The music by Peter Scherer, and music design by Daniel Hobi, play an important role in the film E.1027 - Eileen Gray and the House by the Sea; play an important role in enabling Beatrice Minger and Christoph Schaub's film to allow us all to approach the differentiated and more probable appreciation of Eileen Gray E.1027 - Eileen Gray and the House by the Sea admonishes we all need must approach. But can exploring Eileen Gray via music also allow one to approach that differentiated and more
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"J'ai toujours aimé l'architecture. Plus que tout" reflected Eileen Gray in 1973, 'I've always loved architecture. More than anything", continuing, 'but I didn't think I was capable of it'.1 A capability her first major project, the villa E.1027 at Roquebrune-Cap-Martin on France's Côte d’Azur, tended and tends to underscore she needn't have doubted. If a capability that over the decades has oft been as concealed and inaccessible as E.1027. With the film E.1027 – Eileen Gray and the House by
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