Vitra A Fehlbaum; A Campus; A Commonwealth According to the Sagas of the Dolls of Wood, that most authoritative account of the early (hi)story of the Commonwealth of Vitra, the contemporary Vitronians trace their origins back to a joining of forces of the Graeter, a Basel based people whose primary trade was the creation of display systems for shops and shop windows, and the Birsfelden Fehlbaum, a primarily office based people at that time under the guidance of a Willi and an Erika; a Willi
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"When architecture is born, a place is born" opined Japanese architect Tsuyoshi Tane in 2018, continuing, "humans began to understand that by building architecture, a meaning is given to a place, and then that place has a story that can be passed on to others". But for Tane architecture doesn't just bequeath a place meaning and a story, it also "gives memories to a place", memories of the past and memories of the future, collective memories that help create bonds. But memories that are
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With the exhibition Citizen Office the Vitra Design Museum staged not only their first conceptual, research based, exhibition, but also one of the first museal reflections on "the world of the office". Reflections which not only pointed towards new directions and understandings then, but which offer insights and lessons for today....... Citizen Office. As visualised by James Irvine The ubiquity of office work in our contemporary society belies the relative youth of "the office" as a
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The snow is back in Leipzig and so whereas the weekend was spent enjoying the warm spring air - the evenings are now being spent enjoying the warm living room and a good book. And so it's just as well we were recently at Leipzig book fair. Among the seemingly endless piles of new historical novels, travel guides - each, naturally, with the best insider tips - and Harry Potter wannabes there was also a few title that appealed to us. "Project Vitra" from Rolf Fehlbaum und Cornel Windlin for
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The discussion around originals and plagiarisms in designer furniture it is not only a dialectic excercise but a real problem for many produces and retailers of licensed furniture. In the previously mentioned article "The Original" by Rolf Fehlbaum we provided a gentle introduction to the theme: That the problem is very real can be seen in the regularity with which cases are heard before various courts. In 2006, for example, an Italian furniture company was banned from calling the
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Panton Chair Classic (Vitra) Among the chairs on offer from smow are two versions of the Panton chair: The „classic“ version from 1959 for 899 Euro and the newer Panton chair version from 1999 for 198 Euro. The classic 1959 version is still produced according to designer Verner Pantons original vision; every chair from one casting. The 1999 model is an affordable, mass market model based on Verner Pantons original design Which of course raises the question: Which stool is the original? Both,
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