While the shortlist of exhibitions for this column is regularly long, that for May 2019 was particularly so. And particularly tricky. Perusing it we saw no realistic chance of getting it down to five, all made good claims for inclusion, none deserved to be ignored...... Then we noticed that, with a little bit tweaking, we could get two lists: one featuring those exhibitions directly connected with Bauhaus/Inter-War architecture and design, and one featuring those less directly connected. 💡
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How do we ensure there is sufficient, affordable, healthy, practical, accommodation for our contemporary population and their needs? Not just a question for today's society but arguably one that has been posed, considered and approached by architects and urban planners since the late 19th century. If, admittedly, without anyone ever solving the conundrum. Or at least not unequivocally. Or sustainably. With the exhibition Die Neue Heimat (1950–1982). A Social Democratic Utopia and Its
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According to US gonzo journalist, Hunter S Thompson, "the human animal needs a Good Reason to get out of bed on a wretched morning in February." 1 May we humbly suggest....... "Die Neue Heimat (1950–1982). A Social Democratic Utopia and Its Buildings" at the Architekturmuseum der TU München, Munich, Germany An exhibition about German high-rise housing estates with the subtitle "A Social Democratic Utopia and Its Buildings" could lead one to the conclusion it was about East Germany. Wrong!
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While a Chair of Politics is a long established academic principle, the chair as politics represents a much more contemporary understanding of, not just chairs, but all those artefacts with which we share our world and our daily lives. With the exhibition Friedrich von Borries. Politics of Design. Design of Politics Die Neue Sammlung Munich explore, or perhaps more accurately, give architect and design theorist Friedrich von Borries free hand to explore, the intersection(s) of design and
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Remember, Remember! The fifth of November Gunpowder, treason and plot...... Thus begins the traditional song commemorating, and urging us all never to forget, Guy Fawkes and his fellow conspirators attempts to overthrow the English parliament of the day, their plotting to install a new parliament, one more in line with their ideological position, for all one more in line with their ideological understanding of the English parliament's future relationship to the dominant extra-governmental power
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According to Germanic lore, "ein guter Septemberregen kommt nie ungelegen", a good rain in September is never inopportune. This year arguably more so than ever. Similarly a good architecture and design exhibition in September is never inopportune. And, and keeping with rain metaphors, while we can all remember what rain is, September 2018, sees a proper downpour of new architecture and design exhibitions. A downpour that is particularly opportune. Following July's drought and its meagre 4
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Following smow Lisboa's surprise victory in the 2017 smow Song Contest, the Portuguese capital is preparing to host the 2018 song contest: a contest being staged very much in context of the contemporary relevance of smow's historic connections.... As the anniversary of smow Lisboa's victory approaches it remains as controversial and as unexpected as it was on that muggy evening back in May 2017: not least because there is no smow Lisboa. However, never ones to look a gift horse in the mouth
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The only FAQ not answered by the smow FAQs is the one that begins, "What is smow........?" And as smow grows and grows so too does the F with which the Q is A'd. The answer in one sense is very simple, smow trade in furniture, lighting and home/office accessories through a series of showrooms and online shops. But that only partly explains "smow". Doesn't explain the how, who, why and wherefore. Nor the richness. Explaining the true smow is in many respects best achieved by exploring another
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In front of the Pinakothek der Moderne in Munich stands a Futuro House by Finnish architect Matti Suuronen, a work realised in 1968 as his response to considerations on questions concerning our future society. And an object which resembles a flying saucer. And arguably does so more now than it did then. Then it was a bright new future enabled by contemporary technology: now it is a piece of late 1960s science fiction. Inspired by the Futuro House 28 students from the Industrial Design and
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In context of the renovation of the historic Falkenhütte alpine hut, Munich based StudioFaubel were commissioned to develop a formally appropriate, contemporary lighting solution. During Munich Creative Business Week 2018 the Alpines Museum Munich are presenting with Gentiana Alba - Tradition und Design, not only the result of that commission, but an insight into the development process. Gentiana Alba by StudioFaubel, as seen at Tradition und Design, Alpines Museum Munich Completed in 1923
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It is arguably just us, but we firmly believe that there are ever more design students studying ever more design degrees in ever more design schools, which (potentially) means ever more designers. In itself no bad thing: assuming that is that what they learn is relevant for the ever evolving nature of not only the design profession, but the society they will/should serve. To better gauge the current situation of design education in Europe we embarked in 2017 on our #campustour, an ongoing
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On the first day of Christmas my true love gave to me, a ticket for a design exhibition. On the second day of Christmas my true love gave to me, two tickets for two design exhibitions, and a ticket for a design exhibition. On the third day of Christmas my true love gave to me...... You get the idea. Our five goohoold rings for December 2017 are new architecture and design exhibitions in Winterthur, Barcelona, New York, Munich and Moscow. "Cupboard Love" at the Gewerbemuseum Winterthur,
