Ciao Salone! Servus Salone!! Amongst the European designer furniture publishers Nils Holger Moormann has long stood out from the crowd, and that primarily because Nils Holger Moormann has never sought the crowd, has always done Nils Holger Moormann's thing, not the crowd's thing, and who in doing such has very much, and very justifiably, attracted a crowd lot of individuals. Thus while other furniture publishers dance to the tune of the international trade fair crowd, Nils Holger Moormann
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Moormann A Nils Holger; An Autodidact; A Restlessness As the Wackeldackel of Sylt solemnly records, following generations of rule under the rational, steady, unemotional, if autocratic, hand of The Order of the Gute Form, there arose in the lands of the contemporary former West Germany a challenge to that long-established rule through a poorly organised, but on account of that all the better networked, collective of young designers who questioned not only the zealous worshipping of the
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Just as the Eamsien adage proclaims that "the details are not the details; they make the product", so too are a design school's teaching staff not the teaching staff, they make the school. Consequently, it follows that to better understand not only an individual institution, but also both the wider contemporary condition, and possible future directions, of design education, it is important to talk to, and understand, design school teaching staff; both those full-time Professors, and also those
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With Holzklasse designer Nils Holger Moormann and VW bus fabricator CustomBus have brought Moormann design to the highways, and for all, the byways. Master of all he surveys.... Holzklasse by Nils Holger Moormann & CustomBus For many the "open road" is the ultimate synonym of a carefree life. And an unachievable dream. Which is of course what makes it such a seductive synonym. For Nils Holger Moormann the open road is daily reality as he travels Europe visiting clients, customers and
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In our post from the exhibition Schrill Bizarr Brachial. Das Neue Deutsche Design der 80er Jahre at the Bröhan Museum Berlin we noted that, for us, the two most important legacies of the Neues deutsches Design movement and 1980s German Postmodernism are and were the number of protagonists from then currently teaching at German design schools, and those manufacturers who arose from the heady, damp haze of the period. Manufacturers such as Nils Holger Moormann. Established in the early 1980s
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For many, the darkest, furthest removed edge of the (smow) universe is (smow) Chemnitz. (smow) however reaches further. Much further. To Manly, New South Wales, to be precise and (smow) Australia. More of a cousin than a member of the immediate (smow) family, (smow) Australia offer products by leading European manufacturers including Nils Holger Moormann, Richard Lampert, LoCa, Jonas & Jonas and Kabré-Leipzig to the good people of Sydney and, through their online shop, beyond. And now have
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One of the first telephone calls Mateo Kries and Marc Zehntner made upon assuming leadership of the Vitra Design Museum in 2011 was to Konstantin Grcic to discuss the possibility of an exhibition. Grcic was, in principle, open to the idea, but, "I didn't want a static exhibition, something that froze my work in time, rather I wanted something dynamic" That "something dynamic" is the exhibition Konstantin Grcic - Panorama which opened at the Vitra Design Museum, Weil am Rhein on Friday March
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IMM Cologne kept us busy into February, but the month also saw the opening of an Eileen Gray retrospective in Paris, a visit to the Louis Kahn exhibition at the Vitra Design Museum and the sad passing of James Irvine....
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Expansion. It's not always good. Waistlines. Overdrafts. Weeks since you last phoned your mother. For example wouldn't be good. Business expansion is however good. And the best news is that (smow) continues to expand. Following on from the "original" (smow)rooms in Leipzig and Chemnitz, the (smow) online designer furniture store opened its virtual doors in 2008 before in 2012 (smow) Stuttgart joined the family. 2013 has already seen the launch of (smow) Erfurt, and since early October
read moreAs we noted in our designer barbecue post "... summer is bidding its final farewells" And with autumn's impudent chill invading ever more our pastoral calm the time for our hibernation approaches. And so we're currently exploring accommodation options. Fortunately it's been a bit of a "small house year" in these pages with, for example, Renzo Piano Building Workshop and Vitra's Diogene or Jean Prouve's Maison des Jours Meilleurs occupying our thoughts. Our first contact with reduced room
read moreBack at Saloni Milano 2010 Ronan Bouroullec told us about his feeling that the internet and new technology could, perhaps even should, eventually, replace the resources and time invested - and ultimately wasted - every year in an event such as Milan Furniture Fair. In 2013 everyone's favourite German conceptual contemporary furniture manufacturer Moormann, have made the start. And in doing so proved that even from the pastoral calm of Aschau im Chiemgau, one can still be part of the Milan
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In little under a week the Doors of Hell will once again open to release Milan Design Week on our unsympathetic, unapologetic world. The normally pleasant, quiet and reasonably priced Lombardian metropolis will be overrun by molten rivers of corporate greed and naive student hope, transforming the canals, parks and former industrial sites into burning pits of contradiction, imitation and pure gold. Survival is a question of ignoring reality and convincing yourself that everything is brilliant
