"You can't lose ideas in a small space" with this simple piece of almost Confucian wisdom Italian architect Renzo Piano explains part the deeper philosophy behind Diogene, his collaboration with Vitra. And the latest object on the Vitra Campus. Following quickly on from the public presentation of the SANAA Factory Building - unquestionably the biggest building on the Vitra Campus - Diogene is equally unquestionably the smallest. In fact, if our maths are correct you could fit around 2,600
read moreAs older readers will know a large proportion of the menial labour at (smow) is carried out by a team of highly qualified Vitra Eames Elephants. In the past we've praised them, for example, for their help moving USM Haller units around our warehouse. (smow) recently moved into a new base in the Leipzig Baumwollspinnerei complex, a former yarn works largely inhabited by artists, sculptors and their ilk. Being naturally curious beasts our elephants didn't take long to start exploring the
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In December 2012 Vitrashop, the shop fitting arm of the Vitra Group, and of course the original rock on which the Vitra seed germinated and grew, took formal occupation of their new distribution centre. Conceived by Tokyo based architects Kazuyo Sejima & Ryue Nishizawa aka SANAA, the imaginatively titled "SANAA Factory Building" is the latest addition to the Vitra Campus and was officially presented to the public on April 19th 2013. Vitra CEO Rolf Fehlbaum first approached Kazuyo Sejima &
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It is indicative of the image of designer furniture in contemporary society that media outlets across Europe have picked up on the fact that in connection with the recently published "Wealth Decelerations" by the French Cabinet, Industry Renewal Minister Arnaud Montebourg has revealed he owns an Eames Lounge Chair. Indeed the online platform from German magazine Der Spiegel illustrated the publication of the Declarations with an image of an Eames Lounge Chair in one its first reports! While
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Back in October at Orgatec 2012 Vitra unveiled Workbay, the new concept from Ronan and Erwan Bouroullec. The latest stage in the brother's career-long "room within a room" research Workbay is a flexible system based around fleece walls and aluminium supports that resembles a cross between the Alcove Sofa and the Bouroullec's Communal Cells from Orgatec 2010. When we saw Workbay in Cologne we thought, nice idea, nice extension of the Bouroullec programme... and went back to concentrating on
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Back in March 2011 we bemoaned the position of the fence surrounding the Vitra production facility in Weil am Rhein, and for all the disruption to the view across the Vitra Campus. Before the construction of the VitraHaus the fence offended no one, but since.... "Mr Fehlbaum, tear down this wall! Or at least move it a little bit. Please.", we cried. Paraphrasing the lonesome cowboy. And much like Mikhail Gorbachev needed two and half years to respond to Ronald Reagan, so too will it take
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As with so much of Ron Arad's commercially available, serially produced, furniture designs the story of Tom Vac starts a long, long way away from the domestic conformity one has become accustomed to seeing them in. In this case the story begins on a street corner in Milan. In 1997 the Italian architecture and design magazine Domus launched a PR campaign which involved asking contemporary designers to create an installation which embodied the fundamentals of the magazine. The first commission
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Until April 9th the Wasserschloss Klaffenbach Chemnitz is presenting the exhibition Eames by Vitra. As we wrote in our initial post, Eames by Vitra presents a complete overview of the Charles and Ray Eames chair canon complemented by texts, photos and videos that explain the background to the Eames Studio. It is not an exhibition that completely explains the creative phenomenon that was Charles and Ray Eames. But then it doesn't set out to be. It's all about the chairs. Eames by Vitra in
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In our Orgatec interview with Vitra CDO Eckart Maise we talked about the office system as the central component of the Vitra office furniture philosophy. One designer who has done more than most to establish Vitra's reputation in the office furniture sector is without question Antonio Citterio. Since his first collaborations with the company in the late 1980s Antonio Citterio has worked with Vitra on numerous key projects including the Ad Hoc system, the AC and ID office chair systems and most
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It being January, IMM Cologne once again provided the backdrop for the presentation of the A&W Designer of the Year Award. Following on from Tokujin Yoshioka in 2011 and Patrica Urquiola in 2012 the 2013 accolade went to everyone's favourite Bretons Ronan And Erwan Bouroullec In addition to the undoubted kudos of winning, as part of the award the Brothers Bouroullec are also being honoured in an exhibition at the Kölnischer Kunstverein. Featuring an overview of their more recent works the
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Wandering round the Vitra spaceship at Orgatec there was one product that you simply couldn't fail to notice. On every table, in every Workbay, in every Alcove stood a lamp. A Vitra lamp? Not technically. Technically a lamp from Swiss producer Belux. However since 2001 Belux has been part of the Vitra family and at Orgatec 2012 they made good use of their family connections to unveil the latest addition to their portfolio, U-Turn by ECAL Lausanne graduate Michel Charlot. Older readers will
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In February 1991 the grand doyen of Italian design Ettore Sottsass approached Vitra CEO Rolf Fehlbaum with a suggestion for a joint project looking at the nature and being of life and work in the office. The project wasn't aimed at developing office furniture, simply exploring the microcosmos "Office" in its multifarious facets. Rolf Fehlbaum willingly agreed and together with Michele de Lucchi, Andrea Branzi and James Irvine, Sottsass and Vitra set off an exploratory journey: researching,
