Looking back from the safety of 2019 it can be all too easy to assume that Bauhaus was a popularly received and much celebrated institution. ❌ From its very earliest days, even before the first students had arrived in Weimar, the institution met with tenacious criticism and steadfast resistance; and arguably nowhere more so than in Weimar. With the exhibition Mathilde von Freytag-Loringhoven. Painter, Author, Animal Psychologist and Bauhaus Critic the Stadtmuseum Weimar introduce one of the
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The 1920s was in many regards a decade that promised so much, achieved so much, but which was then overtaken by political and economic events before it could cement that which it promised and achieved, and which therefore remains hanging, almost stranded, in history. Somehow unfulfilled. And which with its popular image as as roaring, golden, age also appears a little too joyous, a little too optimistic, sandwiched as it is between the horrors and loss of two wars. But then in the course of
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