In his ca. 75 CE work The Life of Theseus, the Greek biographer, historian and Delphi priest Plutarch notes that the ship with which Theseus returned to Attica having slain the Minotaur in its labyrinth on Crete, "was preserved by the Athenians down even to the time of Demetrius Phalereus, for they took away the old planks as they decayed, putting in new and stronger timber in their place", meaning that over time the ship of Theseus "became a standing example among the philosophers, for the
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X-Base Chair An xpression; An xpansion; An xposition Whereas the English word 'furniture' has its origins in the middle French verb 'fournir', to furnish, the French 'meuble' and German 'Möbel' have their origins in the Latin 'mobile': capable of being moved. Much as with the so-called Curule Chair, one of the earliest known manufactured seating objects, a seating object so-called because the legs generally 'curuled', a seating object of the distant past that was as much a symbol of power as
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Grassimesse Leipzig 2024 Compact: Faculty of Angewandte Kunst Schneeberg - Me and My Chair The exhibition A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, may have ended but its traces can still be felt at Grassimesse 2024, being staged as it is to a large degree in the A Chair and You scenography. Or more accurately the A Chair and You colour and atmosphere scheme, the more extreme elements of Robert Wilson's scenography having been removed. And the soundtrack in the
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Budapest Design Week 2024 Compact: Konyky by Natalia Filonenko for Donna According to our dictionary 'Konyky' is Ukrainian for 'Grasshoppers'. It might not be, our dictionary could be wrong. We suspect it is. But if it is correct, it's a curious name for Natalia Filonenko's stool/table/pouffe for Kyiv based manufacturer Donna. Surely Lobzyk, jigsaw, or Holovolomka, jigsaw puzzle, make more sense. For that is essentially what Natalia has done, transformed a random piece of a jigsaw puzzle
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Olimp by Studio Raketa, as seen at Zagreb Design Week 2024 In context of critical reflections on the Bauhauses, reflections also intended to draw a distinction between the Bauhauses and the HfG Ulm, to explain that the HfG Ulm wasn't simply a post 1939-45 War continuation of the Bauhauses, Otl Aicher once asked, "is design an applied art, does it appear in the elements square, triangle and circle, or is it a discipline that draws its criteria from the task, from use, from production and
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Two Hundred Tons, as seen at Designblok Prague 2024 It's more or less a century since the first steel tube furniture was developed, and looking around you it's relatively easy to believe that since then everything has been done, that steel tube furniture has reached its full potential. Or perhaps more accurately; because the contemporary popular understanding of steel tube furniture is the steel tube furniture from the earliest days of steel tube furniture, and because the steel tube
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Aalto by Jasna Faginović, as seen at Zagreb Design Week 2024 Back in the day sofas, as with all other furniture objects, were solid, immutable, unresponsive objects. Were what they were and remained that for infinity, regardless of how everything else around them changed. Then the human species discovered modularity. A moment as important, and as fundamental, for the human species as the discovery of fire, the wheel, or the potato chip. And since when sofas have been modular. Except they
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Wegneritis An Itch; A Compulsion; A Just One Good Chair Formally catalogued in the WHO International Classification of Diseases as MB23.W1, Wegneritis is a condition exclusive to furniture designers first recorded in Denmark where Jørgensen Wegner, a Hans by birth, and a leading carpenter of his age whose chairs were celebrated and acclaimed throughout all the known lands of that period, was beset by a compulsion, a creative itch, to design ever new chairs, "If only you could design just one
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Moa by Roberta Wende, as seen at Design Without Borders 2024, Budapest As the chair Moa by Roberta Wende appeared in our field of view at Design Without Borders 2024 in the Kiscell Museum, Budapest, our first thought was "felt". Or more accurately our first thought was "FELT!!!", a reflection of our current obsession with all things wool and the promise (we firmly believe to be) inherent in an increase in small-scale, local, sheep-holding in Europe. And we were right it is felt. But not
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Pouls by Daniel Melente, as seen at Design Without Borders 2024, Budapest As discussed and explored in the exhibition Deep-seated. The Secret Art of Upholstery at the Grassi Museum für Angewandte Kunst, Leipzig, the cushioning that is so central, so defining, in contemporary seating, and in contemporary interiors, has a long (hi)story, a long (hi)story related to technical and cultural changes, a long (hi)story which has both been informed by and has contributed to changes in society. And a
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In 1949 Edgar Kaufmann Jr. the, then, Director of the Industrial Design Department at the Museum of Modern Art, New York, reflected, not uncritically, that "as more and more new chairs become available to the buying public, the problem of selection begins to be bewildering." A truism that has lost nothing in contemporaneousness over the decades; and also a very nice eyewitness observation from the early days of the rise of the post 1939-45 War American furniture design industry. And of its
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Rowac at Berlin Design Week 2024 By the time the Peter-Behrens-Bau was inaugurated in 1917 Robert Wagner’s Rowac Schemel, one of the earliest seating objects crafted from lightweight sheet steel, had been on the market for almost a decade. If it was used in the workshops and offices of the Nationale Automobil-Gesellschaft, NAG, who, at that time, called the Peter-Behrens-Bau home, or by the wider AEG family to whom NAG was a member, and who so defined the industrialisation of the early 20th
