Jongerius A Hella; A Lab; An Open-ended exploration As the ancient scribe Oranje Tulpenbol of Old Amsterdam records in his letters to the Rotter Dam aan Maas, the contemporary Jongerius is largely a consequence of the contributions of a Jongerian universally known as Hella on account of the brightness and lucidity of her Jongerius, a luminescence and clarity which was key in enabling Jongerius rise from its native home amongst the peoples of the Netherlands and to disseminate freely across
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As the title of Hella Jongerius's 2016 book I don't have a favourite colour succinctly explains, Hella Jongerius doesn't have a favourite colour. Not that Hella Jongerius is indifferent about colours. Far from it. And in explaining why colours are important to her, and why she doesn't have a favourite colour, Hella Jongerius helps one approach a better understanding not only of colours, nor only of our relationships with and to colours, but also helps one approach a better understanding of
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As the 19th century English poet Robert Browning so very, very, nearly phrased it: Oh, to be in Berlin, Vienna, Chemnitz, 's-Hertogenbosch, or Berlin (again), Now that April's there, And whoever wakes in Berlin, Vienna, Chemnitz, 's-Hertogenbosch, or Berlin (again), Sees, some morning a most interesting, entertaining and instructive sounding architecture and/or design exhibition, While the chaffinch sings on the orchard bough...... "Hella Jongerius: Woven Cosmos" at the Gropius Bau, Berlin,
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Can innovation be an end to itself? Are we living in excess? Do things bewilder and inspire us still? Does a museum collection inevitably lose its link to reality as time goes by? What is good design? The exhibition Hella Jongerius & Louise Schouwenberg – Beyond the New at Die Neue Sammlung Munich poses a lot of questions. Questions which needn't necessarily find answers, but which should serve as inspiration and motivation to further questions, and thus a deeper discourse on design. Hella
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Red and yellow and pink and green, purple and orange and blue..... Life is so simple as a child. Yet whereas in almost all other respects the progression to adulthood is one of simplicity to complexity, in terms of our understanding of colour we never lose our inner child. With the exhibition Breathing Colour at the Design Museum London the Dutch designer Hella Jongerius encourages us to sing a rainbow, sing a rainbow, sing a rainbow new. Noon colour catchers, as seen at Breathing Colour
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If we're honest, we really, really, should have seen it coming. We didn't. Having been acquired in 2013 by Vitra, Artek have now begun working with leading designers from the Vitra roster. Specifically, in Milan Artek launched a new chair from Konstantin Grcic and new colour and textile schemes from Hella Jongerius for the classic Alvar Aalto 400 and 401 armchairs and Stool 60. We just hope no-one is tempted to over egg this particular pudding. In the Milan press release Artek CEO Mirkku
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Older readers will remember how last year one of the Vitra Senior Manager's quoted from this blog in his pre-fair pep talk to the assembled Team Vitra. Having reached the zenith of our careers we contemplated retiring. Fortunately we didn't. For at Milan 2014 Vitra have re-issued objects from a collection of Alexander Girard furniture designs that featured in our July 2012 "Lost Furniture Design Classics" post. OK not the furniture pieces we referred to, but objects from the same
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What with the sweet afterglow of Vienna Design Week behind us we entered October 2013 full of enthusiasm - not least because it meant the opening of the new (smow) Cologne store. The month nearly nose-dived on account of a hideous plagiarism in Leipzig, but was more than rescued by Alison and Peter Smithson at the AIT ArchitekturSalon Cologne.......
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Back in October one of the joys of Orgatec 2012 in Cologne was watching visitors reactions to Hella Jongerius' Sphere Table for Vitra. Most were highly amused and assumed it was a new kids product. An opinion that quickly changes when you learn the background to the object. Developed for Hella Jongerius' recently completed redevelopment of the North Delegate's Lounge at the United Nations in New York, the Sphere Table is a response to a brief that said the lounge could contain no internal
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Those of you who actually read what we write rather than simply enjoying our genre redefining photography * will know that we regularly bemoan the lack of design coverage in the serious print media. All too often it seems "design" is something to be entrusted to blogs featuring sugar sweet hymns to our cuddly, snuggy-wuggy world and all backed-up by Gaussian heavy, focus soft photos. Or worse, instagram photos. And so we raise our hats and our flagons to the Süddeutsche Zeitung Magazine for
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During Dutch Design Week 2011 Premsela, the Netherlands Institute for Design and Fashion, opened an exhibition in the Designhuis Eindhoven that both celebrates Dutch Design Week's 10th anniversary and honours 15 Dutch designers who got their break and/or made their name in Eindhoven. Rather than simply present the 15 in isolation, curator Miriam van der Lubbe presents them in the context of a young designer they admire and of someone who inspired them. And so, for example, Richard Hutton is
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At the 2011 Milan Furniture Fair Vitra are presenting a range of new products from designers including Konstantin Grcic, Antonio Citterio and Barber & Osgerby. Ahead of the official launch we caught up with Vitra Chief Design Officer Eckart Maise to discuss the new products and the Vitra Home Collection in general. (smow): Herr Maise, before we discuss the new products, and maybe as a little helpful background. How does a company like Vitra develop a collection? Do you go to a designer and