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Back in the day one of the joys of reading the British Yellow Pages was the entry for Boring: "See Civil Engineers"* Oh how we laughed! And still do! Partly to counter such negative associations, partly to explain what Civil Engineers do, and partly to explain just how fundamentally that what Civil Engineers do has contributed to our contemporary society, and the multitude of possibilities available to us, whether we choose to take them or not, the Oskar von Miller Forum Munich is staging the
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Can innovation be an end to itself? Are we living in excess? Do things bewilder and inspire us still? Does a museum collection inevitably lose its link to reality as time goes by? What is good design? The exhibition Hella Jongerius & Louise Schouwenberg – Beyond the New at Die Neue Sammlung Munich poses a lot of questions. Questions which needn't necessarily find answers, but which should serve as inspiration and motivation to further questions, and thus a deeper discourse on design. Hella
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In 2018 the Hochschule München Design Department will move a few hundred metres round the corner from its current home, a home it has occupied for over forty years, to a new purpose built facility opposite the main college building; consequently, the 2017 Jahresausstellung was one of the last chances to experience the Design Department in its original location. But was it a presentation worthy of the moment, a fitting au revoir to an old friend..........? Hochschule München Design Department
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German designer Klaus Hackl's understanding of design is one based on the principle of evolution not revolution, of understanding the context in which a project arises, and of the value, and logic, of craft processes and craft scale production. And of the value, and logic, of craft processes and craft scale production augmented by digital technology. Keen to learn more, we met up wit Klaus Hackl in Munich.... Flare by Klaus Hackl for Hausgenossen (Foto Eva Jünger, courtesy Klaus Hackl) A
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When we first viewed the exhibition Full House: Design by Stefan Diez at The Museum für Angewandte Kunst Cologne, it was was still being assembled. Objects were missing, set-ups not in their final composition, lights not yet properly positioned. As such we didn't get to form an opinion on the final, complete, intended exhibition. Did however mange to take some truly awful photos. Fortunately we have now had a second chance to view the exhibition. And it is every bit as good as we assumed it
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It's early May and once again the party ship we call the smow song contest is ready to set sail...... First staged in 1956 in Lugano, as a small, essentially regional, event, the smow song contest has grown as the smow family has, and now enjoys a popularity far outwith smow's geographic heartland. A fact acknowledged by the addition of Sydney to the competition in 2015: our antipodean cousins having long adopted the spirit of smow. Yes, some, ill informed, never happy's, oafs quite frankly,
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It may lack the Unicorn Horn that graced so many Renaissance era Cabinets of Curiosities, but with The Room of Desires Keum Art Projects present a collection of objects with just as much beauty, mystery and grace as could be found in the Wunderkammer. And yet which are grounded much more in reality. The Room of Desires @ Raumwerk Munich Back in the day we once received an almighty thump from a very good friend for suggesting that the fact her mother had adorned their living room with so many
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The Bayerischer Staatspreis für Nachwuchsdesigner is one of the more interesting international design prizes. Not only because it is biennial and thus steadfastly refuses to play with the "every year new" ethos of the contemporary design industry, nor only because it is exclusively for young designers, but also because in addition to the "usual" categories it also recognises Design Research and Applied Crafts. And thus promotes a pleasingly healthy and positive understanding of the term
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With the exhibition Full House: Design by Stefan Diez the Museum für Angewandte Kunst Cologne, MAKK, present the first museal overview of the canon of the German designer Stefan Diez. And an exhibition which in many respects also helps explain industrial design. Or at least the contemporary industrial design process. Yard by Stefan Diez for emu, as seen at FULL HOUSE: Design by Stefan Diez, Museum für Angewandte Kunst Cologne Full House: Design by Stefan Diez Born in 1971 into a
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One of our highlights of 2016 was without question PrintStool by Munich based designer Thorsten Franck for German manufacturer Wilkhahn. Less because of the object itself and more because of what it represents: the first step by a major furniture producer towards industrial 3D furniture printing. We met up with Thorsten in Munich to discuss PrintStool, 3D printing and the changing role of designers. PrintStool by Thorsten Franck for Wilkhahn, here as seen at NeoCon Chicago 2016 After
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Five recommendations for new architecture and design exhibitions opening in December 2016, featuring shows in Copenhagen, Weimar, Nürnberg, London and Munich 5 New Design Exhibitions for December 2016 2016 has been an awful year. As in proper awful. Which my explain the unusually high number of expressionist-esque art exhibitions opening globally in December 2016: the bright colours and supportive warmth and encouragement such works tend to radiate being just what we all need after a tough
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Inaugurated in July 212 BC* the Ludi Apollinares were Roman games staged in honour of Apollo and featuring a mix of chariot racing, plays, dances and ritual sacrifice. The following five new exhibitions opening in July 2016 may lack the excitement of the chariot race, but in many respects are much more appropriate means by which to celebrate the Greco-Roman God of the arts, poetry, music and knowledge. And no gilded ox, goat or heifer need suffer. "Fast Forward: The Architecture of William
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