In his Ron Arad monograph Restless Furniture Deyan Sudjic notes that the Sticks & Stones furniture crusher Arad developed for the exhibition Nouvelles Tendances staged by the Centre de Creation Industriel Paris in 1987 was itself only saved from the crusher through the post-exhibition "intervention of a friendly Swiss furniture manufacturer."1 While all Swiss furniture manufacturers are friendly, one particularly friendly Swiss furniture manufacturer springs to mind whenever the discussion
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As with so much of Ron Arad's commercially available, serially produced, furniture designs the story of Tom Vac starts a long, long way away from the domestic conformity one has become accustomed to seeing them in. In this case the story begins on a street corner in Milan. In 1997 the Italian architecture and design magazine Domus launched a PR campaign which involved asking contemporary designers to create an installation which embodied the fundamentals of the magazine. The first commission
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A common misconception is that the term "designer" in "designer furniture" means "exclusive". It doesn't. It just means that a designer has invested time in creating a product that does something new or which represents a further development of existing concepts. Designer furniture is however meant to be used everywhere, everyday, by everyone. Such as the Tom Vac by Ron Arad for Vitra. You could just use it in your dinning room or on your balcony. Or.....
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For people who spend most of their working lives sat at desks, publishers and authors have a frightening disregard for comfort when it comes to chairs. Or at least they do if the furniture we saw at the 2010 Leipzig Buchmesse was a measure of the industry norm. Cheap folding chairs, cheap copies of designer furniture classics being presented as originals and general cheap tat as far as the eye could see. Fortunately one or two of the exhibitors seemed better informed. Below a few snapshots
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The end of January sees the inauguration of the new Design Museum in Holon, Israel. We were planning heading on over, until we read that the "Design Museum Holon's permanent collection ... will be unveiled in five to seven years" So we'll probably wait until the collection is in before booking our flights. But given that the permanent collection is still half a decade away, and that no temporary or travelling exhibitions have been announced.... why the official inauguration? The answer is
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(click to play) As a few you have noticed (and thanks for the mails by the way, always appreciated) we've been a bit quiet of late. The reason for our absence was the development of our new short animated film: "usm_highboard_m_rubinrot" Initially conceived as a simple animated tribute to the the role of the trouser press in the social history of lower-middle class England since 1067, the work proved to be little more complicated than first envisaged. As one should really expect wth such a
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Since Saturday the Museum of Modern Art (MoMa) in New York has been showing their new exhibition Ron Arad: No Discipline. Until October 19th visitors have the opportunity to view a varied selection of Arad's work. Or in the organisers words: "...celebrate the designer’s interdisciplinary and “no-disciplinary” spirit. Physical concepts are traced through works in different materials and scales, and objects are grouped in families based on a shared form, material, technique, or structural
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One of the reasons we never pursued a career as film reviewers is that writing in the dark is so difficult. Compared to those notes that we write in darkened cinemas the Rosetta Stone appears as if it was set in Helvetica 8. And so it is that from our trip to "Objectified" at the IFC Centre in New York, the only words we can clearly read are "organic popcorn". It was, and it was lovely. Fortunately we know people who can read our hand writing and they have now finished the translation
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Last week the (smow)team made their annual pilgrimage to the CeBIT communications and IT trade fair in Hannover – not as exhibitor but as curious visitors and passionate techies. And while we looked for ways to improve our on-line service and to offer even more features, we found our attention being continually attracted – and occasionally astounded – by the furniture behind and around the stands. And over the course of the visit we had plenty of time and opportunity to draw up a list of our
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The evenings are getting longer and the rain is a little warmer: Spring is unquestionably approaching. And with the rising sap many an idle thought will undoubtedly turn to romance and the city of all hopeless romantics, Paris. And for those of you planning making a short trip to the French capital this spring we at the (smow)blog would like to recommend a couple of exhibitions that could appeal. Until March 16th the Centre Pompidou is showing an exhibition from the British/Israeli designer
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It may be a few months old, but as relevant as ever: The International Leipzig Festival for Documentary and Animated Film. During the festival in November 2008 smow sponsored, in conjunction with Vitra, the Industry Lounge. Within the festival hub – the Museum der Bildenden Künste Leipzig – industry visitors, VIps and the media were offered a quiet and relaxed atmosphere in which to hold business meetings, hold – or overhear discussions – or simply to relax and unwind. The Industry Lounge
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