As we noted, almost exactly 12 months ago, although we here at smow Blog are more or less fully up and running again after the Covid enforced disruption, the extremely complex nature of the smow Blog machinery means that there are still a few elements of the whole that are awaiting a proper re-boot, including, as we noted almost exactly 12 months ago, our famed, and falafel fixated, annual #campustour through European design school summer exhibitions.
Which doesn’t mean that we aren’t visiting design school summer exhibitions. We very much are. Nor does it mean we aren’t eating falafel. We very much are. Just means we’re doing so in a much less structured, less coherent, manner. And means that we don’t always have the time and space to post from those showcases we visit. But do always try. Last year, admittedly, our attempts didn’t get much beyond Weimar. And (nominally) Brussels. Although we were at a great many more.
This year we’re hoping for a much improved number of postings, starting in Hamburg and the Hochschule für Bildende Künste’s 2023 Graduate Show, Unfinished Business…….
“What would it mean to live life as lightly as possible?” asks the exhibition School of No Consequences. Exercises for a New Life at the Museum für Kunst und Gewerbe Hamburg, “what would it mean to live life in a way that had as small an impact as possible?”
What indeed……
Back in May we were faced with the decision as to whether to remain with the online exhibition recommendations we’d been carrying throughout the spring, or, given that ever more museums were re-opening, move back offline for our June recommendations.
And decided to move back offline, not least because “viewing an exhibition in a museum is the more satisfying experience, the more rewarding experience, the more enduring experience. And an important experience.”
Ahead of our November recommendations we faced a similar choice. Travel, certainly international travel, is not only becoming increasingly difficult and of questionable responsibility, but in many regions the official advice is not to travel unless absolutely necessary; meaning while most museums are open, they are, in a purely practical sense, inaccessible for many. And so is compiling a list of offline exhibitions a meaningful undertaking? Is such a list sensible? Should we move back to online recommendations?
Yes. Yes. No.
And not just because museums are important cultural spaces, but primarily because most all museums are open……
…..or were while we were writing this. However, the rapidly developing nature of contemporary society meant that just before publishing this post it became clear that two of our five November openings will not be opening in November.
We’ve kept them in the list. Not because we couldn’t change the list, not that we couldn’t have substituted them for two others. We could. We’re smow: quick, uncomplicated solutions is what we do, flexibility and spontaneity are our best friends, there is never a Plan B but always alternative options, no job is too big, no pup is too …. no, hang on, that’s Paw Patrol.
We could have substituted them.
But didn’t see why we should. Every month we scan hundreds of museums and galleries around the globe looking for interesting, relevant, recommendable architecture and design exhibitions, the five we present are those we consider to be the most interesting, relevant, recommendable. And no temporary lockdown closure changes that. And all going well, come December, all five will be open.
And now, returning to where our ready-for-posting text was on Friday morning……
……and also with the reminder that such a recommendations list shouldn’t be understood solely as suggestions of locations to physically visit, but also as an impetus for your own study and research, for voyages of cultural discovery from your own sofa and/or desk. Most museum websites have in-depth descriptions of their exhibitions and the themes therein, often components of the exhibition are available online, and there will, almost always, be a catalogue that goes into more depth and detail than the exhibition; and so if an exhibition interests you, and you physically can’t get to the respective museum, why not use the long autumn and winter evenings to explore on your own.
Our five recommendations for new exhibitions opening in November 2020, and five recommendations for a meaningful use of the long autumn and winter evenings, can be found in Frankfurt, Zürich, Jyväskylä, Oslo and Hamburg.
And as ever in these times, if you do feel comfortable visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….
Born in Leverkusen Glen Oliver Löw initially studied Industrial Design at the University of Wuppertal before moving to Milan in
The first thing any carpentry apprentice does is build their own wooden toolbox. It makes sense. You’re learning to work
During the “Summaery” exhibition back in July 2011 we asked Professor Bernd Rudolf, Decan of the Architecure Department at Bauhaus