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In the past couple of years we have often referred to, but never actually shown, the shelf "Das Brett" by Belgian designer Kaspar Hamacher. A shelf that is one of our abbiding memories of Milan 2010. That and nearly drowning..... The release of Watn Blech by Bernhard Osann for Moormann however provides the perfect opportunity to right that wrong. What attracted us to Das Brett, and has always remained with us, was the very simple principle behind the piece. By gently inclining the shelf
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On Friday last week we were at a discussion in Potsdam where Nils Holger Moormann spoke as eloquently and convincingly as ever about the advantages of long lifecyles for furniture and the continual development that is possible when one understands furniture as an evolving entity and not as a quick, profit generating, commodity. Referring, for example, to the FNP shelving system he commented, something along the lines of: even after 25 years one always finds new ways of extending and developing
read moreIf there is a chair on the market at the moment that better symbolises how complex simplicity in design is than Pressed Chair by Harry Thaler for Moormann. We want to see it. At Milan 2011 Nils Holger Moormann told us of the literal and figurative mountain pass that had to be negotiated before Harry's idea could be transformed into a market ready, mass producible product. Then ahead of Milan 2012 Harry Thaler then told us about the long way from the original experiments with wood until he had
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At Milan 2011 Moormann presented the prototype of Pressed Chair by Harry Thaler. At Milan 2012 the market ready version was/is being officially unveiled. Last year Nils Holger Moormann enthused at great length about Pressed Chair. And so to complete the story, ahead of Milan 2012 we caught up with Harry Thaler in his London studio to learn more about both him and the background to Pressed Chair. (smow)blog: To begin with maybe a little to your background. If we're correctly informed you
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During the "Summaery" exhibition back in July 2011 we asked Professor Bernd Rudolf, Decan of the Architecure Department at Bauhaus Uni Weimar, about the motivations of the modern architecture student. "It is still the case", he answered playfully, "that they all want to make the world a better place. That remains the principle reason for studying architecture..." And designers ? Can designers make the world a better place? Do they even want to ? What motivates contemporary designers ? At
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A couple of years ago we were sat, late one Friday evening, in the kitchen in the Moormann Berge in Aschau, when Nils Holger Moormann came in. Beaming. He'd just returned from collecting a "German Design Prize" in Gold for Berge and enthused how, in comparison to other design prizes, winning the Designpreis der Bundesrepublik Deutschland was like winning Olympic gold. He may not have compared it to the Olympics, our memories may be fuzzy on that point. But it was certainly high praise. And
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Although it would be wrong to say that we misled you in saying that there would be no Moormann furniture at IMM Cologne. There was one piece. A brave, young Strammer Max Not in Cologne however as representative of his designer or producer, but as the Global Ambassador of an idea so genial, so eye wateringly simple, so necessary, that we're more than a little twisted with jealousy at not having thought it up ourselves: World Furniture Day. Looking to put the fun back into furniture the
read moreAlthough officially a company fete at which Moormann wanted to thank their partners, dealers, designers et al for the good cooperation over the previous year; Die Hölle von Aschau was much more a family fest at which one could really feel the warmth that exists between the company and all they work with. And that despite the sleet and wind. This warmth was particularly evident as Nils Holger Moormann himself took to the track and was immediately surrounded by the sort of camera scrum more
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Away from the race track a real highlight of "Die Hölle von Aschau" was the Concours d'Élégance. Ahead of the event Moormann sent out miniature Bookinist kits to their clients, partners and chums with the request that they be "pimped" and returned. If we're honest we don't think that they expected to get that many back. And so they were genuinely all the more impressed with not only the response but the very high quality of the responses. From a Gingerbread Bookinist over Popemobiles and
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Twenty four hours before Sebastian Vettel sealed his second F1 drivers title in Japan, Markus Jehs and Jürgen Laub were securing victory in an event that stands a vertical cliff face higher than F1 on Mount Motor Sport and to which Vettel himself hopes to ascend, once he gets a bit better at driving: The Bookinist Cup. For many the Bookinist was developed as an armchair in which one could sit and read; surrounded by your favourite literature. This however is one of the crueler droplets in the
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As we stood in a cold-storage centre in west Vienna looking at Ljod by Copa, somehow we knew it was also training for the rapidly approaching winter. We just didn't realise how quickly it would come. A mere 72 hours later we found ourselves standing on the station platform at Prien in Chiemgau. Air temperature 4 degrees. By the time we reached Aschau, the first snow of the winter was busy dusting the tops of the Chiemgauer Alpen. And we began considering if it wasn't, slowly, time to swap
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At Fuori Salone Milano 2011 we helped Moormann construct their stand. And of course took the opportunity to chew the fat a little with company founder and eponym Nils Holger Moormann. Variously described as being an autodidact, pioneer or provocateur, for us Nils Holger Moormann is simply pleasant company and the guarantee of well considered and soundly opinionated discussion. In the course of the Milan interview we covered the new products, the current state of the furniture industry and,
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