László Moholy-Nagy may have given Marianne Brandt “mettle for metal”, and metal may be the material with which she is most readily and popularly associated; however, as she wrote in 1922, “Ich bin ganz von Glas”….. I am entirely glass.
Fragile? Transparent? Opaque? Metamorphic? Refractive? Sparkling?
For its 7th edition the triennial International Marianne Brandt Contest sought projects exploring glass in all its interpretations, properties and essences; the 60 nominated projects being presented alongside a cabinet showcase devoted to Marianne Brandt in the exhibtion Ich bin ganz von Glas. Marianne Brandt and the Art of Glass Today at the Sächsische Industriemuseum Chemnitz.
The top story from Biennale Interieur Kortrijk 2018 is that use of the toilets is free. Jubilation all round!! Much as we like to think our campaign against the previous 50 cent charge was responsible, we suspect the answer lies elsewhere. But we made a stand, and that’s what’s important.
As is the fact that freed from our rage at the intolerability of the charges, and the thus ensuing intolerable bladder pressure, we could concentrate freely on the objects on show.
Accepting, as ever, that we missed one or the other genuine delight, a Biennale Interieur Kortrijk 2018 High 5!!
While it is generally the case that the development, evolution, of product design is dependent on the development, evolution, of technology, such is particularly the case in context of lighting design: ever since a burning stick was first employed to create a relaxing evening atmosphere in a neolithic cave, technological developments have been the driving force behind the development of lighting design, be that formally, functionally or technically.
The nature of Light + Building Frankfurt, the fact that it is much more of case of “Light in and around Buildings”, means that the majority of the projects presented are about technical lighting in architectural contexts, and in terms of technical evolution most manufacturers are atop of the game: demonstrating technical competence being a key element in any lighting manufacturers’ self-image. Does however by necessity mean that often the required functionality is largely pre-defined by the very specific nature of the usage, while the form is in many cases irrelevant.
A small section of Light + Building does however present objects of more freer nature, and there one does/could find a few design led projects which in addition to adopting technological innovation approach new formal and functional solutions and thus new understandings of what lighting can/should be. As ever we’ve not seen everything, have invariably missed one or the other gem, apologies all-round, but with that in mind, and in no particular order, our Light + Building Frankfurt 2018 High Five!!
Once upon a time there lived in Cassel two brothers by the name of Grimm. Legend has it that one day Jacob and Wilhelm, for that was their names, travelled to Marburg to become wealthy lawyers; however, instead of learning the basics of Roman law, jurisprudence and how to write huge invoices, they spent their days with the witches, kings, queens and elves of northern European folktales.
The people of Cassel were angry when the heard of the brothers’ activities, and a large crowd gathered to meet them on your return.
“Why do you waste your days with this romantic nonsense?”, they demand, for they were very aware of the cultural context of the period.
“It’s not romantic nonsense”, the brothers protested, “rather these stories contain the wisdom of previous generations, wisdom our current age has forgotten, yet which could help us not only better understand our current age, but also help us prepare for future ages.”
And then a wolf ate them.
Romantic dreamings? Contemporary reinterpretations of tradition? Or just autonomous vehicles and Apps that tell when you’ve had too much to drink or help you identify wicked stepmothers from their social media activity, what future folklore would the 2017 Kunsthochschule Kassel Rundgang present……