French designer Ionna Vautrin first reached a broad international public with her Binic lamp for Italian manufacturer Foscarini, a design which, it's fair to say, is/was one of those genuinely, gloriously, joyous moments in the (hi)story of lighting design, a work full of character yet devoid of vanity, universally applicable yet always individual. Ionna Vautrin is however more than Binic: before Binic Ionna had enjoyed a varied, international career working with a diverse roster of studios
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What with mince pies to be eaten, Glühwein to get drunk and travel plans to misco-ordinate, December is generally a very quiet month. However despite all other distractions, in December 2013 we still managed to visit the opening the exhibition "Mensch Raum Maschine Stage Experiments at the Bauhaus" at Stiftung Bauhaus Dessau and the far to brief Rethinking The Product – Design “Made in Italy” showcase in Berlin. In addition December 2013 saw the launch of the Vitra Design Museum's book "The
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"In a best case scenario, and when the technology is advanced enough, the opaque cover can be replaced by an OLED and so become the light source itself."1 We admit to having wondered when we saw Ionna Vautrin's Binic lamp on the "Light for tomorrow" table at the Vitra Design Museum's Lightopia exhibition. "Nice lamp", we thought, "but not exactly revolutionary." First upon reading in the catalogue did we understand. Inspired by ships funnels Binic is formally very reminiscent of Vico
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