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smow Hamburg
Domstraße 18
20095 Hamburg

+49 40 767 962 00
hamburg@smow.de

Opening times:
Mon-Fri 10 am - 6 pm
Sat 11 am - 4 pm
Eames Plastic Side Chair RE DSR
Eames Plastic Armchair RE DAW
Eames Plastic Side Chair RE DSW
Eames Plastic Armchair RE DAR
Aluminium Group EA 119
Grand Repos
Lobby Chair ES 104
Soft Pad Group EA 219
Noguchi Coffee Table
Aluminium Group EA 117
Akari 26A / 21A / 15A
Panton Chair
Eames Plastic Side Chair RE DSX
Lounge Chair & Ottoman
LTR Occasional Table
Hang It All
Soft Pad Group EA 217
Ball Clock Limited Edition
Special Edition
Guéridon
ID Soft Black Special
Offer
Nelson Bench
Toolbox RE
ID Mesh
Eames Plastic Armchair RE LAR
Soft Seats
Grand Relax
ACX Light
Eames Stools
Ball Clock
Wire Chair DKR
Corniches
Plywood Group LCW / LCW Leather
Home Desk
Eames Elephant
AM Chair
Physix
Eames Plastic Armchair RE RAR
Guéridon Bas
Aluminium Group EA 107 / EA 108
Nuage Vase
Seat Cushion for Wire Chair (DKR/DKW/DKX/LKR)
Castor for Vitra chairs
Eames Plastic Side Chair RE DSR Duotone
Akari UF3-Q
Akari 10A
Wooden Dolls
Rookie
Rotary Tray
Evo-C
Akari 14A
Eye Clock
Lounge Chair & Ottoman Nubia
Softshell Chair with four-legged base
Repad
Eames Elephant Small
Glides (1 Set) for Vitra Chairs
Unix Chair with Five Star Base
Plywood Group LCM / LCM Leather
Akari 1AD
Akari 1N
Akari UF4-33N
Akari BB3-55DD
Akari 55D / 75D
Sunburst Clock
Eames House Bird
Tabouret Solvay
Akari 24N / 25N
Night Clock Black
Eames Plastic Sidechair RE DSW Promotion Set of 4
Offer
Akari 13A
Belleville Table Outdoor
O-Tidy
Akari 16A
Tip Ton RE
Sunburst Clock Black
Sunflower Clock Black
Eames Classic Trays
Standard
Panton Junior
.03
Akari 1AG
Akari 1AY
Akari 3X
Akari 20N
Akari UF1-H
Sunflower Clock
Night Clock
Cone Clock
Aluminium Group EA 124
Happy Bin
Graphic Print Pillows
ID Soft
Wire Chair DKX
Akari YA2
Akari 23A
Soft Pad Group EA 223
Chaise Tout Bois
Akari 7A
Wire Chair LKR
Wooden Dolls Mother Fish & Child
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More about 'Vitra' in our journal

Stühle zum (Be)Sitzen, a smow Pop-up at the Grassi Museum für Angewandte Kunst, Leipzig

...As is the synthetic plastic employed in the Eames RAR that stands, rocks, literally and physically, next to Rietveld's Crate Lounge Chair; a RAR, a member of an Eames' 1950 plastic shell chair family, whose (hi)story is also a succinct overview of the use of synthetic plastics in furniture: originally in fibreglass, at that time an achingly novel material, and, arguably, the first synthetic plastic to enable the production of durable furniture in synthetic plastics, before considerations on the ecological sustainability and impact of fibreglass saw production switch to polypropylene, which itself began to be increasingly questioned in context of its ecological sustainability and impact, questioning which saw Vitra switch production of the Eames plastic shells in 2024 to a novel synthetic plastic won from recycled waste... A 1950s Denmark that also saw the origins of considerations on the possibility of a chair that it would be 1967 before it was realised and 1968 before it became a series product: Verner Panton's eponymous chair through Vitra...

Tsuyoshi Tane: The Garden House in the Vitra Design Museum Gallery and on the Vitra Campus, Weil am Rhein

...1 The exhibition Tsuyoshi Tane: The Garden House in the Vitra Design Museum Gallery, and the eponymous Garden House by Tsuyoshi Tane, the latest addition to the Vitra Campus in Weil am Rhein, allow one to approach not only a better appreciation of Tane's positions but also to experience how they influence and inform his approach, his works, his architecture... For all that Vitra is popularly associated with Weil am Rhein, Germany, the company's origins are to be found just across the border in Switzerland, specifically in Birsfelden on the edge of Basel, the association with Weil am Rhein being first forged in the early 1950s, a period when Vitra was still, primarily, a shop-fitting company, if one taking its first, tentative, steps into domestic interiors alongside retail interiors...

Living in a Box. Design and Comics @ the Vitra Design Museum Schaudepot, Weil am Rhein

..." Elegantly proving us very, very wrong the Vitra Design Museum's exhibition Living in a Box... How much a fan of modernism Tove Jansson is/was is much more questionable, not only does Moominmamma in telling Moominpappa not to move an object because "Mr Interior Decorator said it balances the green door", indicate a distrust of the dogmatic inflexibility of the modern leaning interior decorator that developed in the course of the post-War decades, a distrust that even a George Nelson shared, a dogma against which the Eames' reacted with their own home interior, and a position which also reminds of the tale "When Verner Panton decorated [then] Vitra CEO Rolf Fehlbaum's flat"...

Vitra Schaudepot: A New Home for the Vitra Design Museum Collection

...With the opening of the Vitra Schaudepot the Vitra Campus has not only grown by a further building, but the Vitra Design Museum has realised a long held dream, that of an exhibition space in which to present their collection in its full extent; or at least in a much fuller extent than has currently been possible... The Vitra Design Museum collection traces its origins back to 1981 when the then Vitra CEO Rolf Fehlbaum began buying historic examples of works by Charles & Ray Eames, Alvar Aalto and Jean Prouvé for his own interest; and has developed into a collection of some 20,000 objects, including around 7,000 chairs and 1,000 lamps from across genres, generations and geographic divides...

V&A Museum London: British Design 1948-2012. Innovation in the Modern Age

...Barber Osgerby currently work with Vitra, Magis, ClassiCon, flos...


All 'Vitra' Posts