"Mis on disain?" What is design? asked once the Estonian designer Bruno Tomberg.1 What is Bruno Tomberg?, we, essentially, asked in context of the exhibition Bruno Tomberg. Inventing Design at the Estonian Museum of Applied Arts and Design, Tallinn. What is Bruno Tomberg in 2025 and beyond? was, essentially, the question posed by and off students from the Textile and Furniture Departments of Pallas University of Applied Sciences, Tartu, in context of the project Mõtestades Brunot,
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Stockholm's Konstfack university of arts, crafts and design used the occasion of Stockholm Design Week 2025 to present the results of a number of semester projects including, for example, Innovation for Resilience which concerned itself with questions of circularity and sustainability in the infrastructure of camps for the displaced; Half Past Five at our Place, a cooperative project involving kitchenware undertaken in conjunction with pupils at Stockholm's Kung Saga Gymnasium; or Air Ship.
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In 1958 the French sociologist Roger Caillois opined that "L'esprit du jeu est essentiel à la culture"1, 'the spirit of play is essential to culture', an opinion that finds an echo in a Charles Eames' "toys are not really as innocent as they look. Toys and games are the preludes to serious ideas".2 A position that, in many regards, underscores the argument made from and by Design for Children at the Bröhan Museum, Berlin, that design for the playful world of the child is the best location to
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For all that nature is based on, dependent on, carefully formed patterns, repeating order, an efficiency of structure, it is invariably a lack of pattern, order or structure, a randomness and serendipity, that brings about the most fundamental changes, that drives developments in individuals, populations, communities, societies. And for all that the human spirit is naturally drawn to, and naturally delights in, carefully formed patterns, repeating order, and efficiency of structure, do we
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Launched in 2002 by Stockholm Furniture Fair as a fringe accompaniment to the manufacturers presenting their wares in Stockholmsmässan's halls, Stockholm Design Week has, of late, become ever more a Stockholm Furniture Fair satellite as ever more manufacturers choose to present their wares in their flagship stores in downtown Stockholm rather than in Stockholmsmässan halls. A shift that, arguably, is partly responsible for the amount of space within those Stockholmsmässan halls, space that
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We all know that we should eat more healthily than we do. We all know that all packaged foods, regardless of type, contribute to our current ecological malaises. We all know we needs must do more ourselves, be more proactive and vigorous in questions of our food and nutrition and the environment. But it's all so complicated, all sooo difficult, all soooooooo time-consuming....... Really? Realised by Ebba Lönn in context of the project Earth 2 Earth at Lund University School of Industrial
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Woven cord of various types is a common material in furniture, has been used for generations, centuries, has more than proven its worth over those generations, centuries, not only as a structural material but as an aesthetic material and as an ambient material; however, when used woven cord is, invariably, used as a component of an object, as a means of providing a particular functionality, most probably a seat or storage option. And more often than not the woven cord is an interchangeable
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Amongst our reference projects, those projects to which we return whenever the relentless flood of lifestyle, t**** and commerce masquerading as design, being popularly acclaimed as design, pushes us to the edge of an existential crisis, those design projects that revive our spirts and our hopes, remind us that it is all worthwhile and there is a purpose in continuing, is Herbert Hirche's 1953 lounge chair, a work in steel tube and upholstery that not only carries that novel material of the
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At Stockholm Furniture Fair 2023 we came to conclusion that furniture trade fairs aren't for the likes of us. They're not staged for the likes of us. And also aren't our thing. We're back in Stockholm for Stockholm Furniture Fair 2025. Why? As we left for Stockholm we were unsure ourselves. But if felt right, felt what we should be doing. And now we're here. And is it right? Is it what we should be doing? Is it what anybody should be doing? In the coming days and weeks we will bring you
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Amsterdam based manufacturer Lentala, a.k.a. Design Academy Eindhoven graduate Boris Lancelot, is, if one so will, a commercial expression of a research and experimentation begun in Eindhoven in context of Lancelot's 2018 graduation thesis Techno Motion, and continued post-Eindhoven in the project Active Classroom undertaken by Lancelot in conjunction with movement science researchers at the Vrije Universiteit Amsterdam and UMCG, University of Groningen. Research and experimentation which,
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As noted in our (brief) introductory post from Stockholm 2023, alongside all the problematic aspects of furniture fairs, one of the advantages, one of the joys of the format, is the chance to catch up with folks, the opportunity they offer to meet with, if oft all too briefly, individuals whose paths you don't cross on a regular basis; individuals such as Budapest based András Kerékgyártó, a designer who we greatly enjoy talking to, or more accurately who we greatly enjoy listening too,
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Launched in 2022 by Gothenburg based lighting manufacturer Oblure, Stair Lamp by, similarly Gothenburg based, Notchi Architects, is a freely dimmable desk/table/bedside lamp-cum-bookend which features two integrated USB-C ports on the side, an integrated two-pin plug socket unobtrusively, neatly, hidden within the base, exterior storage space for pens, USB sticks, chewing gum, lip balm, rings, loose change, very small cacti, etc, etc, etc..... and which screams 1980s Postmodernism at you.
