For some 200 years Wiener Silber Manufactur have produced the finest silverware. Exquisite cutlery, table services, coffee pots and sugar bowls designed by both the firm's own craftsman and also developed in co-operation with external designers: works by leading protagonists of the Wiener Werkstätte such as Josef Hoffmann or Kolo Moser being joined over the decades by designs from and by the likes of Oswald Haerdtl, Otto Prutscher, Gregor Eichinger or Claesson Koivisto Rune. Yet regardless of
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We're spending an awful lot of time at Vienna Design Week 2014 photographing mirrors. If we were at all competent at what we do we would now wax lyrical about how mirrors are the "top tr**d" at Vienna Design Week 2014, an indication of contemporary designers desires to reflect the ills of modern society, to make us face up to our own social responsibility and question the increasing narcissistic nature of the human existence as exemplified by the ubiquitous selfie, and for all the daily flood
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The last time we visited the premises of Vienna shoemaker Rudolf Scheer & Söhne it was for the presentation of Antoinette Bader's LacesLamp project during Vienna Design Week 2010. Since then little has changed in the way Rudolf Scheer & Söhne make their shoes, but a lot has in terms of the space. Situated next to the company's main premises the so-called SHEER-Raum has been transformed from the dust and brick building site of then into a sensitively decorated and organised sales space. And a
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In our post from the launch of the Tools for Life collection by Rem Koolhaas and OMA for Knoll during Milan Design Week 2013 we noted that the highlight for us was the so-called "11 Floor Seating" legless chair. For all we commented that with ever more time, professional and personal, being spent working with tablets, smartphones and other mobile devices, the requirements of chairs was slowly evolving and that there would be an increasing need for high-quality furniture which allows one to,
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At the risk of starting a tradition we can't maintain, and so ultimately leading us to disappoint a lot of readers, again, it is becoming tradition that our first post from Vienna Design Week concerns a Passionswege project. Largely because Passionswege is one of the principle reasons we come to Vienna, and so it seems fitting to begin our time in Vienna with the Passionswege programme. But also considering Passionswege is the seed from which Vienna Design Week grew, it just seems respectful.
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Mayday! Mayday! Don't panic. It's just a public holiday. You'll survive. Barbecue something...... And afterwards, when everyone else is back at work and things have calmed down a little, why not enjoy one or more of the following design and architecture exhibitions opening around Europe this coming May. "Fritz Haller. Architekt und Forscher" at the S AM Schweizerisches Architekturmuseum, Basel, Switzerland Everyone knows Fritz Haller. He designed one of the few truly iconic and genuinely
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Hot on the heels of Vienna Design Week 2013 and its very successful "Passionswege" programme news reaches us from Florence of an alternative approach to rejuvenating and invigorating traditional handicrafts. One that involves nothing more complicated than leaving the craftsfolk to do what they do. One of the confusing aspects about Florence is that despite the 8 billion tourists who visit the city every year, the streets of the town centre are still largely populated by small trades
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One of the take home messages from the Vitra Design Museum's Lightopia exhibition is that lighting design is rarely about the form of the final object - that is often little more than an expression of the designers artistic sensibilities - and much more is about, for example, the utilisation of materials in the construction or the method by which the light is generated and the luminescence distributed. This reality was wonderfully underscored by Austrian designer Sebastian Zachl's Passionswege
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We must admit to having had our problems with Vienna based design studio chmara.rosinke Not in a physical, fisticuffs sort of way you understand, and certainly not in a screaming insults across a crowded bar way, but in a pure critical styleee. With their project "Mobile Gastfreundschaft" chmara.rosinke, as far as we understand the whole madness, helped convince the t**** researchers and their lazy media morlocks that "nomadicity" would be a good horse to back. That's obviously not
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What is luxury? For Passionswege 2013 the French/Swiss duo Bertille + Mathieu were paired with the Viennese crystal manufacturer J. & L. Lobmeyr, a company whose products grace Royal places, helped establish the Wiener Werkstätte and would by most popular, conventional definitions be considered "luxury", and have developed a delightful project that answers the question in an alternative, though equally valid, way. Lollipops. Sugar candy lollipops. Specifically Bertille + Mathieu have used a
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As we arrived in Vienna the first thing we noticed was our breath. It's autumn in Vienna. And we still haven't found our winter accommodation. When we do an object such as "Heat x Heart" may be just the thing to complete our winter retreat. Created by the Swedish born, London based designer Hilda Hellström in cooperation with E. Fessler Kamine, a Vienesse firm who have been involved with the production of heating ovens and oven tiles for over 200 years and whose products can be found, for
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It seems somehow fitting that our first post from Vienna Design Week 2013 should be from a Passionswege project. Passionswege is after all one of the major attractions for us of Vienna Design Week. For anyone new, or who has mistakenly stumbled across us, Passionswege is a programme within Vienna Design Week that pairs young designers with long established handicraft based manufacturers to develop a product/project that combines the tradition of the manufacturer with the new perspective
