There is an argument to be made that while variation and uniqueness are inherent features of craft processes, design strives for the production of endless uniformity. Or perhaps more accurately design did: while the earliest design practitioners, and those of the 1920s and 1930s who followed them, very much (largely) sought to develop products that contemporary industry could produce en mass as exact replicas of one another, since the 1960s individuals and groups of designers have sought to
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