"I'm so glad I live in a world where there are Octobers" exclaims Anne Shirley in Lucy Maud Montgomery's 1908 novel Anne of Green Gables, "it would be terrible if we just skipped from September to November, wouldn't it?" Yes Anne, it would. Yet while Ms Shirley turned her youthful attention to decorating her bedroom with the brightly coloured maple branches so prevalent on Prince Edward Island at this time of year, our joy is found in the new architecture and design exhibitions opening in the
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A week or so ago it was announced that Los Angeles based Gehry Partners had been selected to build a new tower block on Berlin's Alexanderplatz. As a general rule we read such announcements. And then carry on with more important things. However, the day after the announcement the Berlin based, Dutch architect/curator/critic Lucas Verweij tweeted in response to a Guardian article on the project: "Ohh Please, not this standard gentrification trick for Berlin" And immediately the words of
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(smow)chair All this looking at, talking about and writing about other people's design, has left us yearning to get on with completing our own furniture project: (smow)chair. As already stated, the basic form and idea were developed in the (smow)warehouse here in Leipzig. The hard work was then done at the Vitra Design Museum Cardboard Furniture Workshop in Weil am Rhein. In conjunction with every exhibition at the Vitra Design Museum a programme of events is organised that aims to expand
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Parallel to its exhibitions the Vitra Design Museum organises workshops designed not only to accompany the exhibitions but much more to expand on them and so offer participants a new, active, insight into the theme. Or at least an aspect of the theme. For the current exhibition "Essence of Things. Design and the Art of Reduction" this means, among others, workshops on cardboard furniture production. Cardboard is without question one of the more challenging products that one can choose for
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The (smow)blog team outing to the cardboard furniture workshop was coupled with a visit to the current Vitra Design Museum Exhibition: The Essence of Things. Design and the Art of Reduction. We must admit to finding it more than a little ironic that an exhibition on "Design and the Art of Reduction" should be taking place in a building designed by Frank Gehry, especially when Tadao Ando's Conference Pavilion is only some 10m away. And after the long journey to Weil am Rhein this thought
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In conjunction with the current exhibition "The Essence of Things. Design and the Art of Reduction" the Vitra Design Museum are running a series of summer workshops. "The Essence of Things. Design and the Art of Reduction" deals, as the name implies, with "reduction" in design: principally the reasons for reduction in design - be they technical, aesthetic or philosophical. Using this as the basis, the workshops encourage participants to think "reduced" and for all to create useful products
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For people who spend most of their working lives sat at desks, publishers and authors have a frightening disregard for comfort when it comes to chairs. Or at least they do if the furniture we saw at the 2010 Leipzig Buchmesse was a measure of the industry norm. Cheap folding chairs, cheap copies of designer furniture classics being presented as originals and general cheap tat as far as the eye could see. Fortunately one or two of the exhibitors seemed better informed. Below a few snapshots
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When we were still young, fit and healthy, towns and cities existed. Just existed. These days in order to exist a city needs to be the city of something. And so as one drives along a German motorway, every ten metres or so comes a large brown sign announcing the next conurbation as "Chemnitz - City of the Modernity", "Pied Piper City Hameln" or "Prien am Chiemsee - City of the criminally lazy taxi drivers". Not wanting to be the outsider in this age of claims making, Weil am Rhein has
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Its a little known fact, but the printer in (smow)HQ sits atop a "Block" by Frank Gehry. And indeed in general we at (smow)blog are long standing fans of corrugated cardboard furniture; and not only since introducing the world to Stuart Miller during the 2009 Saloni. Shelf 114/115 from Leipzig based diefabrik didn't quite set our hearts ablaze as much as Stuarts nameless chair, but did make us very happy. It is a truly, truly ridiculous concept. Oval cardboard forms with exaggerated teeth
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On 03.11.1989 the Vitra Design Museum opened. On 09.11.1989 the Berlin Wall "fell". Coincidence? Almost certainly. But while the Vitra Design Museum may not be able to claim responsibility for the end of the DDR, it can look back on a remarkable 20 year history and proudly profess to have helped popularise designer furniture and furniture designers. Initially established as a location where Vitra chairman Rolf Fehlbaum could display his extensive collection of contemporary designer
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Idling on the internet the other day we inadvertently clicked on an advertisement. Fortunately. For the link took us to 3 fish studios and these wonderful linocuts. Now we're not going to insult yous by pretending to be experts in graphic art, and so in the words of 3 fish studios: All prints are of the highest possible quality, each one printed by hand with a Conrad Machine Etching Press on Rives BFK paper using Daniel Smith Traditional Black Relief Ink. There are ten designs in total
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Following the successful visit to USM Haller the (smow)team headed on to Basel and Vitra HQ. The contrast in the external appearances of the buildings could hardly be greater. As a company Vitra don't just engage designers to create furniture for them, they also encourage them to design buildings. The finest example being the Vitra Design Museum complex at Weil am Rhein; but in interests of chronological correctness more on that later. The original Vitra building in Basel building was
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We must say it is good to get back to the comfort of the Zona Tortona press room and an ice cold cola - although we must report that the focaccia's sadly seem to be finished :( The first port of call for our second "off Salone" sojourn today was "Fake it Easy" Czech design studio Koncern who have produced a range of products with the - alleged - aim that they should be copied. In the smow(blog) we have often discussed the subject of original and copies and we would loved to have discussed
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One of the brightest stars in the glittering world of star architects celebrates today his 80th Birthday. Born in Toronto as the son of Jewish migrants, Frank Gehry moved as 17 year old to America and earned his keep working as a lorry driver and airplane washer before studying architecture in Los Angeles and urban planning at Harvard. He first attracted a wider public as he “renovated” his house in Santa Monica. His neighbors “went bananas” after Gehry transformed an old, conservative
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