Access by mischer'traxler, as seen at Design Without Borders 2024, Budapest

Wellen Wogen Wirbel. Water as a source of inspiration, Galerie Handwerk, Munich

It would inarguably, and inexcusably, be little more than employing a lazy, cheap, unwarrantable, stereotype and innuendo to opine that Hamburg is an apposite location for an exhibition exploring and discussing human societies’ relationships with water, being as it is a city where the incessant, clinging drizzle is only interrupted by the regular torrential downpours; rather, Hamburg is an apposite location for an exhibition exploring and discussing human societies’ relationships with water, as it is a city where the incessant, clinging drizzle is only interrupted by the regular torrential downpours. And because not only the fortunes and stature of the city were built on water, for all in the distant days of the fabled Hanseatic League, and of the pirates who cooperated with the city’s Hanseatic era leaders in their desires to assert Hamburg’s primacy on the Elbe1, but also Hamburg is physically built on, and for all physically built in, water. Which means that not only the streets and canals and banks – river and financial – of Hamburg offer access to perspectives on and of our relationships with water past and present, but that our relationships with water future will, invariably, be expressed through, and embodied by, Hamburg’s future. Or lack thereof.

With Water Pressure. Designing for the Future the Museum für Kunst und Gewerbe, Hamburg, not only create space for that exploration of and discussion on human societies’ relationships with water, but also for reflections on the roles, functions and responsibilities of design, and designers, in context of forming and defining our relationships with water past, present and future…….

Water Pressure. Designing for the Future, Museum für Kunst und Gewerbe, Hamburg

About a 100 years ago we mentioned Platform 21and their Repair Manifesto. Inspired by yesterdays rant against designers who find

Every month Jasper Morrison sends a photo to the Vitra Magazine. And every month Vitra publish it. Every month we