In 1949 Edgar Kaufmann Jr. the, then, Director of the Industrial Design Department at the Museum of Modern Art, New York, reflected, not uncritically, that "as more and more new chairs become available to the buying public, the problem of selection begins to be bewildering." A truism that has lost nothing in contemporaneousness over the decades; and also a very nice eyewitness observation from the early days of the rise of the post 1939-45 War American furniture design industry. And of its
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