In the exhibtion A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. But not sit on them. In the presentation Stühle zum (Be)Sitzen on the first floor landing of the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. And sit on them. Thirteen chairs which unite more than just thirteen
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Although the Grassimesse has been staged, with readily understandable pauses, since 1920, the Grassimesse smow-Designpreis is being staged for the first time in 2023. Which means a highly impressive roster of innovative, intelligent, imaginative, informative, designers from back in the day can't win it. Have, if one so will, missed out But you can win it and the associated €2,500. Or can if your reading this before Friday May 12th Sunday May 21st, the new extended, deadline for entries.
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In 1950 the Dutch architect and designer Mart Stam told a conference in Leipzig, "when I speak here for a group of individuals active in industry about the problem of industrial design, I do so because I believe that it is necessary for us to concern ourselves in detail with the question of industrial design, and also because I believe that through intensive work and cooperation in this field we can contribute to increasing the cultural quality of our goods."1,2 With the exhibition The Early
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To paraphrase the Propellerheads, this is just a little bit of a blog post repeating... For much as with our November 2020 exhibition recommendations, so some of our December 2020 exhibition recommendations won't be opening. Or at least not in December 2020. But then as now are in still in our list. On the one hand because they will open, and is an important part of any pleasure not the expectation and anticipation? And on the other hand, because that which makes an exhibition recommendable
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As a general rule we prefer to focus the Design Calendar on positive events, it just seems more, well, positive; however, sometimes a negative event is more illustrative of a situation, provides for better access to a story. An event such as Mart Stam's beurlauben, suspension, as Rector of the Hochschule für angewandte Kunst, Berlin, on September 22nd 1952. The unhappy end of Mart Stam's not altogether joyful sojourn in East Germany. But also a moment that allows for some focussed
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"Wij hebben de nieuwe wereld te scheppen" wrote a, then, 19 year old Mart Stam in 1919.1 "We have to create the new world" And subsequently spent the following decades developing, explaining and demonstrating his understandings of what that meant...... Mart Stam (1899 - 1986) Martinus Adrianus Stam was born on August 5th 1899 in Purmerend, a community to the north of Amsterdam, and which, not uninterestingly, is also the birthplace of Stam's contemporary J.J.P. Oud. Following an initial
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Like gardens mottled with the vibrant leaves of autumn, so too is November 2017 bestrewn with a multicoloured carpet of new design and architecture exhibitions. We could have published three such lists, seriously considered it .... have however instead taken the opportunity to bring our monthly recommendations average up to where it should be. Five. Back in August we only had four new recommendations, and so to compensate summer's shortfall, here we present six, technically seven. Although it
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As East Berlin's Art and Design College the Kunsthochschule Berlin Weissensee was in many ways symbolic of East Germany's difficult relationship with Bauhaus and the legacy of inter-war functionalism. On the one hand the DDR needed the reduced, cost effective, mass-market, industrial objects striven for during the period. On the other a need to define a new, socialist, tradition for the new, socialist, state meant an almost dogmatic rejection of everything associated with the pre-war "Germany",
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"...the strict, logical lines which avoid anything unnecessary and which with the sleekest form and through the simplest means embodies the modern objectivity"1, with this, glowing, description of his design the Supreme Court of the German Reich in Leipzig awarded on June 1st 1932 Mart Stam the artistic copyright of the cubic, quadratic, cantilever chair, and thus settled arguably the very first legal dispute over the copyright of the form of a piece of furniture intended for industrial mass
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Erected in 1927 in context of the Deutscher Werkbund exhibition "Die Wohnung" the Weißenhofsiedlung in Stuttgart aimed to achieve "…. a reduction in house construction and running costs, in addition to a simplification of housework and a general improvement in living standards" But did it? Or is it just a collection of buildings by Max Taut, Hans Poelzig, Mies van der Rohe, Le Corbusier, Mart Stam, Peter Behrens and their ilk? A chance for a close connected group of modernists to show off?
