It's probably fair to say that no object at IMM Cologne 2018 confused us quite as much as the new 118 chair by Sebastian Herkner for Thonet. Not in bad way. Just in a confused way. We know, we know, what sort of being gets confused by chairs. Us. Regularly. It's why our lives' are such a mess. 118 by Sebastian Herkner for Thonet, as seen at IMM Cologne 2018 The quadratic wooden side chair is one of the true archetypes of chair design. Arguably tracing its history back to the Klismos of
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We don't consider ourselves slouches when it comes to the effort we make in regards of presenting ourselves at Orgatec Cologne, but we do have to doff our ornately feathered caps to the colleagues at Stylepark. In keeping with their curated "Featured Editions" programme at IMM Cologne where design studios are asked to create an installation around a given design object, for Orgatec 2014 Stylepark asked four designers to create a 12 sqm presentation reflecting their interpretation and
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Since the late 1950s Bavarian porcelain manufacturer Rosenthal has cooperated with an impressive roster of international designers to create new objects and product families, notable cooperations including those with Raymond Loewy, Walter Gropius, Wilhelm Wagenfeld, Jasper Morrison or Patricia Urquiola. One of the firms most recent collaborations is and was with Offenbach am Main based Sebastian Herkner. A graduate of the Hochschule für Gestaltung Offenbach am Main, Sebastian Herkner
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Revolutions in design and architecture invariably involve a new material. The oldest examples of this phenomenon being found in the context of metals: the Bronze Age and the Iron Age. And in the 6000 years since man first learnt to mix tin and copper the fascination for and desire to work with metal remains as primordial as ever. To celebrate the variety and durability of metal in design Frankfurt based Trademark Publishing recently released "Objects: Alle Metalle" an homage to classic and
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