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D4, Cavalry cloth, red

by Marcel Breuer, 1927 — from 1.445,00 €
Tecta D4

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D4 Cavalry cloth, red

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1.445,00 € *
Available within 6-8 weeks
(standard delivery time)
3 % advance payment discount*: 1.401,65 € (Save 43,35 €)

* incl. 19 % VAT, incl. shipping (Austria, Germany)
The D4 by Marcel Breuer through Tecta can, in effect, be referred to as the foldable brother of the Wassily chair. Originally named B4, this elegant folding chair presents itself as a mobile version of the steel tube lounge chair and thus a version which can be used when and where it is needed. The background behind and the materials used make the D4 an example of Bauhaus furniture par excellence.

Details

Product type Collapsible armchair.
Dimensions Width: 78 cm
Depth: 61 cm
Height: 71 cm
Seat height: 38 cm

The seat height can vary due to production conditions, the dimensional stability of the material and the hook-in height of the seat surface.
Colours Iron thread

Bauhaus Straps
Material Frame: steel tubing , chrome plated
Seat and back: Belts, available in Bauhaus fabric (100 % polyacrylic) or iron thread
Function & properties Foldable and thus space-saving storage
360 Video
Certification
The re-editions of Bauhaus models produced by Tecta are approved by the Bauhaus Archive in Berlin and bear the Bauhaus signet designed by Oskar Schlemmer.
Care To clean the frame, we recommend a soft, damp cloth
The fabric covers can be carefully vacuumed
Please treat leather surfaces regularly with a suitable leather care product
Awards & museum Since 1980 part of the Permanent Collection of Museum of Modern Art (MoMA), New York
Warranty 24 months
Product presentation

Popular versions

D4, Bauhaus Straps, mud brown
Tecta D4, Bauhaus Straps, mud brown
1.525,00 €
2 x in stock, delivery time 2-3 working days (country of delivery Germany)
D4, Cavalry cloth, red
Tecta D4, Cavalry cloth, red
1.445,00 €
Available within 6-8 weeks
(standard delivery time)
D4, Bauhaus Straps, rose
Tecta D4, Bauhaus Straps, rose
1.525,00 €
Available within 6-8 weeks
(standard delivery time)
D4, Bauhaus Straps, black
Tecta D4, Bauhaus Straps, black
1.525,00 €
Available within 6-8 weeks
(standard delivery time)

More about 'Bauhaus', 'Marcel Breuer' in our journal

5 New Architecture & Design Exhibitions for May 2024

...org "Lucia Moholy: Exposures" at Kunsthalle Praha, Czech Republic As noted from the Bröhan Museum, Berlin's, exhibition Lucia Moholy – The Image of Modernity, Moholy is not only an instructive example of how, why, so many inter-War female creatives slipped into an unjust anonymity, nor only an informative individual in context of how Bauhaus as an institution functioned on a daily basis, both during its existences and following its ultimate demise, but for all Lucia Moholy is an instructive and informative and interesting creative who should play a much more prominent role in contemporary dialogues and discourses than she currently does... brussels "Bauhaus and National Socialism" at Klassik Stiftung Weimar, Germany As oft noted in these dispatches, perhaps most directly in context of the Stadtmuseum Weimar's exhibition Mathilde von Freytag-Loringhoven...

Yrjö Kukkapuro – Magic Room at Espoo Museum of Modern Art, EMMA

...Kukkapuro developing an ice hockey stick chair that is a very nice twist on the, in all probability apocryphal, story of Marcel Breuer being inspired by bicycle handle bars to employ steel tubing in furniture; an ice hockey stick chair that introduces, and very efficiently elucidates, various formal, aesthetic and constructional aspects that are of such importance in the Yrjö Kukkapuro oeuvre... Plexiglass which also features, alongside tubular steel, in a 1969 cantilever chair which takes up Marcel Breuer's vision of us one day sitting on a "resilient column of air"2, and not only allows one to approach that day via, as Breuer did, the inherent elasticity of the cantilever, but also to approach that day via the transparent seat shell, a conceit which means you are almost literally floating on air...

(smow) introducing: Rowac

...And was also verifiably used by the Bauhauskapelle, that sadly oft forgotten soundtrack to Bauhaus life... And which in being the stool of choice in Weimar and Dessau also helps further deconstruct easy, lazy, talk of Bauhaus furniture; underscores that while furniture was made at both Bauhauses it wasn't as big a theme at the Bauhauses, certainly not Bauhaus Dessau, as many would today have you believe...

Chairs: Dieckmann! The Forgotten Bauhäusler Erich Dieckmann at Neuwerk 11, Halle

...In which context one of the more interesting comparisons one can frame Dieckmann in is that with Marcel Breuer: the two were fellow students in the Weimar carpentry workshop under Gropius; they shared responsibility for the majority of the furniture and interior design of the Haus am Horn show home presented at the 1923 Bauhaus exhibition; both had a hang in their furniture to a constructivist rationalisation; both passed their Gessel exam in 1924... A state of affairs which on the one hand, arguably, is related to the fact Breuer moved not only to Dessau but to America, and thus post-War when Bauhaus, largely the Dessau incarnation, was raised by the MoMA New York to its near mythical position in the pantheon of design, when all other inter-War German design schools were wiped in a single sweep from the narrative of furniture design (hi)story, when Bauhaus became the synonym for inter-War design in Germany, Marcel Breuer was very visible...

Eames Lighting Design... Or, A search for light in the Eames Universe...

...Wandering aimlessly through the digital Marcel Breuer Archive one afternoon, we stumbled across a letter dated July 25th 1950 from Peter M Fraser, one of Breuer's employees, to the Eames Office, enquiring about a lighting design by Charles and Ray that Breuer was interested in using in one of his architectural projects, and requesting... And brings us back to Marcel Breuer...

Anton Lorenz: From Avant-Garde to Industry @ Vitra Design Museum Schaudepot, Weil am Rhein

...Prior to his aforementioned acquaintance with Mies van der Rohe's cantilever chairs, Lorenz had seen works by Marcel Breuer in the office of Breuer's associate, business partner, and fellow Hungarian, Kálmán Lengyel, and subsequently not only joined the board of Breuer and Lengyel's Standard Möbel company but undertook experiments in his own workshop to further develop the technical, material, aspects of Breuer's work, experiments which, as he describes, were intended to bring the same resilience to Breuer's designs that he had felt in Mies's... Thonet, serving between 1933 and 1935 as, and somewhat logically, Head of Industrial Property Rights, before spending the second half of the 1930s in closed contact with the likes of Mies van der Rohe, Hans Luckhardt, Heinz Rasch, Lily Reich, László Moholy-Nagy and Marcel Breuer...

smow blog Design Calendar: June 1st 1932 - Mart Stam Awarded Artistic Copyright for the Cubic Cantilever Chair

...The story begins in Dessau in the mid 1920s and the development of tubular steel furniture, a process in which Marcel Breuer unquestionably played a major, if not the major, role... Aware of the commercial possibilities of the genre Marcel Breuer established in late 1926/early 1927 the company Standard-Möbel in Berlin with fellow Magyar Kálmán Lengyel, the first dedicated manufacturer of tubular steel furniture...

All 'Bauhaus', 'Marcel Breuer' Posts

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