The 2024 edition of Orgatec Cologne, Europe's, possibly the world's, largest trade fair for office furniture and office design is being staged under the banner "New Visions of Work". And as that 2024 edition, and its new visions, approaches a report is published in the International Journal of Epidemiology that should provide for some animated discussions at the event: Standing to work at a desk may not be as good for you as you may have been told. And could even be problematic. But there is
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At Orgatec Cologne 2016 Vitra staged, in effect, their own trade fair, renting an entire hall and inviting family and friends along to share the space and their ideas on the future of work. And obviously had a lot of fun and/or success with the concept. For at Orgatec Cologne 2018 they once again staged the Vitra Fair....... Work Vitra - Work, Orgatec Cologne 2018 Back in our post from the Vitra Design Museum Schaudepot's exhibition Ron Arad: Yes to the Uncommon! we hinted that if Vitra
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As previously, and repeatedly, noted, one of the defining aspects about an office furniture fair such as Orgatec Cologne is that wherever one looks one sees a similar vista. Whereas in terms of domestic furnishings there are enough genres of furniture and interpretations of those genres to allow for a, at least relatively when not necessarily satisfyingly, varied landscape, office furniture is much more limited, not only doesn't have the variety of genres, but has a few that are essentials;
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Whereas 3D printing is omnipresent in the media, and a ubiquitous tool in contemporary research and development, in most daily realities it remains scarcelypresent. Save for tablet holders, cosplay accessories and Star Wars chess sets. Or put another way, as a popular activity 3D printing is still very nerd niche. Often very, very trivial. And certainly not a widespread, commercial, industrial process. Yet. But will be. Of that we are certain. How that will be in context of the furniture
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We must start with a confession . This High Five! is a High Four! Not because there weren't good products on show at Orgatec Cologne 2016, there were. But much more Orgatec is an office furniture fair, and therefore: a) most manufacturers offer, in essence, the same range, it is all very homogeneous. Generally of very good quality, but otherwise uninspiring, all very generic, safe and overtly commercial. One reason is that in the contract, so wholesale, business, decisions as to which
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When we spoke with Vitra's Chief Sales Officer Josef Kaiser at NeoCon Chicago he told us that at "Orgatec 2016 we will be trying to be more interesting for architects, without losing the focus on the dealers, which will be challenge, but one we’re looking forward to, not least because this year we have our own hall" What that meant in practice could be experienced in Hall 5.2 at Cologne Messe. Or in the Vitra Messe - Vitra Trade Fair - as we've taking to calling it, seeing how it was,
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Such was the quality of the new products we saw during our autumn tour they kept us going well into November; indeed it wasn't until a cold dank Friday in Chemnitz ahead of the opening of the exhibition Andy Warhol – Death and Disaster at the Kunstsammlungen Chemnitz, that we even realised it was November.
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......and continued over Budapest and on to Berlin - where amongst other delights we partook of the exhibitions Sensing the Future: László Moholy-Nagy, die Medien und die Künste at the Bauhaus Archiv Berlin and Schrill Bizarr Brachial. Das Neue Deutsche Design der 80er Jahre at the Bröhan Museum - and onto Cologne for the Orgatec office furniture trade fair.
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Explaining the background to their contribution to Stylepark's Being Home 4+4 installation programme at Orgatec Cologne 2014 Marcel Besau and Eva Marguerre a.k.a. Besau Marguerre stated their belief that the best ideas rarely strike at the desk and that, and in particular in a home office context, any space is a potential work space. The garden, for example. On the balcony. In the dining room. Or in the kitchen. And so why not take the kitchen into the office. So, or similar, is possible
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We don't consider ourselves slouches when it comes to the effort we make in regards of presenting ourselves at Orgatec Cologne, but we do have to doff our ornately feathered caps to the colleagues at Stylepark. In keeping with their curated "Featured Editions" programme at IMM Cologne where design studios are asked to create an installation around a given design object, for Orgatec 2014 Stylepark asked four designers to create a 12 sqm presentation reflecting their interpretation and
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For just about as long as Thonet have been producing furniture one of the company's most important designers has been "Thonet Design Team", a description we've always considered to be a rather disparagingly sterile and unnecessarily nebulous description for Thonet's team of in-house designers. Every serious contemporary furniture manufacturer has an in-house design team who are responsible for both helping adapt external designers works to the company's production patterns and also creating
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At the risk of overusing the phrase "a concept that grows on us the more XXXX adds to it" and so reducing a genuine sign of respect to irrelevant dribble: Stefan Diez's New Order system for HAY is a concept that grows on us the more Stefan Diez adds to it. What began life as relatively simple contemporary shelving system is being presented at Orgatec 2014 as a fully fledged office system. We've always liked New Order, but the more it grows, the more it appeals. Apart from the systems
