"J'ai toujours aimé l'architecture. Plus que tout" reflected Eileen Gray in 1973, 'I've always loved architecture. More than anything", continuing, 'but I didn't think I was capable of it'.1 A capability her first major project, the villa E.1027 at Roquebrune-Cap-Martin on France's Côte d’Azur, tended and tends to underscore she needn't have doubted. If a capability that over the decades has oft been as concealed and inaccessible as E.1027. With the film E.1027 – Eileen Gray and the House by
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August 2024 is Olympics, or at least the first half is. And while, yes, you could stay home and watch events in Paris unfold from the comfort of your sofa and fridge, you could also undertake a little cerebral, contemplative, conceptual, fencing, judo, weightlifting, skateboarding, and/or gymnastics of your own. Go for that inner gold!!! Seek to become a new personal best!!! Our five recommended cultural sporting venues for August 2024 can be found, not in Paris, or at least not directly,
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"Customs turn into habits, some modest, some all-powerful", opined Le Corbusier in 1950, a reference to that inexplicable way humans have of passing through life blithely accepting all that has come before, accepting all that existed when they were born, as fixed and immutable and unchallengeable; an acceptance of the familiar, the existing, as fixed and immutable and unchallengeable that, for Le Corbusier, represented a major hindrance to the "free play of the mind". However, Le Corbusier
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Although the etymology of "April" is lost in the mists of time, one of the more likely, and more satisfying, theories as to its origins is to be found in the Latin verb aperire, to open, which itself can be considered as being, possibly, related to the ancient Greek ἄνοιξις, ánoixis, opening. And thus the very obvious connotations to spring springing forth in April, to the natural world opening for another season. What is much better recorded are the new architecture and design exhibitions
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According to the Roman scholar Marcus Terentius Varro February 7th marks the first day of spring. Which strikes us, as we're sure it does you, as a little early; however, there was reason in Varro's bold claim, for Varro further sets February 7th as the start of the year, and for all links February 7th with the rising of the west wind, a favourable, warming wind, whose arrival indicates the need to start cultivating your land and crops, specifically Varro advises, "these are things which
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One could be forgiven for thinking that little would be as pointless as a Le Corbusier colouring-in book. So singularly achromatic is the popular understanding of Le Corbusier, a lack of colour reinforced by the dour, austere, round bespectacled, persona which so universally defines Le Corbusier: what, one asks oneself, could there possibly be to colour in a Le Corbusier colouring-in book? Yet in contrast to the popular Le Corbusier image, Le Corbusier's career was one undertaken in colour. A
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"We must endeavour to introduce a little order into this business, or at least sense into a great deal of it. But what is sense without order? We must try to find some method of arriving at some sort of order - one that will at least enable us to escape from this vagueness in the design of colour", opined Amédée Ozenfant in 1937.1 And had an idea or two as to the how....... Not directly associated with Amédée Ozenfant, but being as it is the house next door to the house/studio designed by
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According to Germanic folklore Mairegen bringt Segen, Rain in May brings blessings. It also brings an excellent excuse to visit an architecture and/or design exhibition. Our five recommended shelters from the showers in May 2021 can be found in Ulm, Stockholm, Baruth, Zürich and Hasselt...... "HfG Ulm: Exhibition Fever" at the HfG-Archiv, Ulm, Germany. Although only existent between 1953 and 1968 the Hochschule für Gestaltung, HfG, Ulm has a near mythical place in the (hi)story of post-War
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In 1956 the Dutch electronics conglomerate Phillips asked Le Corbusier if he would be interested in designing their pavilion for the 1958 World's Fair in Brussels. Le Corbusier was. Albeit, "je ne ferai pas de pavillon; je ferai un Poème électronique avec la bouteille qui contiendra", "I will not create a pavilion; I will create a Poème électronique with the bottle to contain it."1 And a pavilion/bottle/Poème électronique which offers an apposite starting point to approaching a
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"With every new building the first task is to clarify the needs that will arise in context of its use",1 opined Peter Behrens on December 10th 1912 at the official inauguration of the new administrative HQ for the Prussian industrial concern Mannesmannröhren-Werke AG. And while Peter Behrens was certainly not the first to opine such, with the so-called Mannesmann-Haus in Düsseldorf he realised one of the earliest large office buildings designed to evolve and develop as those needs evolved and
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Given the very close connections between Le Corbusier and France, one could be forgiven for, occasionally, forgetting that he was born in Switzerland. With the exhibition Le Corbusier and Zürich the Museum für Gestaltung allow not only an insight into the Le Corbusier biography as charted by Switzerland's largest city, but also of his not always easy relationship with the country of his birth. Pavillon Le Corbusier, Zürich The most visible, tangible, relationship between Le Corbusier and
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We thought long and hard as to if we should continue our online exhibition recommendations series, or go back to offline exhibitions...... and decided for a return to offline. We fully appreciate that in a lot of countries museums are still closed, as indeed are the international borders that you would normally and naturally criss-cross for a short city break to visit those that are open; however, many museums are open, many more are planned/planning to open in the course of June, and
