As more loyal readers will be aware we like nothing more than attempting to undermine Italy's claim to be the cradle of contemporary European architecture and design. It's all show and deliberate misinformation being our war cry. And so the exhibition L'Italia di Le Corbusier currently showing at the MAXXI in Rome is not the sort of show we really want to see presented. Because it seems to imply that Italy played a significant role in both the development of the young Le Corbusier's
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There are a thousand good reasons to avoid travelling through Tel Aviv Ben Gurion Airport. And a couple of very good reasons. The public transport connections, for example, between Israel's only relevant international airport and Israel's only relevant metropolises are so arduous and poorly co-ordinated it makes one long for the days of The Crusades, when reaching Jaffa or Jerusalem from Europe involved little more taxing than travelling for eight weeks by horse and sailing ship. And then
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As tradition demands the Museum für Angewandte Kunst Köln (MAKK) have organised a furniture themed, special exhibition to coincide with the Cologne Furniture Fair. Under the title "Von Aalto bis Zumthor: Architektenmöbel" ("From Aalto to Zumthor: Furniture by Architects") the MAKK is presenting over 120 examples of furniture designed by professional architects. As older readers will have long since accepted, the "Furniture Architect" is a pet subject of ours. Not just because the architects
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Last week we, finally, made our first visit to Design Miami Basel. Featuring 43 international design galleries, Design Miami Basel is a curious mix of those featuring "old" objects and those featuring new contemporary designs. Those galleries who concentrate on new contemporary design generally make their money in that they organise limited editions of concept pieces by designers - which they then sell. Or they buy up "first editions" of pieces of new works that may, they hope, eventually go
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This year we are finally going to make it to Design Basel. In the past something else always seemed to get in the way; be it illness, other appointments or a feeling deep in our stomachs that it was all just a touch too elitist and too far removed from the world of the normal designer furniture customer to justify the trip. But this year we're healthy, free and a little older and wiser. It in its 6th year Design Basel features exhibitions from 43 international design galleries showing an
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A recurrent theme, not only here in the (smow)blog but also in general throughout the (smow) global network is the subject of illegal copies of design classics. Or better put when is a design classic a design classic? At the HGB Leipzig Rundgang in February we were confronted with an unexpected and somewhat unusual interpretation of the question in the form of "Eames Lounge Chair" by George Brückmann. And were immediately hooked. And not only we were impressed by Brückmanns work, In
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Perhaps best known for her numerous co-operations with Le Corbusier, the Parisian architect and designer Charlotte Perriand played an instrumental role in developing the European modern movement: Not least as Charlotte Perriand is credited with converting Le Corbusiers modern furniture ideas into reality and so establishing the tradition of minimal, bent chrome steel tube and leather furniture. Among the most famous of these collaborations are the from Cassina produced LC4 Chaise Longue, LC2
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Italian design is, if we all close our eyes for a minute or two and be brutally honest, a lot like English football or French cooking - it's continued association with a particular quality and geniality is largely due to the number of non-Italians(English/French) who have continually contributed to the tradition and so kept it modern, kept it fresh and kept it exciting. Danish design is Danish because only Danes are allowed to do it - Italian design is universal because any one can do it:
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Twas the month before Christmas, when all through the house Not a creature was stirring, not even a mouse. Save for a company from South Tirol, In hopes that unwary Christmas shoppers would buy their illegal unlicensed copies of Bauhaus classics In a lesser known version of his 1822 classic “A Visit from St. Nicholas", Clement Clarke Moore eerily predicted events some 180 years later whereby, as part of a Christmas sales promotion, a "known" producer of unlicensed copies of Bauhaus classics
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As we stood looking at some mighty fine, but horribly over-carved, wooden furniture at the Salone in Milan a female colleague confided in us that all she needs is some leather straps and a few bits of bent metal. Trying not to show our horror at this outburst of candour, we asked if she had a meeting with El Presidente that evening. "No, no" replied our erstwhile colleague, "Bauhaus. That's my idea of good design" Eileen Gray (1878 -1976) We recite this tale here principally to amuse
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The (smow) blog has more than once suggested that designer furniture is more than just a comfortable place to sit of an evening or a convenient ledge on which to place your coffee while reading the paper; and that a well constructed piece of quality designer furniture can be a real investment. Proof of this theory, if it were needed, can currently be found at the TEFAF Maastricht - one of the world largest and most important art and antique fairs. For the first time in its 34 year history the
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At smow we have a particular soft spot for Ronan and Erwan Bouroullec and so it is especially pleasing that we can recommend an exhibition of their work currently on display at Grand Hornu in the Belgian region of Hainaut, close to the border with France. Grand Hornu is 19th century mining complex which has been creatively restored and today serves as a centre for culture, tourism and technology - and so it is particularly appropriate that it is playing host to "Etapes" and exhibition
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For the first time in over 20 years London is hosting a retrospective of the work of Swiss architect and designer Le Corbusier. Without question Le Corbusier was one of the most important figures of 20th century architecture and through his five point plan for modern architecture he influenced more than one generation of architects; including Geoffry Chamberlin, Joe Powell and Christoph Bon designers of the Barbican Centre in London. Without question the most important expression of
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