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In comparison to the annual IMM Cologne furniture fair the corridors and halls of the Messe Cologne always seems curiously empty at the biennial Orgatec office furniture trade fair. Until that is one reaches the Vitra stand. And the crowds. The almost congenital attraction of Orgatec visitors to Vitra is unquestionably related to the high-calibre roster of international designers responsible for the Vitra office programme. At Orgatec 2014 that programme has been extended by, amongst other
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Whether 'tis nobler in the muscles to suffer The slings and arrows of short telomeres, Or to rise up against a sea of troubles, And by standing, extend them? In addition to articles on the wonders of handmade Swedish butter, the problems of supermarket etiquette and ill thought through editorials on the Scottish referendum, the English newspaper "The Guardian" occasionally publishes readable articles, one such being Dr Luisa Dillner's recent "Is sitting down bad for my health?" Citing
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At Orgatec 2012 Augsburg based Müller Möbelfabrikation introduced their new WORKSPACE product range(s). Developed in cooperation with Andreas Struppler and Sebastian Frank from Munich based Struppler Industriedesign, WORKSPACE is technically two ranges - WORK and SPACE, or "Labor et Spatium" for any scholars of historic furniture design who may be reading - that combine to create a modular office furniture system. WORK is represented by two height adjustable desks, one electronic the other
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Wandering round the Vitra spaceship at Orgatec there was one product that you simply couldn't fail to notice. On every table, in every Workbay, in every Alcove stood a lamp. A Vitra lamp? Not technically. Technically a lamp from Swiss producer Belux. However since 2001 Belux has been part of the Vitra family and at Orgatec 2012 they made good use of their family connections to unveil the latest addition to their portfolio, U-Turn by ECAL Lausanne graduate Michel Charlot. Older readers will
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In February 1991 the grand doyen of Italian design Ettore Sottsass approached Vitra CEO Rolf Fehlbaum with a suggestion for a joint project looking at the nature and being of life and work in the office. The project wasn't aimed at developing office furniture, simply exploring the microcosmos "Office" in its multifarious facets. Rolf Fehlbaum willingly agreed and together with Michele de Lucchi, Andrea Branzi and James Irvine, Sottsass and Vitra set off an exploratory journey: researching,
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Anyone who had anything to do with the UK childrens toy market of the 1970s - either as a user (child) or consumer (adult) - will be well aware that no matter how hard you try, how hard you push them and how devilish you are, Weebles wobble, but they don't fall down. Stand-up by Thorsten Frank applies a similar logic, albeit in the more urbane world of furniture. The concept isn't new, indeed it could even be said that stools that rock and flow with your body are a fully established furniture
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Established in 1996 by three friends with a shared passion for classic metal furniture, Müller Möbelfabrikation has grown steadily over the last decade and a half into one of Europe's most interesting contemporary furniture manufacturers. They don't do anything especially revolutionary, and there is certainly no danger of them ever redefining the fabric of furniture design. However, they are currently producing some of the most interesting, brash and accessible furniture on the market, and
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Browsing through the catalogue for the exhibition "Der Stuhl" in Stuttgart one item in particular caught our attention: "Der Federdreh by Albert Stoll, Waldshut (Baden)" - and not just because it is a delightful piece of woodworking. Loosely translated as "The Sprung Swivel" Der Federdreh does what it promises - swivels and has spring suspension. Might not sound that interesting, but back then Der Federdreh was the very first chair of its kind. Anywhere. Consequently Der Federdreh is, in
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Vitrastanden på Orgatec 2010 var domineret af især to tegnestuers arbejde: Antonio Citterio og Ronan og Erwan Bouroullec. Udover at præsentere nye variationer af deres Alcove Sofa og Playns 'workstation', løftede Vitra også sløret for Bouroullecs nye 'Communal Cells' - modulære skillevægge/indretningsarkitektur-systemer og deres 'High Meeting Table'. Foruden at diskutere de to brødres kommende yacht-projekt, talte vi også om de nye Vitraprodukter, om hvordan brødrernes eget kontor ser
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The Vitra stand at Orgatec 2010 was dominated by the work of two design studios: Antonio Citterio and Ronan and Erwan Bouroullec. In addition to presenting new variations of their Alcove Sofa and Playns workstation, Vitra also unveiled the Bouroullec's new Communal Cells modular partition/interior architecture system and their High Meeting Table Apart from discussing the brothers forthcoming yacht project, we also talked about, the new Vitra products, what the Bouroullec's own office looks
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Although he was not showing any new products at Orgatec 2010 Alberto Meda used the show to catch up a little on what other designers were up to. And when we caught up with Alberto Meda on the Vitra stand we learned something wonderful: Alberto Meda uses the same office chair as the (smow)blog crew... (smow)blog: Unless we've missed something you aren't showing anything at Orgatec 2010? Alberto Meda: No, but I am working on a new product with Vitra, but that is not yet ready and so I am
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Although the public face of Vitra is unquestionably their "Home Collection", for decades the backbone of the company has been their office furniture division. Consequently a central feature of Vitra's daily work involves developing new approaches to office design and attempting to predict what will be important for office workers in the coming years. In 1991 Vitra commissioned the designers Michele de Lucchi, Ettore Sottsass and Andrea Branzi to develop some plans for future office design.
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