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For all that steel tubing is the popular personification of the rise of the novel in furniture and interior design in context of the developing industrialisation of the first third of the 20th century, that primary representative of the rise of the machine and its victory over craft, in many regards the real symbol of the progress of the period was the novel synthetic plastics being developed, Bakelite being inarguably the best known and most widely employed. Yet while in the 1920s and 30s the
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Morari by Jesse Altmann, Valentina Lenk and Klara Schneider, as seen at Berlin Design Week 2024 If we're going to entice and encourage ever more individuals in urban spaces to give up their private cars, and, we'll argue, that is desirable not only in terms of tackling the myriad problems of our contemporary urban spaces but also in exposing the fiction of, and the egoistic stupidity of, autonomous cars and flying taxis, we not only need public transport vehicles and networks that are
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Dedas by Annabella Hevesi, as seen at Berlin Design Week 2024 Admittedly the Dedas sofa by Budapest based designer Annabella Hevesi isn't part of Berlin Design Week 2024. But it is on show at Berlin Design Week 2024. Is part of the installation of the Sphere wallpaper collection for Italian manufacturer Tecnografica by Berlin based, Hungarian born, media artist Dávid Szauder in cooperation with Budapest based interior design studio Freeform a.k.a. Eszter Bolgár and Tímea Csitári. Albeit
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As noted from the exhibition Der ungesehene Designklassiker at the Deutsches Stuhlbaumuseum, Rabenau, alongside the introduction, re-introduction, enabled to the EW 1192 by Horst Heyder, a work that was, in all probability, the most widely found, most widely used, chair in the DDR and, potentially, one of the chairs existent in the greatest population densities anywhere ever, and thus a chair that inarguably shouldn't need to be re-introduced, but which on account of the nature of the
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Imagine you were one of the best selling and most widely used chairs in your country. But (hi)story had forgotten you. Imagine you were informative in context of elucidating important, but rarely illuminated, chapters in the (hi)story of furniture design. But (hi)story had forgotten you. Imagine you were instructive in context of the practice and craft and industry of furniture design. But (hi)story had forgotten you. Imagine you were in use in a great many locations. But no-one saw you.
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Beetlechair by Alexander von Dombois, as seen at Passagen Interior Design Week Cologne 2024 There is an argument to be made, indeed one we will make here without offering any evidence, we'll save that for another day, there is an argument to be made that some of the earliest forbearers, if not the earliest forbearers, of our contemporary side chairs were three legged: the three-legged stool is an object known across time and geography and class, and there is a particularly satisfying,
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Thonet A Michael; A Twist; A Portfolio of Patents According to the Felsbilder of the Nymphs of Loreley, that most important of sources of information of the earliest (hi)story of the contemporary Rheinland, the Thonet arose in the community of Boppard, a community framed on the one side by a series of swinging aqueous curves as the Rhein meanders its way slowly through the metamorphic rock of the Rhenish Massif, and on the other by a range of peaks of that Massif on whose flowing curving
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The H2L lounge chair by Studio Machwerk, as seen at Grassimesse 2023, Museum für Angewandte Kunst, Leipzig One of the joys of Grassimesse is that it has never been about big names and star turns, anyone and everyone can apply. All you have to do is convince the jury you deserve to be there. As newbies Studio Machwerk did. And did. Established in 2022 (possibly 2023, yes, we've forgotten, but certainly not before 2022) by Christopher (Ebert) and Josef (Ehnert), both graduates of the Faculty
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New Sources by Matthias Gschwendtner, as seen at Grassimesse 2023, Museum für Angewandte Kunst, Leipzig Developed by Matthias Gschwendtner in context of his Diploma Project at the Universität der Künste, UdK, Berlin New Sources sees, and simplifying more than is perhaps prudent, Matthias employ Artificial Intelligence, 3D scanning, algorithmic modelling and robotic milling to form silver birch branches into the necessary components for a chair. Which, yes, does sound like an awful lot of
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"Something is happening to the way people live" opined Nanna Ditzel in 1961; changing realities which caused her to reflect that, in terms of our furniture and interiors, "don't we carry around a whole load of stuff that is old and defunct - and could actually be different."1 With the exhibition Nanna Ditzel. Taking Design to New Heights, Trapholt, Kolding, explore how Nanna Ditzel approached and understood and realised that "different"....... Nanna Ditzel. Taking Design to New Heights,
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Amsterdam based manufacturer Lentala, a.k.a. Design Academy Eindhoven graduate Boris Lancelot, is, if one so will, a commercial expression of a research and experimentation begun in Eindhoven in context of Lancelot's 2018 graduation thesis Techno Motion, and continued post-Eindhoven in the project Active Classroom undertaken by Lancelot in conjunction with movement science researchers at the Vrije Universiteit Amsterdam and UMCG, University of Groningen. Research and experimentation which,
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Based in Tauberbischofsheim in the extreme north of Baden-Württemberg, Germany, VS Vereinigte Spezialmöbelfabriken have producing furniture for schools for over 120 years — the "S" in "VS" was for the greater part of that 120+years Schulmöbelfabriken, school furniture works — and while you can definitely see Stakki in educational establishments, not least thanks to the child sized versions on show in Stockholm, and which, one presumes are known in Tauberbischofsheim as Stakkli, or as
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