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Although Alexander Girard worked closely with Herman Miller and designers such as George Nelson or Charles and Ray Eames; Alexander Girard's speciality was not furniture but fabrics, folk art and colour. Born in America and raised in Italy Alexander Girard studied architecture in London before a lack of architectural openings saw him spend several years working as an exhibition and interior designer; most notably in Sweden where he worked in the design department of the Nordiska department
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Last Saturday - 13.11.2010 for the sake of all Internet archaeologists who find this post in 120 years - Museum Boijmans in Rotterdam opened the first Hella Jongerius retrospective in her native Holland. And we weren't there. It was a regrettable, but unavoidable, situation. Fortunately our global network is almost as large as that of the American secret service and so we were able to send a few friends on our behalf. An interactive exhibition, Misfit not only features works by Hella
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The theme of the 2010 Designpreis Halle is and was "travel" For us travelling to Halle has a special meaning as in a previous life we used to regularly travel to Halle, experience all sorts of perverse inhumane horrors and then travel back to Leipzig glad - once again - to have escaped from the banks of the Saale with our lives. That was then. But since then not only has our life changed but we now see and understand Halle in a completely different light. Thanks largely to another tour;
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For Berlins premier design show DMY Berlin is mighty shy: but then it is only 5. And certainly no better explanation occurs to us as to why the entrances should be so well hidden. But with the help of a man with a knitting machine under his arm we eventually found our way to Hanger 5 - and our initial grumpiness at the signage shortcomings soon passed. We've been to many a design show in our time; but never in a venue that works quite as well as Tempelhof. Despite having been an active
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One of the real joys of spring is that two of our favourite worlds nearly, but very nearly, collide - books (Leipzig Buchmesse) and designer furniture (Saloni Milano) On April 10th in Milan they will collide with the opening of the exhibition to the new Moleskine edition "Hand of the Designer". Containing 462 hand drawn sketches from 150 designers - including Ronan and Erwan Bouroullec, Hella Jongerius, Antonio Citterio or Alberto Meda - Hand of the Designer is intended as an intimate look
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For us there are many highlights to the (smow) design year, Milan, London, Brussels, Copenhagen.... and of course DMY Berlin. DMY Berlin isn't the biggest design fair, but what it lacks in quantity it more than makes up for in quality. And for 2010 the organisers have not only found a new location; but also a new jury structure. Rather than the normal "rotating heads jury" DMY Berlin now features a UN Security Council approach with 3 permanent members and 2 rotating. The three permanent
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As many of you will be aware, the construction of the VitraHaus was not without it's controversy. For all the decision to paint the outer walls black. We at (smow)blog can however exclusively reveal that other options were considered. And below we publish exclusive pictures of the rejected colour schemes. Berlin based, Dutch designer Hella Jongerius has created the Vitra Colour Laboratory to help encourage VitraHaus visitors to be more imaginative and creative in their use of colour. One
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Some 285 journalists were present for the press preview of Herzog & De Meuron's new VitraHaus in Weil am Rhein on February 12 2010. 285 journalists who were then obliged not to breath a word about what they had experienced until Saturday 20.02.2010...... Lets get the obvious point out the way first. The VitraHaus is magnificent. We approached Herzog & De Meuron's construction on foot from Mühlheimerstrasse and the first view over the car park was every bit as wonderful as we had expected.
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It's not all hard work you know. Just read a nice little article on dutch design portal design.nl in which Marie-Luce Bree, deputy director of the Foam Photography Museum in Amsterdam, talks about their photo project “New Greetings From”; which basically follows the tried and tested method of getting members of the public to submit photos and then using the best to create an exhibition. In detail, “New Greetings From” requests contributors to submit photos showing their interpretation of
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It's Dumfries Show on Saturday. That won't mean much to the most people, but for us it is a sure sign. Winter is coming. We know, we know. Barely have we got use to remembering to take our sunglasses to work, buying ice-creams for lunch or waking up at 5 am because we forgot to shut the curtains - again - than the Dumfries Agricultural Society hold their annual show. And after the Dumfries show the evenings get shorter with increasing rapidity and before you know it the ground will be brown
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One of the reasons we never pursued a career as film reviewers is that writing in the dark is so difficult. Compared to those notes that we write in darkened cinemas the Rosetta Stone appears as if it was set in Helvetica 8. And so it is that from our trip to "Objectified" at the IFC Centre in New York, the only words we can clearly read are "organic popcorn". It was, and it was lovely. Fortunately we know people who can read our hand writing and they have now finished the translation
read moreWhen we were over in New York we took an evening off from partying to view Objectified, Gary Hustwit's new documentary film. Or better said we left the moooi store opening party early to view Objectified. We are planning on doing a detailed review in our new series "smow design spring: Review" However, we just received information over the (smow)twitter that Objectified have confirmed dates in Copenhagen on 29.06, Munich on 01.07 and Amsterdam on 02.07 Exact details will be confirmed on the
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