 'Möbel' have their origins in the Latin 'mobile': capable of being moved...

Stühle zum (Be)Sitzen, a smow Pop-up at the Grassi Museum für Angewandte Kunst, Leipzig

...A 1927 building exhibition at which Mart Stam premiered his W1 and W2 the, by all accounts and as far as (hi)story has recorded, first cantilevered steel tube chairs and of which the Thonet S 33 that can be explored in Stühle zum (Be)Sitzen is a direct further development, not least in the fact it is not quite as rigid as the W1 and W2: not as formally rigid, is slightly softer, it curves a little more, than the uncompromisingly quadratic of the W1 and W2, and not as structurally rigid, is slightly softer, is more resilient in the sitting experience; a resilience that for all it is today a central feature of the cantilever chair wasn't at the forefront Stam's intentions with the W1 and W2, rather is a resilience which a Ludwig Mies van der Rohe brought to the cantilever, largely because he was extremely critical of, and unhappy with, Stam's design... A Thonet curving, flowing, billowing, organic, that can also be followed in the base of the 1929 Barcelona Chair by Ludwig Mies van der Rohe and Sergius Ruegenberg, the latter of whom famously, or not so famously, but which should be famously, shaped the seat, or at least began the process of shaping the seat, through sitting in the sand on a beach by way of approaching the required relationship between seat and backrest, albeit sat in the sand not on Barcelona Beach but on Wannsee Beach, on the southern edge of Berlin...

#officetour Milestones – The Mannesmann-Haus by Peter Behrens

...20 Material such as the marble used for the vestibule staircase; a marble staircase which, according to Ludwig Mies van der Rohe, had been his contribution to the Mannesmann-Haus21, for lest we forget, not only was Le Corbusier in Behrens' employ in the early years of the 20th century, but also Walter Gropius and Ludwig Mies...

The Furniture of Lilly Reich and Ludwig Mies van der Rohe: The Early Years

..."1 A statement that has in many regards come to define understandings of the furniture designs of both Ludwig Mies van der Rohe and Lilly Reich... And a statement and understanding whose clarification not only provides an excellent starting point for an exploration of the furniture designs of Lilly Reich and Ludwig Mies van der Rohe, but also for some reflections on the (hi)story of furniture design...

smow blog Design Calendar: March 27th 1886 – Happy Birthday Ludwig Mies van der Rohe!

...What words can one find to honour the birthday of the German architect, designer and ex-Bauhaus Director Ludwig Mies van der Rohe?... The interviews were subsequently published in the American architecture magazine Pencil Points, the September 1935 edition featuring Nelson's portrait of Ludwig Mies van der Rohe, or Miës van der Rohe as Nelson insists on referring to him...

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