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"This house is a work by Le Corbusier" announces a yellow and white sign on the edge of the Zürichhorn park, "I commissioned it in his honour, and as a location from which to spread his ideas amongst a wider public" With the exhibition Mon univers the Pavillon Le Corbusier Zürich attempt to do just that via an exploration of the Swiss architect, artist, designer, author, et al, through a very specific filter: that which he collected. A Spanish Tinaja, ships cowls, and furniture by Le
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In the wonderful month of May, As all the buds bloomed, My heart became, With Love consumed In the wonderful month of May, As all the birds did sing, I confessed to her My desire and yearning. Heinrich Heine, Im wunderschönen Monat Mai, 1827 And then??? Heinrich, don't leave us hanging! It all started out so positive! It's an awkward month May, the vitality of blooming buds and oratorio of singing birds luring us into hopeful fantasies, utopian visions of what lies ahead: but what will
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The end of design's summer hibernation is traditionally marked by the opening of the Vitra Design Museum's winter exhibition, which for 2015/16 is the fulminate The Bauhaus #itsalldesign Elsewhere September 2015 saw us discuss photographing Le Corbusier with Margret Hoppe, the challenges as young designer in Berlin with Gunnar Søren Petersen, how design can be used for social change with Pepe Heykoop ...... and become completely obsessed with a steel horse from Prague. Vitra Design Museum:
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The older we get the more important July becomes as it allows us to return to college to view design schools end of term exhibitions - a genuine highlight of our year. In addition July 2015 saw us celebrate two of the most important representatives of concrete construction, two completely contrasting representatives of concrete construction: Ulrich Muther und Le Corbusier. Rescue station on Binz Beach, Rügen, Germany by Ulrich Müther (completed 1968) Garderobe7 by Juliane Huhn as seen at
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Buildings are, somewhat logically, 3D. Photographs 2D. The challenge of architecture photography is transforming the 3D to 2D in such a way that the building maintains its identity without the photograph becoming incomprehensible. Always has been. Always will be. One of the younger generation of artists to accept the challenge is Leipzig based photographer Margret Hoppe. Born in Greiz, Thüringen, Margret Hoppe studied photography at the Hochschule für Grafik und Buchkunst Leipzig, graduating
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On days when his sketches didn't meet with his own, self-critical, approval, the Swiss architect and urban planner Le Corbusier is reported to have laid down his pencil and quietly reflected, "c'est difficile, l'architecture" 1 Equally difficile is describing and explaining the multifarious talents and passions of Le Corbusier. One option, arguably the best option, is to focus on just one aspect of Le Corbusier's oeuvre and to use this concentrated analysis as a conduit through which to
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It being July, there is an obvious temptation to search for new design and architecture exhibitions opening near the coast, maybe in interesting seaside holiday locations. That four of our five tips for July 2015 are indeed being staged a flip-flops throw from the beach is genuinely more by chance than design. Is however very, very welcome. "Rygalik: The Heart of Things" at Gdynia City Museum, Gdynia, Poland The first time we met Tomek and Gosia Rygalik they were making tables out of old
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"Who's the more foolish, the fool or the fool who follows him?" asks Obi-Wan Kenobi, more or less rhetorically, in Star Wars. Chewbacca understood. And the Wookie warrior also understood that foolish as the fool who follows the fool is, he is less foolish than the April fool who misses the following five new design and architecture exhibitions opening in the coming weeks.............. "Somewhat Different. Contemporary Design and the Power of Convention" at the Museum of Decorative Arts and
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Erected in 1927 in context of the Deutscher Werkbund exhibition "Die Wohnung" the Weißenhofsiedlung in Stuttgart aimed to achieve "…. a reduction in house construction and running costs, in addition to a simplification of housework and a general improvement in living standards" But did it? Or is it just a collection of buildings by Max Taut, Hans Poelzig, Mies van der Rohe, Le Corbusier, Mart Stam, Peter Behrens and their ilk? A chance for a close connected group of modernists to show off?
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Tradition being the predictable beast that it is, July and August tend to be quiet months in the design universe – most everyone taking themselves off to their Gîtes, Dachas, Ferienwohnungen, Vakantiehuis and lakeside bungalows for a few weeks of quiet reflection ahead of the autumn trade fair and design week season. Most. But not all. A few hardy souls remain, stocking the furnaces of creative culture with architecture and design based exhibitions intended to inspire, excite and entertain.
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"What is the Paris Exposition?", asked Roger Gilman in the September 1925 edition of The Art Bulletin, "It is a new world of the applied arts. It is a new world of reality, reality in the square mass of concrete construction, reality in the smooth surfaces of machine products, reality in wonderful new materials offered by our mastery of science and transport, reality in the severe plainness of our practical age, reality in a marvellous effort to design everything and copy nothing. And it is a
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Older readers will be aware that we have often held up the absence of some of Germany's most important designer furniture manufacturers as an unmissable indicator of an inherent weakness in the IMM Cologne brand. Those same readers will therefore understand the confusion we felt on seeing that Wilde+Spieth would, finally, be attending IMM Cologne in 2013. We were delighted they were participating. We however now have one argument less. Based in Esslingen near Stuttgart, Wilde+Spieth were
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