In 1997 Euro-popsters Aqua declared that "life in plastic, it's fantastic". And in 1997 a greater part of humanity would have readily, and unquestioningly, concurred with Aqua that plastic was indeed fantastic. And that plastics offered us an endlessly fantastic, undimmably bright, future.1 But that was 1997. Last century. An eternity ago. And, as so oft, the passage of time has shaken once firmly held convictions and forced fundamental re-appraisals of all that which once seemed so
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"It was one of those March days" reflects Philip "Pip" Pirrip in Great Expectations, "when the sun shines hot and the wind blows cold: when it is summer in the light, and winter in the shade".1 And thus exactly the sort of dithering, indecisive, capricious, March day when rather than surreptitiously rowing down the Thames towards Gravesend, one should seek refuge in the consistent climate and warming intellectual atmosphere of an architecture or design exhibition. Our five Great exhibition
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