There is an argument to be made that popular understandings of, and the popular presentation of, inter-War European avant-garde architecture and design tend to focus on Germany and Russia, and on Functionalism, popular foci that tend to cause us all to forget that the inter-War European avant-Garde was a homogenous mix of positions and, and as with the Art Nouveau before it, an international moment defined by its variety of regional dialects. With the exhibition Hej rup! The Czech Avant-Garde
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