In days of yore October was known in Germanic lands as Weinmonat, Wine Month, Month of Wine, whereby thoughts were, unquestionably, less with the drink as with the grape and the harvest, and thus the promise of the new wine.
And in many regards our exhibition recommendations can be considered a monthly harvest of the new crop of architecture and design exhibitions; specifically, and staying in Germanic registers, an Auslese, a considered selection of those well ripened concepts and premises it is hoped will most excite an invigorate the palate both experienced and novice. Or the viewer, experienced or novice.
Our quintet of, possible, new, memorable vintages from Weinmonat 2021 can be found in Ulm, Stockholm, ’s-Hertogenbosch, Paris and Tokyo…….
With the exhibition Citizen Office the Vitra Design Museum staged not only their first conceptual, research based, exhibition, but also one of the first museal reflections on “the world of the office”.
Reflections which not only pointed towards new directions and understandings then, but which offer insights and lessons for today…….
“What are you going to do this summer, Amory?”, Tom D’Invilliers asks of Amory Blaine in F Scott Fitzgerald’s This Side of Paradise.
“Don’t ask me”, comes the somewhat languid reply, “same old things, I suppose. A month or two in Lake Geneva — I’m counting on you to be there in July, you know — then there’ll be Minneapolis, and that means hundreds of summer hops, parlor-snaking, getting bored…..”
Sorry Amory, but you’ll have to survive the magnificence of Lake Geneva on your own, would have been our response. We’ve got new design and architecture exhibitions in London, Berlin, New York and Holon to visit!
But we’ll definitely catch up with you afterwards in Minneapolis for a bit hopping and parlor-snaking…….
“When I was very small, a little boy of five or six years old, I was certainly no infant prodigy,
Celebrated as the salvation of design. Denounced as kitsch. Fresh & invigorating. Vain & hifalutin. A watershed in design history.
While the art world is awash with anecdotes of cleaners disposing of installations having confused them for rubbish, we’re not