One of the take home messages from the Vitra Design Museum's Lightopia exhibition is that lighting design is rarely about the form of the final object - that is often little more than an expression of the designers artistic sensibilities - and much more is about, for example, the utilisation of materials in the construction or the method by which the light is generated and the luminescence distributed. This reality was wonderfully underscored by Austrian designer Sebastian Zachl's Passionswege
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