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Based in Tauberbischofsheim in the extreme north of Baden-Württemberg, Germany, VS Vereinigte Spezialmöbelfabriken have producing furniture for schools for over 120 years — the "S" in "VS" was for the greater part of that 120+years Schulmöbelfabriken, school furniture works — and while you can definitely see Stakki in educational establishments, not least thanks to the child sized versions on show in Stockholm, and which, one presumes are known in Tauberbischofsheim as Stakkli, or as
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The high-backed settle has been a furniture object since at least the Middle Ages, if not earlier, and has be re-interpreted numerous times over the centuries; including in the early 2000s by Ronan and Erwan Bouroullec who, as far as we recall, introduced with their Alcove for Vitra the concept of the upholstered high-backed settle. A novel understanding of the high-backed settle that very quickly became a popular subject for manufacturers of acoustic furniture, and more gradually a subject
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Born in Tokushima, Japan, in 1920 as a scion of long line of Kendō equipment manufacturers, in the course of the 1950s Takeshi Nii increasingly became a handcraft practitioner, primarily in wood, and subsequently moving to furniture, for all chairs, a fascination with chairs that, as best we can ascertain, and if our Japanese is as good as we hope it is, was inflamed by post-War Danish chair design, and for all by Peter Hvidt and Orla Mølgaard-Nielsen's 1950 AX chair for Fritz Hansen; and
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Hej! Hej! Hej! Hej! Hej! Hej! The rhythm of Stockholm Furniture Fair is given as much by the greetings ringing through the venue as by the layout of the halls or by the products on show; wherever one goes the background to everything is the sound of a simple, but potent, galvanising, word, concept, conveyed and returned....... 🧑 Hej! Hej! 👩🏾 👵🏽 Hej! Hej! 😀 🧔🏼 Hej! Hej! 🤝🏾 But it's been a while since we were last exposed to the joyous rhythm of Stockholm Furniture Fair. Or indeed to
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With the 2020 edition Stockholm Furniture Fair celebrates its 70th birthday. Grattis på födelsedagen! We did think about taking along a cake, but knew the halls of Stockholmsmässan would be filled to the rafters with Kanelbullar, as indeed would we. And so by way of a present, a Stockholm Furniture Fair 2020 High 6!! EIO Lounge Chair from Nuen The first thing to say is that we feel that, for us, EIO is but the start of a journey. The second thing to say is that ahead of any trade fair one
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As regular readers will be aware, in these dispatches we, very, very occasionally, quietly bemoan a certain monotony at furniture trade fairs, protest that, if you will, we regularly find ourselves wading through an homogenous mass. On this occasion we will however let someone else make that observation on our behalf. In his 2015 book Swedish Design: An Ethnography the American anthropologist Keith M. Murphy notes of a visit to the 2006 Stockholm Furniture Fair, "[T]he only problem was, so
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One of the most striking aspects at Stockholm Furniture and Light Fair is the way the various Scandinavian manufacturers try to impress how old they are. Arguably on account of the sheer concentration of Scandinavians at the region's premier furniture and lighting trade fair, you will rarely find so many in one place at one time, all seem locked in a battle to claim the status as oldest, to lay claim, as it were, to being the elder statesmen of the guild. Established in 1964 screams one stand.
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Technically after IMM Cologne we should pack our kit bags and head of to Sweden for Stockholm Furniture & Light Fair + Stockholm Design Week. Technically. Sometimes however other things get in the way. Life, for example...... And so we'll sadly not make it to Stockholm this year. Sadly because Stockholm in February is just the most magical place. And sadly because of the wonders that we expect we'd find there. As Scandanavia's largest furniture and lighting trade fair, Stockholm is the
read moreOn his 2009 album "Waxing Gibbous" Falkirk balladeer Malcolm Middleton included the song "Red Travellin' Socks" a jaunty - if for us touch too obvious - ode to his love/hate relationship with, well his Red Travellin' Socks. Wearing his socks he's reminded of the freedom of the open road that is currently helping him fulfilling his primitive desires - until such time as the romantic myth of the endless highways explodes and he begins to long for home. The red socks symbolising his frustration
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We don't suppose it will come as any real surprise that we were taken by Axel Bjurström's Dolly Table. Part Gangsta Lean, part Collecteur, part Liesmichl, part inspired genius - we really couldn't not like it. A graduate of Konstfack, Stockholm's renowned design university, Axel Bjurström established his own studio Bjurström Design in 2004. Although much of his work until now has been interior design Axel also creates his own pieces. And that with a wonderfully light yet self-confident
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At the risk of repeating ourselves - one of the main reasons to visit a design week is the chance it offers to visit locations that one otherwise probably wouldn't. And we've had some truly wonderful experiences: but only a few that top 20 designers at BIOLOGISKA. Officially Biologiska is a natural history museum. Officially. Based on the form of traditional Norwegian stave churches the quaint if unassuming exterior cannot, simply cannot, prepare the visitor for what is inside. Climbing
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As part of Stockholm Design Week 2011 Kartell presented the magazine rack Front Page by Stockholm design studio Front. Clever word play and all..... Although formally launched at Milan 2010 Front Page is only now making it's way into the shops and as such presented a wonderful excuse for a Front "home gig". Having already worked with producers such as Moroso, Established & Sons or moooi, Front Page is Front's first product for and with Kartell. At the product launch in the Stockholm
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