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A few years ago the phrase "food design" suddenly started cropping up a lot. It's the sort of phrase that makes us uneasy. It just sounds like the sort of shallow, self-indulgent thing Guardian readers get excited about and then book weekend courses in Tuscany to learn. We don't trust things like "food design". Fortunately for his Passionswege 2012 project with the Viennese jam and pickle maker Staud’s, London based designer Mathias Hahn chose to ignore the food and concentrate on the
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Pretty much ever since we first saw Tafelstukken by Daphna Laurens at DMY Berlin 2010 we've had a bit of thing for them. A fact that we are completely unapolgetic about. There is something wonderfully eloquent, dignified and timeless about their work. Something that draws you to them. Their works invariably comprise a mix of materials, a mix of materials which is always central to the objects, yet is understated in the design, almost as if it doesn't want to draw attention to itself. For
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Do we need to repeat why we are such committed fans of the annual Vienna Design Week Passionswege programme? We hope not. But if we do, Matylda Krzykowski @ Norbert Meier Brushmaker and Petz Horn Manufacturer provides the perfect answer. Norbert Meier has been making brushes of all shapes and functions since 1973. And his workshop looks like it. Not that that is a criticism. It's lovely to see. For Passionswege 2012 the Dutch/German designer/curator/journalist/good egg Matylda Krzykowski
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One of our favourite projects during Vienna Design Week was the Passionswege project "The Swing" by Warsaw based Beza Projekt at Atelier Telliez. Philippe Telliez is a "tapessier" - a profession that can only be truly described in paragraphs, but essentially is an upholsterer who primarily works with wall hangings, tapestries and the like. Anna Łoskiewicz and Zofia Strumiłło-Sukiennik from Beza Projekt combined this "hanging" aspect with the materials Atelier Telliez's use on a daily basis
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Sometimes the simplest ideas are the best. Commissioned to undertake a Vienna Design Week Passionswege project with Viennese hat maker Mühlbauer Hutmanufaktur, Slovakian designer Tomas Kral focused on the visual - and in many languages linguistic - closeness of a lamp shade and cap visor to create a delightful series of hat themed table lamps. All the lamps have a ceramic base; and the shades are created from "normal" hat making materials using "normal" hat making processes A real fun
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We seem to remember getting really annoyed once by the number of platform seats on display at European design events. However two projects have renewed our faith in the possibilities offered by raised seating. Tur-Tur by Eric Degenhardt from the Richard Lampert Kids Only Collection. And Konstantin Schmölzer @ Verdarium The project sadly doesn't seem to have a name; however, in essence it involved creating a space that offered stability, security and a place from which to quietly observe and
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We traditionally start our Vienna Design Week Passionswege tour at J. & L. Lobmeyr. And it is always an appointment that fills us with trepidation. Not because we fear J. or indeed L. Lobmeyr. Put it this way. A shop. Full of exquisite bone china. Full of exquisite crystal. Us. What could possibly go wrong ? And so maybe Philippe Malouin had us in mind when developing his project for Vienna Design Week 2011. And incorporated wood into his hourglasses. "Time is a quality that makes
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Although it does now seem like half a lifetime ago ... we were in Vienna for the Design Week, did enjoy it and do still have one or the other text to bring you. In 1835 Herr Lorenzi opened his first ironmongers and blade sharpening business in Vienna. In the intervening 175 years not only has Lorenzi become one of the more renowned family firms in Vienna, but over 30 "branches" of Lorenzi Stahlwaren have been established worldwide by the Lorenzi diaspora. Including one just across the road -
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Every year the Vienna Design Week places a special focus on one district of Vienna. This year it was Hernals. The industry and agriculture that once dominated Hernals have long since vanished and the streets of Hernals are dominated by telephone card shops, fruit shops and those curious businesses with the red curtains that dominate what politicians call "problem areas". Hernals of course isn't a problem area. As with all similar inner-city districts it is an area with infrastructure
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" .... says Erwin Perzy III. He is the third generation of family snow globe makers. His grandfather invented the snow globe" The grandson of the man who invented the snow globe! As we read the Vienna Design Week programme introduction to "Wunderliche Kugelkammer" by Julia Landsiedl @ Erwin Perzys Original Wiener Schneekugeln we knew that there was no way we could miss it. The grandson of the man who invented the snow globe!! Somewhat amusingly we did then very nearly forget to go, thanks
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The first station on the 2010 Vienna Design Week Passionswege was "Reichtum. Wasser + Glas" by Berlin designer Mark Braun and the Viennese crystal producer J & L Lobmeyr. Established in 1863 J & L Lobmeyr were one of the key players in the Wiener Werkstätte movement and so also in the development of Art Deco, working with designers such as Josef Hoffman, Adolf Loos or Carl Witzmann. In addition J & L Lobmeyr are one of the true stalwarts of the Passionswege series and participate every year.
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