In the exhibtion A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. But not sit on them. In the presentation Stühle zum (Be)Sitzen on the first floor landing of the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. And sit on them. Thirteen chairs which unite more than just thirteen
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Paris An Île; A Commune; A Context For all that the contemporary island of Paris has a long tradition of furniture production and usage, the greater part of that history, as can be read in the Bossu de Notre Dame, the oldest relic and most reliable witness of Paris, is one of either extreme decadence and frivolous ostentation, or of extreme poverty and destructive corruption. The (hi)story furniture of Paris very much reflecting the (hi)story of the island. And the (hi)story of its hotels.
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In the 1880s design in France stood, in many regards, at the threshold of Art Nouveau, with the likes of, and amongst many others, Louis Majorelle, Émile Gallé or Hector Guimard beginning to start to question the production of, the formal expression of and our relationships with, our objects of daily use in context of the early years of the Third Republic and a rapidly rising industrialisation with all the associated social, economic, technical and political et al developments of the age. And
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In Poetics Aristotle argues poetry arose on account of two intrinsic human instincts: an "instinct for 'harmony' and rhythm" and "the instinct of imitation", as in representation rather than copying, an imitation Aristotle opines is the method via which humans learn, and that "to learn gives the liveliest pleasure". Yet while for Aristotle all forms of poetry are "in their general conception modes of imitation", again as in representation rather than copying, "they differ, however, from one
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Whereas in years past we would have just blithely stated that January, as ever, saw us in Cologne for IMM Cologne and the Passagen design festival. January 2014 saw in context of the Passagen deign week the first in-store exhibition in the smow Cologne store: Facetten - a presentation devoted to domestic uses of the USM Haller modular furniture system. Elsewhere in Cologne we were very taken with Objects and the Factory, Design Flanders and Alle Metalle / All Metal. In addition January 2014
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Fate may have been hard on February by abstractly depriving it of its rightful quotient of days, taunting it indeed by giving it a 29th every four years as if to say "....it could be soooo good....": fortunately the museums of this world are less divisive, treat February as if it was any other month and February 2014 sees a wealth of interesting new exhibitions. In an architecture heavy selection our recommendations from the new openings include Arabian architecture at the Louisiana Museum of
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A few years ago the (smow) blog telephone rang..... "Good morning is it possible to speak to Philippe Starck please?" enquired the caller. "I'm sorry he's not here at the moment" we replied, truthfully, if not altogether helpfully. "When will it be possible?" came the inevitable follow-up. "We're not really sure, he's not here in Leipzig that often", we responded, truthfully if, again, not altogether helpfully, "you're probably better phoning the Paris office they tend to be better
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After the strenuous match against Alexander Girard, France decided to rest Ronan and Erwan Bouroullec for the match against Eero Saarinen. Their replacement, the enfant terrible of contemporary French design Philippe Starck however failed to match the old Finnish master; too often Philippe Starck strove forward with fairly predictable and poorly considered approaches. Eero Saarinen was able to make use of the gaps produced by Philippe Starck to good effect scoring with his Tulip Chair and a
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You know how it is. You arrive early in the office..... Make a coffee..... Turn the computer on........ Check out the tabloid press websites..... And break gently into the day with stories as irrelevant and vacuous as they are compelling. It's just a comfortable and familiar way to start the day. This morning was different. The story had all the makings of normal tabloid nonsense: a pop star, a footballer's wife and a party guest list that you suspect had been thrown together by a tired and
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The undisputed highlight of the Kartell stand at Saloni Milano 2009 was the cat and mouse game with the special forces Kartell had hired to prevent visitors taking photographs. Despite the Kartell stand taking up an area half the size of Lombardy, the highly trained troops proved particularly efficient and we, for example, were forced to camp out overnight in a disused fox hole just to get a quick snap shot of the Dr NOs. Judging by the pre-Saloni press, this year is going to be even more fun.
