"The word 'document' which in the last few generations stood, and in many regards still stands for, papers relating to legal matters, such as deeds, contracts, affidavits and certificates, has in present-day professional usage reverted to its original meaning as derived from its Latin origin", opined Lucia Moholy in 1948, "and now applies to spoken, written, printed and other materials, produced and distributed for the purpose of imparting knowledge".1 With Lucia Moholy: Exposures Kunsthalle
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"Everybody, except myself, have used, and admit to having used my photographs ... and often also without mentioning my name", lamented Lucia Moholy in 1956, "everyone – except myself – have derived advantages from using my photographs, either directly, or indirectly, in a number of ways, be it in cash or prestige, or both".1 The photographs in question being of and from the Weimar and Dessau Bauhauses, photos which played, and continue to play, a not unimportant role in mediating Bauhaus to a
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"Photography is the medium par excellence of our time. As a visual means of communication, it has no equal."1 So wrote the American photographer Berenice Abbott in 1941. How she set about proving such can be explored in the exhibition Berenice Abbott – Photographs at the Martin-Gropius-Bau Berlin Berenice Abbott - Photographs at the Martin-Gropius-Bau Berlin Born in Springfield, Ohio in 1898 Berenice Abbott initially, and only very briefly, studied journalism at Ohio State University before
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