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Our coverage of IMM Cologne 2014 may be reaching its conclusion, but we still have a few gleaming gems to bring you, the brightest of which was to be found on the Thonet stand: the new S 1200 desk by Randolf Schott from and with the Thonet Design Team. While classic Thonet desks such as Marcel Breuer's S 285 can work very well in a contemporary home office and/or as an informal place of work in a living room, they do bring with them a certain formal heaviness owing to their abstraction from
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There are only very few furniture manufacturers who can claim to have been major players in two fundamental furniture design revolutions. Thonet is one of them. And if we're honest, the only one we can currently name. Although the Thonet story begins in 1819, the story only really begins to "pick up steam" in 1859 when Michael Thonet perfected his warm wood bending process. The result of over twenty years development, heartbreak, experimentation, bankruptcy, fleeting success and brutal
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On March 20th the Bauhaus Archiv Berlin opened their spring exhibition "Stühle ohne Beine - Chairs without legs" Dedicated to the development and diversity of the cantilever chair, Stühle ohne Beine is a fairly simple exhibition concept with an equally simple message: designing a chair without legs doesn't mean limiting your possibilities. Less is more not being just a design maxim but also a design challenge. Featuring 25 chairs from the collection of Die Neue Sammlung - The International
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If Christmas is a time for family, then Christmas is also surely a time to buy your gifts from a family business. Currently being run by the 5th generation, Thonet have not only been responsible for the introduction and development of bent wood and steel tube furniture - two of the most important genres in the history of furniture design - but continue to support and develop young designers and so may just also discover the next big genre..... Thonet S 333 by Holger Lange Back in February
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On several occasions in the past month we have repeatedly seen a similar scene. A scene that has made us cry. Lovely houses, truly wonderful, carefully considered constructions in idyllic locations - and then in the garden, furniture that the owners have obviously bought, possibly as an after thought, from their local garden centre. Just looking at some of the chairs made our upper thighs go numb from discomfort. And as for that recliner yesterday in Berlin!!!! People, gardens are there to
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As you know we here at smow(blog) aren't fans of complicated designer furniture. Really aren't. Less is more - so the grand theologian of post-war European design Dieter Rams - and let form follow function. That's us. A side table or bedside unit need, normally, do nothing more than support a cup, glass or magazine. Now you could add numerous extras to your table or you could - as with Müller Möbelfabrikation - bend some steel into the shape you want. In 1926 Mart Stam bent some steel
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9th February 2010, Brussels Under the motto "Think before you Post" the from the EU funded Safer Internet Day 2010 is focused primarily on how one deals with privacy in the internet, especially as concerns young people, photos, social networking sites and chatrooms. Which is naturally a positive thing. In essence one of the core reasons that people for all kids, run into problems on the internet is because they blindly believe everything they read. Previously "the camera never lied", we
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In the past week three independent events have occurred which fuse together in one important tale. Firstly, while visiting a student flat in Dresden the (smow)boss noticed an obviously well used, but functioning chair reminiscent of the EA 107 by Charles and Ray Eames for Vitra. Despite assuming it to be a copy - student flat, Dresden, etc... - his professional curiosity got the better of him and thought he'd better check .. and Lo and Behold it was an original EA 107 by Charles and Ray
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We're just a touch late with this one, but since July 22nd the Martin Gropius Bau in Berlin has been showing the exhibition "Bauhaus. A Conceptual Model". For the first time, the three German Bauhaus institutions - Bauhaus-Archiv Berlin, Museum für Gestaltung, Stiftung Bauhaus Dessau and Klassik Stiftung Weimar - are uniting to present a comprehensive Bauhaus retrospective. “Bauhaus. A Conceptual Model” recounts the story of the Bauhaus in a comprehensive presentation of the works of its
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Although the rumour persists that we only travel to trade fairs and exhibitions so that we can impress people in bars with phrases such as "Last week in New York..." or "For me the real beauty of Milan is...", in truth we do do a little work. And the fruits of that work can be seen, for example, in the ever expanding (smow)collection. And punctually to the start of The Ashes season we can now offer the extended Thonet outdoor range; quite possibly the most stylish furniture for sitting in the
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Two days sun and we at the (smow)blog are already trying to convince the (smow)boss to let us work from the garden for the next six months. Fortunately smow can provide all that we need to both work safety and in comfort out of doors as well as to enjoy our evening. Designer furniture for outdoors: S 1043 outdoor by Thonet With its round stainless steel tubular frame, weather-proof plywood top and height-adjustable feet the S1043 is an excellent choice for all outdoor areas; regardless of
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At the Tokyo Design Week the German furniture producer Thonet presented their classic cantilever chair in a new light. In co-operation with the Japanese retailer Muji, Thonet - the self-styled “world’s oldest furniture brand” - presented a new interpretation of the classic Bugholzstühle (chairs created from wood formed through the application of steam to aid the bending and shaping. The process was developed by Michael Thonet. The official Thonet translation of Bugholz is "bentwood",
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In 1927 at the opening of the Weissenhof Estate in Stuttgart, the Dutch architect and designer designer Mart Stam presented his cantilever chair; a design which went on to became globally known as the „S 43“ from Thonet. The feeling of sitting on an “elastic column of air” (Marcel Breuer) has always fascinated producers, designers and customers alike; and with its missing back legs, sparing use of material and minimalistic form the S 43 still fits wonderfully into any home or office. Mart
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