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Post-DMY commitments in Berlin sadly meant that we couldn't attend the "Confrontations – Contemporary Dutch Design Live" event at the Vitra Design Museum. Fortunately the Vitra Design Museum and their partner, the Dutch design platform Premsela, have released videos of the five projects, through which of course one also gets a feel for the sixth project - the exhibition design by catalogtree. Shot by the experienced hands at designguide.tv the films offer a wonderful insight into the
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Back in October one of our highlights at Vienna Design Week 2011 was the exhibition kidsroomZOOM! Essentially a mid-town Vienna apartment kitted out entirely in furniture for children, we were not only impressed by the objects on display, but by the concept. Forget adults! We're doin' it for the kids! Being the message we got. And one we wholeheartedly approved of. kidsroomZOOM! originated in Milan, and so this year we not only visited the new 2012 show, but also spoke to curator Paola Noè to
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Until September 16th the Grassi Museum Leipzig is showing the Vitra Design Museum exhibition The Essence of Things: Design and the Art of Reduction. And so keeping with the theme, we'll keep our post reduced and simply link to our post from The Essence of Things: Design and the Art of Reduction at the Vitra Design Museum in Weil am Rhein. Paul Weller is famously of the opinion that it's ludicrous to expect him to sing songs today that he wrote as an 18 year old. His world view having,
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We suspect the reason we write so much about designer furniture in an airport context is simply because of the amount of time we spend in airports. And consequently the amount of time we spend thinking about and analysing what we are being offered. If you're going to be delayed at Frankfurt for five hours. You want to make sure that your seat is comfy. If you're going to have to spend the night at Copenhagen Airport. You want to make sure your seat is comfy. If you're... you get the idea.
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Ostensibly established as a location for presenting and archiving Vitra CEO Rolf Fehlbaum's private collection of designer furniture, the Vitra Design Museum has developed into one of Europe's most important centres for design, design history but for all, for explaining design and making design accessible. A large part of the museum's success can be credited to founding Director Alexander von Vegesack who led the institution from its opening in 1989 until the end of 2010. In January 2011 Marc
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At the end of March the V&A Museum London opened the exhibition "British Design 1948-2012. Innovation in the Modern Age", their major summer exhibition and a central pillar of their celebration of all things British throughout 2012. Documenting the story of design in the UK since the last London Olympics, "British Design 1948-2012" begins in an era when Britain as a nation was recovering from the trauma of the Second World War, yet understood that in the rubble of the war lay the chance to
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A common misconception is that the term "designer" in "designer furniture" means "exclusive". It doesn't. It just means that a designer has invested time in creating a product that does something new or which represents a further development of existing concepts. Designer furniture is however meant to be used everywhere, everyday, by everyone. Such as the Tom Vac by Ron Arad for Vitra. You could just use it in your dinning room or on your balcony. Or.....
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Although we regularly use the term "furniture market", one must technically speak from two furniture markets; domestic and office. OK you could also add retail, hotel, airport etc... but for the sake of convenience let's consider them as genre-crossing mongrels. Like folk-rock. Regardless however of how one categorises the industry, its probably fair to say that the past four years have been no real fun for European furniture producers. Especially not for those involved in the office
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For all in our near Copenhagen, and who aren't planning travelling to Weil am Rhein in the coming months, the Designmuseum Danmark is also currently offering the chance to view an exhibition that highlights the role of art in the design process. But featuring works from Finn Juhl. Not Ronan and Erwan Bouroullec. One of the most important, if not so universally well known, Danish furniture architects of the mid 20th century Finn Juhl would have celebrated his 100th bithday in 2012. And as
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Ronan and Erwan Bouroullec are without question two of the most important designers of their generation and are currently being honoured in two shows. The retrospective "Bivouac" currently on show at the Centre Pompidou Metz, and Album, an exhibition of their drawings and sketches that premiered in Bordeaux and is now on show at the Vitra Design Museum Gallery, Weil am Rhein, At the opening of "Album" at the Vitra Design Museum Gallery we spoke to Ronan Bouroullec about drawing, getting
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On his 2009 album "Waxing Gibbous" Falkirk balladeer Malcolm Middleton included the song "Red Travellin' Socks" a jaunty - if for us touch too obvious - ode to his love/hate relationship with, well his Red Travellin' Socks. Wearing his socks he's reminded of the freedom of the open road that is currently helping him fulfilling his primitive desires - until such time as the romantic myth of the endless highways explodes and he begins to long for home. The red socks symbolising his frustration
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As many of you know we don't do trends. Never have. Never will. But others do. And back in 1964 the trend in West Germany was leather furniture. At least according to Der Spiegel. In "Haut und Haare", a delightful article, that admittedly probably shouldn't be read by anyone planning buying a Barcelona Chair for Christmas, the unnamed Spiegel author not only explains just how much of a trend leather had become in the West German living rooms of the day, but exhibits a wonderfully casual
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