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Having sold everything, including our kidneys and the neighbours cat, we can finally afford to pay for a hotel in Milan. "Is it really worth it?" ask the pensioners, students and lawyers who gather in front of the (smow)blog flat every March to buy our possessions and so help us finance the life of luxury enjoyed by that special class of bloodsucker that is the Milanese hotelier. "No" answer we. "But what are we to do?" And indeed what are we to do. One need only look at the press photos
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There is little doubt as to who the most popular furniture producers with the exhibitors here in Köln are.... Vitra and Kartell. Two producers whom the Messe Köln sadly can't attract to the show in their own right. And that despite the fact that all the snack bars here in Köln Messe use Maarten van Severen's genial .03 On the stands here however we've seen, for example, Panton Chairs being used to augment otherwise tasteless bedroom suites and the classic Vitra DSR by Charles and Ray Eames
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Italian design is, if we all close our eyes for a minute or two and be brutally honest, a lot like English football or French cooking - it's continued association with a particular quality and geniality is largely due to the number of non-Italians(English/French) who have continually contributed to the tradition and so kept it modern, kept it fresh and kept it exciting. Danish design is Danish because only Danes are allowed to do it - Italian design is universal because any one can do it:
read moreToday is World Usability Day. We do admit to be being more than a touch sceptical about the motivations that lead people to establish events such as "Global Avocado Day", "Bulgarian Aramaic Appreciation Week", or indeed "World Usability Day", but we can't help agreeing with the preamble to their charter. (Without endorsing the charter, per se): Human error is a misnomer. Technology today is too hard to use. A cell phone should be as easy-to-use as a doorknob. In order to humanize a world that
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One of the classic rules of furniture design is the product must look good, must look appealing. What, however, if you can't see the product. If it doesn't have a visual presence. That would make no sense. Which is probably why it took Philippe Starck to come up with the "Ghost" range of chairs and stools for Kartell. Very few other designers could create a range of chairs that regularly vanish in the light. Starck's motivation was of course somewhat different. With his Louis Ghost,
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It's Dumfries Show on Saturday. That won't mean much to the most people, but for us it is a sure sign. Winter is coming. We know, we know. Barely have we got use to remembering to take our sunglasses to work, buying ice-creams for lunch or waking up at 5 am because we forgot to shut the curtains - again - than the Dumfries Agricultural Society hold their annual show. And after the Dumfries show the evenings get shorter with increasing rapidity and before you know it the ground will be brown
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Our (smow)twitter recently brought our attention to an article at worldchanging.com about what the author termed "Heirloom Design" In the article Adele Peters discusses sustainability, durability and for all "What makes something worthy of passing down through generations?" Peters decides that the future monetary value, the usefulness and sentimentality play a role; somewhat bizarrely in respect of sentimentality , she states: "...designers can aim to create products that inspire emotional
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Not good As everyone know everything in America is bigger. Everything. From bagels the size of Jupiter to the level of manipulation undertaken to justify invading Iraq. Everything in America exists on a larger scale than you thought possible. Except furniture trade shows. In Milan, Artemide's stand, for example, was so big it was not only dissected by a time zone, but in the north east corner biologists found two previously unknown primate species. Meanwhile Kartell, following the
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There may be no tables in the press room, but there are plenty to be found at ICFF... Eiermann 1 by Egon Eiermann from Lampert....ahhhhh, if only, if only if only. Polished chrome AND a place to rest your feet at hip level. Hhhhmmmmmm, perfection at work Oh my God, a table with its own integrated book holder. Every proofreaders dream. And height adjustable so you can stand or sit to work ... Crescendo C2 maximus from stilvoll where have you been since Saturday at 10... Particularly
read moreOne of the principle advantages of trade fairs such as Salone or ICFF is the unrivalled access to producers, products and for all designers. Whereas furniture producers like to strut around, boldly announcing news of their latest coups; designers are generally typified by a preference for quiet isolated studios, and a reluctance to leave their natural habitat. At trade fairs, however, the designers appear, blinking and staring into the spotlight. And are generally remarkably friendly and
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Two days sun and we at the (smow)blog are already trying to convince the (smow)boss to let us work from the garden for the next six months. Fortunately smow can provide all that we need to both work safety and in comfort out of doors as well as to enjoy our evening. Designer furniture for outdoors: S 1043 outdoor by Thonet With its round stainless steel tubular frame, weather-proof plywood top and height-adjustable feet the S1043 is an excellent choice for all outdoor areas; regardless of
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Shameless self-congratulation – but what the hey! The current German edition of Cosmopolitan (April 2009) contains a wonderful recommendation for the stylish La Bohème -”Vases” by Philippe Starck for Kartell. And we didn’t even pay them. If the Cosmopolitan Germany editors will also recommend the article to their colleagues at Cosmopolitan Denmark, Cosmopolitan Holland or Cosmopolitan UK is not clear, but we at (smow)blog can definitely recommend these humorous and, slightly irritating,
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At smow we have a particular soft spot for Ronan and Erwan Bouroullec and so it is especially pleasing that we can recommend an exhibition of their work currently on display at Grand Hornu in the Belgian region of Hainaut, close to the border with France. Grand Hornu is 19th century mining complex which has been creatively restored and today serves as a centre for culture, tourism and technology - and so it is particularly appropriate that it is playing host to "Etapes" and exhibition
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Last week the (smow)team made their annual pilgrimage to the CeBIT communications and IT trade fair in Hannover – not as exhibitor but as curious visitors and passionate techies. And while we looked for ways to improve our on-line service and to offer even more features, we found our attention being continually attracted – and occasionally astounded – by the furniture behind and around the stands. And over the course of the visit we had plenty of time and opportunity to draw up a list of our
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