Amongst our reference projects, those projects to which we return whenever the relentless flood of lifestyle, t**** and commerce masquerading as design, being popularly acclaimed as design, pushes us to the edge of an existential crisis, those design projects that revive our spirts and our hopes, remind us that it is all worthwhile and there is a purpose in continuing, is Herbert Hirche's 1953 lounge chair, a work in steel tube and upholstery that not only carries that novel material of the
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