With the exhibition Full House: Design by Stefan Diez the Museum für Angewandte Kunst Cologne, MAKK, present the first museal overview of the canon of the German designer Stefan Diez. And an exhibition which in many respects also helps explain industrial design. Or at least the contemporary industrial design process. Yard by Stefan Diez for emu, as seen at FULL HOUSE: Design by Stefan Diez, Museum für Angewandte Kunst Cologne Full House: Design by Stefan Diez Born in 1971 into a
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Our pick of the new architecture and design exhibitions opening in January 2017, with showcases in Cologne, New York, Rotterdam, Atlanta and Helsinki. 5 New Design Exhibitions for January 2017 Offering as it does the perfect opportunity for reflection on what has been, and the chance to quietly place hope in what may yet come, January is in many respects the perfect month for visiting an architecture or design exhibition: the very best presenting as they do just such a mix, and thus
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Back in February we spoke with Richard Lampert and he told us he was planning exhibiting at Orgatec. Had a few ideas he said. Boy, did he have ideas......... Orgatec Cologne 2016: Richard Lampert Established in Stuttgart in 1993 the first product in the Richard Lampert portfolio was Eiermann table frame, and thus, in many respects, the company began as an "office furniture" manufacturer. If largely furniture for architects' offices. The great architect's table frame quickly establishing
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Whereas 3D printing is omnipresent in the media, and a ubiquitous tool in contemporary research and development, in most daily realities it remains scarcelypresent. Save for tablet holders, cosplay accessories and Star Wars chess sets. Or put another way, as a popular activity 3D printing is still very nerd niche. Often very, very trivial. And certainly not a widespread, commercial, industrial process. Yet. But will be. Of that we are certain. How that will be in context of the furniture
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We must start with a confession . This High Five! is a High Four! Not because there weren't good products on show at Orgatec Cologne 2016, there were. But much more Orgatec is an office furniture fair, and therefore: a) most manufacturers offer, in essence, the same range, it is all very homogeneous. Generally of very good quality, but otherwise uninspiring, all very generic, safe and overtly commercial. One reason is that in the contract, so wholesale, business, decisions as to which
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When we spoke with Vitra's Chief Sales Officer Josef Kaiser at NeoCon Chicago he told us that at "Orgatec 2016 we will be trying to be more interesting for architects, without losing the focus on the dealers, which will be challenge, but one we’re looking forward to, not least because this year we have our own hall" What that meant in practice could be experienced in Hall 5.2 at Cologne Messe. Or in the Vitra Messe - Vitra Trade Fair - as we've taking to calling it, seeing how it was,
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Continuing our series of posts on creativity in Cologne, historic and contemporary, we met up with product designer Felix Stark. Born in Bonn Felix Stark initially completed a carpentry apprenticeship before studying product design at the ecosign/Akademie für Gestaltung in Cologne, where in 2004 he established his design studio "formstark". In addition to realising projects as varied as, and amongst many others, the ARK tap and bathroom fittings collection for Spanish manufacturer Stanza, a
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An important commercial, financial and administrative centre since the middle ages Cologne has contributed greatly to the development of European society, culture and politics, while with the Kölner Dom the city is home to not only one of the largest Gothic cathedrals in Europe, and thus one of the most important religious institutions on the continent, but posses an excellent example of logical, considered, coherent, urban planning: by building the cathedral on a raised platform directly next
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The Swiss architect Fritz Haller famously developed a space colony as a means to allow him to explore his ideas of architecture in an extreme environment, and thus help him to better understand the possibilities of terrestrial architecture. To explore Fritz Haller's USM furniture system in an extreme environment, and thus better understand the wider possibilities, you need go little further than your local airport. Established in 2011 USM Airportsystems develop, as the name implies, tailored
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As more loyal readers will be aware, we are firmly of the opinion that increasing digital technology must be employed, autocratically if necessary, to reduce our daily need for and on paper; there are so many examples of unnecessary paper use, of situations where digital technology provides or could provide a more than suitable alternative. Those same readers will also be aware that we are extremely uneasy about any developments which extend society's dependency on smartphones and tablets, for
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If the Light + Building trade fair in Frankfurt is home to exhibitors the majority of us have never heard of, Passenger Terminal Expo as Europe's leading trade fair for airport infrastructure is home to exhibitors you never knew you were aware of: the developers of airport signage systems, for example, or manufacturers of airport security gates, baggage carousels, airline ticketing systems or self-check in terminals, and of course that sweet female voice who informs you that your gate has
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In addition to the exhibition of their work in Cologne, the A&W Designer of the Year crown also allows the recipient to select one young designer for the so-called A&W Mentor Prize: essentially a chance to invite a young designer whose work they admire to share the spotlight with them. Previous mentees have included Stefan Diez, selected in 2005 by Richard Sapper, Oskar Zieta, selected in 2011 by Tokujin Yoshioka, and the very first mentee, Konstantin Grcic, selected by Achille Castiglioni in
