Amongst the many developments that have influenced and informed the path of furniture and interior design in the past 120ish years one must, without question, count developments in context of colour. Whereas in previous centuries colours were limited in their availability, range and durability, recent decades have seen not only progress in that availability, range and durability, and as such ever more possibilities in our use of colour, but also seen increasing study of psychology and colour
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"For men who have to write a lot, and over prolonged periods, a desk at which they can work standing up is an indispensable piece of furniture for altering their posture and for maintaining their health", opined Journal der Moden in May 1786. An age when, famously, only men wrote. Yet advantageous and positive as standing to write was, prolonged standing could, as Journal der Moden notes, lead to tiredness. A solution was however at hand for all who preferred working at a standing height desk
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On March 10th 2015 a jury at the Central District Court of California in Los Angeles concluded that Pharrell Williams and Robin Thicke had relied a little too heavily on Marvin Gaye's 1977 hit "Got to Give It Up" when composing their track "Blurred Lines". For infringement of Gaye's copyright the court ordered Williams and Thicke to pay Marvin Gaye's estate $7.4 million dollars. Responding to the judgement Pharrell Williams mused in the Financial Times that "the verdict handicaps any creator
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How to celebrate the birthday of a man all celebrate? What words can one find to honour the birthday of the German architect, designer and ex-Bauhaus Director Ludwig Mies van der Rohe? When in doubt we invariably turn to the man who has words for every occasion, George Nelson. Following his graduation from Yale University George Nelson won the so-called "Rome Prize", a fellowship awarded by the American Academy in Rome for particularly talented individuals from across a range of disciplines
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With ever more of our fellow train passengers displaying acute symptoms of over exposure to cheap Glühwein it can only mean that December is upon us. And the end of one the genuinely more enjoyable smow blog years. Indeed its fair to say 2014 was one of those years that makes you consider if its not time to hang up the old travelling socks and seek a more sedate, sedentary, existence. A fitting moment perhaps, but the correct decision? We've a couple of days to decide. And to accompany us
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As many of you will be aware, for us no post about 20th century American design is complete with the addition of alcohol and George Nelson. And so by way of a reprise to our recent post celebrating Isamu Noguchi's birthday, we present, with thanks to Stanley Abercrombie's ever excellent and easily recommendable George Nelson biography, George Nelson's recollections on Isamu Noguchi and his role in the creation of the famous Ball Clock. An anecdote that in addition beautifully highlights the
read moreIn our recent design calendar post on the 85th anniversary of the opening of the New York Museum of Modern Art, MoMA, we noted that they are currently presenting an exhibition under the title "Design and Violence" Although "presenting" is perhaps not the correct phrase, for rather than display objects as part of a traditional exhibition in their spacious if crammed base in Manhattan, for Design and Violence the MoMA are staging what they refer to as an "experimental online curatorial project".
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As has oft been noted in these pages, the years following the Second World War were years of quick, radical, fundamental social, cultural and economic change. Changes from which the then fledgling furniture design industry greatly benefited: and from which it continues to benefit with many of the popular mass market designs created back then becoming the design classics of today. The design week having not yet been invented and those furniture trade fairs that existed being very much the
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What with the sweet afterglow of Vienna Design Week behind us we entered October 2013 full of enthusiasm - not least because it meant the opening of the new (smow) Cologne store. The month nearly nose-dived on account of a hideous plagiarism in Leipzig, but was more than rescued by Alison and Peter Smithson at the AIT ArchitekturSalon Cologne.......
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There is currently a lot of "buzz" in the contemporary furniture and interior design communities about bringing nature in to domestic spaces, of finding ways of integrating plants with furniture and furnishings, softening our harsh, uncaring modern world if you will. In recent months we have posted, for example, on Stephan Schulz's Domestic Landscape project, Green Lamp by Zuzanna Malinowska or Werner Aisslinger's Bikini Island concept for Moroso. While at the recent Designers' Open Leipzig
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"My, my, my, Delilah! Why, why, why, Delilah!" The morning of Friday September 27th 2013 was one of those misty autumn occasions that cause SANAA's immense new Vitra Factory Building in Weil am Rhein to merge, almost unseen, with the grey background. Even Herzog & de Meuron's new Basel Messe complex was reduced to nothing more grand than a continuation of the uncaring monotonous sky. The glitzing, shimmering palace of high summer just the weak shadow of a memory. And so it was perhaps fitting
read moreIn our post on Vitra's purchase of the Finnish furniture producer Artek we quoted from a letter George Nelson wrote to Charles Eames recounting a meeting with Alvar Aalto in Cambridge, Massachusetts. Below we quote more from said letter. We cannot prove or disprove any of the claims made therein. We assume it is all true. We say, you can keep your stories of rock star debauchery, your stories of film star excess, your stories of out of control poets and of the decadence of the European
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At Design Miami Basel 2013 one of the more impressive presentations was without question the collection of Alvar Aalto furniture shown by Stockholm/Berlin based gallery Jackson Design. A presentation that included rare examples of Alvar Aalto's furniture for and by the Finnish manufacturer Artek. And all available for purchase. Basel based furniture manufacturer Vitra have gone one step further, and have purchased Artek. Following completion of his architecture studies in 1921 Alvar Aalto
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We suspect the reason we write so much about designer furniture in an airport context is simply because of the amount of time we spend in airports. And consequently the amount of time we spend thinking about and analysing what we are being offered. If you're going to be delayed at Frankfurt for five hours. You want to make sure that your seat is comfy. If you're going to have to spend the night at Copenhagen Airport. You want to make sure your seat is comfy. If you're... you get the idea.
