We’re great believers in Fate, in the guiding principle that if it is meant to be, it will be: not least because it protects us from the expectations of achievement.
Further proof of the veracity of Fate was provided by our meeting during Milan Design Week 2018 with the project Moorwerk by Jan Christian Schulz.
Whereas exhibitions in which designers show prototypes and discontinued projects by way of explaining who they are, where they come from and how they work, are a, relatively, regular occurrence, exhibitions in which manufacturers do such are much, much rarer: with the exhibition Typecasting Vitra make a very rare and very welcome exception
And in doing so don’t just present an image not only of Vitra past, but also take a look into the future…..
Curated by Carwan Gallery Beirut co-founder Nicolas Bellavance-Lecompte, Unsighted presents projects by eight international designers; the title making reference to the fact that the designers weren’t told for what they were being commissioned, had no external context; were working, as it were, Unsighted.
During Milan Design Week 2018 all became clearer…
“Okay so is there ANYTHING interesting happening in Milan this year?” asked dezeen founder and Editor in Chief Marcus Fairs
Billed as being an “… experimental, collaborative journalism project that aims to lift the lid on the design world to
As you know we’re no huge fans of Milan. Love the city. Don’t love the size and cost of their
The Triennale Design Museum Milan opened their exhibition “Dream Factories: People, ideas and paradoxes of Italian design” a week before
Burg Giebichenstein graduates Stephan Schulz and Paul Evermann are presenting a joint show at this years Salone Satellite with each