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Back at Milan 2009 we stumbled by chance across "My Bauhaus is better than yours", an exhibition featuring works by a group of Bauhaus University Weimar students. Although not unimpressed by what we saw, indeed we remember finding one or the other project very good, the majority of the works were for us a little too "student", a little too obvious, which is not a criticism, it just meant we didn't feel the need to write about the exhibition. Seven years, and a legally obliged change of name
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2016 sees Augsburg based manufacturer Müller Möbelfabrikation celebrate their 20th anniversary, and to mark their round birthday the company have gifted themselves, and by extrapolation us all, a new round(er) form. Round(er) for despite their inherent quadraticness Müller Möbelfabrikation objects have always had a curvaceous soul; be that as expressed through the subtle contours of the grandiose TB 229 desk from the company's original 1996 Classic Line collection, or more obvious as with, for
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According to Brigitte Eiermann her late husband, the German architect and designer Egon Eiermann, would work so long on a furniture design project until he could say "Das ist nicht besser zu machen" - "That cannot be improved". It was, so Frau Eiermann, rare that he said such, so great was his striving for perfection. Everything could, somehow, be improved.1 However we imagine Egon Eiermann would be very satisfied with the new table trestle Egon from Stuttgart based manufacturer Richard
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For reasons known only to the IMM 2016 organisers the numerous segments composing the "Talents" section - that section of IMM Cologne devoted to younger designers and design students - have been scattered thought the exhibition halls. In past years they were, generally, all collated in one hall, which was all very pleasant, convenient and social. This year it is a bit here, a bit there, bit over there. And even when they do appear in the same exhibition hall then in a completely unrelated,
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As we noted in our post from the 2015 Garden Unique Youngstars competition, the contemporary outdoor furniture market is a largely forgotten world as far as quality design is concerned. And as we also noted, it needn't be. At IMM Cologne 2016 Thonet are presenting with the new All Seasons collection their alternative vision. Thonet @ IMM Cologne 2016 The (hi)story of Thonet furniture is, as with the wider (hi)story of furniture design, essentially one of indoor furniture. Although not
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2016 sees the 20th anniversary of German architecture and design magazine A&W's "Designer of the Year Award." Following on from previous recipients including Achille Castiglioni in 1997, Paola Navone in 2000, Gaetano Pesce in 2006 and more recently Werner Aisslinger in 2014 and Michele De Lucchi in 2015 the 20th recipient is Jasper Morrison. And that, joyously, means a Jasper Morrison exhibition during the 2016 Passagen Cologne interior design week. A&W Designer of the Year 2016 - Jasper
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There can be little argument that nature is, was and always will be the best designer, the most efficient designer: largely because nature never does anything unnecessary. Louis H. Sullivan, for example, saw the evidence that "form ever follows function" in the fact that "all things in nature have a shape, that is to say, a form, an outward semblance, that tells us what they are ... they are so characteristic, so recognizable, that we say, simply, it is “natural” it should be so"1; for the
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Radio is without question the most universal and democratic of all media, in many ways we are all raised on radio. Who doesn't remember lying in bed with your covers pulled up over your head? Radio playin' so no one can see. And when things haven't gone so well have we not all sat alone and watched its light, our only friend through teenage nights. Over the years, and regardless of at which station on life's highway we've found ourselves, radio has always been there for us, made us laugh, made
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We first became aware of Florian Kallus and Sebastian Schneider a.k.a design studio kaschkasch before they were kaschkasch, when they were just Akademie für Gestaltung Münster students Florian Kallus and Sebastian Schneider. Our first contact with Florian was when we saw his project "Table & Lamp" at DMY Berlin 2010. Nothing more complicated than a table, or technically a desk, with a freely positionable and directable lamp attachment, "Table & Lamp" is and was one of those projects that
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Cologne isn't a city which creativity only visits every January in the form of the IMM Cologne furniture trade fair and the Passagen interior design week, but is a city in which creativity can be experienced all year round: and no we don't mean Carnival! We definitely don't mean Carnival! Rather genuine creativity of the sort that enriches, advances, challenges and entertains. In addition to being home to seven creative colleges, including the Köln International School of Design, KISD, the
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December is famously a half month - no one does anything useful in the second half of the month, unless eating, drinking and stressing can be considered useful! We however managed to more than fill the first half of December 2015 with Berlin based Bora Hong's cosmetic surgery of the Eames LCW, the architecture of Ferdinand Kramer in Frankfurt and a very long chat with Köln International School of Design director, and neuen Deutschen Design protagonist, Wolfgang Laubersheimer. Cosmetic Surgery
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We know. We know. It's January. Everyone just wants to sit at home feeling poor, fat and unloved....... Much more productive, and rewarding, would be a visit to an architecture and design exhibition, here five new exhibitions opening in January 2016 which particularly caught our attention. "The Inhuman Factor" at Falkenberg Museum, Falkenberg, Sweden If we're completely honest we have no idea where Falkenberg is. Or at least didn't. We've checked. It's a little bit south of Gothenburg. On
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