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"Wooden spoon for pickled vegetables by John F. Kennedy" ? ? ? John F. Kennedy. Green Mountain Woodcrafters, Vermont. And no relation of Teddy or Robert. Still cheered us up. From March 20th until April 25th 1951 Stuttgart hosted the first post-war exhibition of modern American home furnishings and appliances in Europe. Organised by the New York Museum of Modern Art under the title "Design for Use, USA", the exhibition featured a cross section of American domestic design. And a Who's
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Just as the Man in the Corner Shop was famously satisfied with his life until the Boss from the Factory turned up to buy cigars - so too were we content with our life until 00:42 this morning. Because then we received the invitation to Frank and Oliver's next exhibition in Zürich: „Schöne neue Welt - American Mid-century Design“ On their many trips through North and Central America Oliver Müller and Frank Landau have acquired a unique collection of objects. In the exhibition „Schöne neue Welt
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It may not be the most universally recognised example of either Charles Eames' nor Eero Saarinen's canon however their 1940 "Conversation Chair" is without doubt one of the more important examples of 20th century furniture design. Designed for the New York Museum of Modern Art's "Organic Design in Home Furnishings" competition the Conversation Chair was a concept piece and Eames' and Saarinen's first attempt at moulding synthetics. At that time however the technology lagged somewhat behind
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On account of the horrendous hotel prices demanded during design week the (smow)blog team camp in Milan. And that despite last years near-drowning episode. This year the decision was a real blessing. Spared the torment of those trapped by Eyjafjallajokull at Milan Airport our return journey this year took us via Weil am Rhein, Vitra and the VitraHaus. What a difference the weather makes! When we were there for the opening in February architect Jacques Herzog commented, somewhat solemnly,
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In what is quite possibly the most eagerly anticipated announcement of 2010, Apple Supremo Steve Jobs will unveil the companies latest product in San Francisco on Wednesday. Rumoured the be called iSlate, or possibly iPad or iTablet, the product is expected to combine the functionality of the iPhone with that of the iMac in a flat, transportable, keyboardless computer; thus allowing the user to write, draw and calculate anywhere. In effect a chalkboard for the 21st century. Hence the name.
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...and the mistletoe and wine will almost certainly be in abundance - so why not give someone the gift of time this Christmas. Puns, we love 'em One of the true greats of clock design was former Herman Miller design director George Nelson and his classic 1950s clock designs are a gift that one can always give with confidence. A new addition to the range is the three Ceramic Clocks; designed in the early 1950s but which never entered production. On the basis of drawings and other technical
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As traditional as roasted chestnuts and corked sherry, gift recommendations are what make Christmas for us. This year, however, we start with a friendly warning. The lead times for many of our suppliers are creeping upwards - and although we have a well stocked and bountiful warehouse; should you want to order something extra special as a gift for a loved one, and we have to order it - it's getting tight. The "traffic light system" in the (smow)shop provides an instant guide to availability;
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On 03.11.1989 the Vitra Design Museum opened. On 09.11.1989 the Berlin Wall "fell". Coincidence? Almost certainly. But while the Vitra Design Museum may not be able to claim responsibility for the end of the DDR, it can look back on a remarkable 20 year history and proudly profess to have helped popularise designer furniture and furniture designers. Initially established as a location where Vitra chairman Rolf Fehlbaum could display his extensive collection of contemporary designer
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Franz Schubert's Symphony No. 8 in B minor. The Trial by Franz Kafka. Madonna and Child with St John and Angels by Michelangelo. Although there are always ethical and stylistic questions concerning the completion of unfinished works, in principle it is always a joy to see someone who cares as much as the original artist complete a project. And so hats off to the Vitra Design Museum for it's decision to finally bring George Nelson's Ceramic Clocks onto the market. In 1945 George Nelson
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Idling on the internet the other day we inadvertently clicked on an advertisement. Fortunately. For the link took us to 3 fish studios and these wonderful linocuts. Now we're not going to insult yous by pretending to be experts in graphic art, and so in the words of 3 fish studios: All prints are of the highest possible quality, each one printed by hand with a Conrad Machine Etching Press on Rives BFK paper using Daniel Smith Traditional Black Relief Ink. There are ten designs in total
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