Qu'est-ce que le design? What is design? A question as old as the word itself, arguably older. But one with an answer? In an attempt to approach one the Musée des Arts Décoratifs Paris asked Charles Eames, Verner Panton, Roger Tallon, Joe Colombo and Fritz Eichler, Qu'est-ce que le design?...... A view of Verner Panton's installation at Qu'est-ce que le design Musée des Arts Décoratifs Paris 1969 (Photo Pierre Jahan © and courtesy Musée des Arts Décoratifs Paris) Organised in context of
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On Wednesday February 29th the Hofmobiliendepot Vienna open their 2012 spring exhibition. We had hoped to make it to the opening; but life being what it is. We wont. Sadly. Not least because the exhibition explores, for us, one of the most interesting periods of design - The Sixties. Not interesting as in, "Wow! Look how bright, spacey and groovy everything is!!!" Obviously. But interesting in terms of what it brought into the design vocabulary and the doors that it opened. And because it
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August 6th marks the 90th anniversary of the birth of the Italian architect, designer and Kartell co-founder Anna Castelli Ferrieri. Despite initial flirtations with modernism, including a trip to Paris to visit Le Corbusier, the young Anna Castelli Ferrieri was drawn ever more to the Italian neo-rationalism - especially that practiced by Franco Albini. And although Kartell products may not be physically reminiscent of the work of Albini, the ethos behind the company and its approach to
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On 03.11.1989 the Vitra Design Museum opened. On 09.11.1989 the Berlin Wall "fell". Coincidence? Almost certainly. But while the Vitra Design Museum may not be able to claim responsibility for the end of the DDR, it can look back on a remarkable 20 year history and proudly profess to have helped popularise designer furniture and furniture designers. Initially established as a location where Vitra chairman Rolf Fehlbaum could display his extensive collection of contemporary designer
read moreThe influence that our industrial society is exerting at a high technological level could lead to a global transformation of our ecological balance Joe Colombo
read moreIn agreement with the predictions of futurologists, we see the house as an instrument of life that can satisfy a number of precisely defined needs Joe Colombo
read moreThe possibilities presented by the extraordinary development of audiovisual processes are enormous…… Distances will no longer have much importance; no longer will there be any justification for the 'megalopolis'….Furnishings will disappear…the habitat will be everywhere... Now, if the elements necessary to human existence could be planned with the sole requirements of maneuverability and flexibility...,then we would create an inhabitable system that could be adapted to any situation in space
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In local parlance Greene Street, NYC is known as "West smow", on account of the prevalence of high-quality designer furniture producers who have their flagship stores there. The Artemide store, for example, is a couple of doors down from USM Haller, across the road from USM Haller is Kartell - it really is uncannily like the navigation bar at smow.com Indeed as we strolled down West smow on Friday morning we couldn't help thinking that only Moormann failed. Then we spotted number 75.
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A cult figure among designers, relatively unknown amongst the general public Joe Colombo is without doubt one of the most important designers of the 20th century. The Vitra Design Museum exhibition “Joe Colombo – Design and the invention of the future” is the first international retrospective of the man, his work and his influence. From April 3rd until the end of June the exhibition is on display at the Grassi Museum here in Leipzig and, as one would expect from an official Vitra partner,
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The (smow) blog has more than once suggested that designer furniture is more than just a comfortable place to sit of an evening or a convenient ledge on which to place your coffee while reading the paper; and that a well constructed piece of quality designer furniture can be a real investment. Proof of this theory, if it were needed, can currently be found at the TEFAF Maastricht - one of the world largest and most important art and antique fairs. For the first time in its 34 year history the
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