In the northern Hemisphere May is a month of ritual; rituals primarily associated with the awakening of nature, the approaching of summer with the associated hope of a successful and bountiful harvest. And rituals which include, amongst many others, maypoles in various contexts, bonfires for various reasons and a myriad dances, including the traditional English children's dance/game Nuts in May, with its repetition of the line "Here we come gathering nuts in May"... which obviously raises the
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The September architecture and design exhibition recommendations are arguably the cruellest to write: the fact that the majority of the exhibitions end in the depths of the European winter meaning that as we sit here hoping that summer keeps going just a little, little, longer.... we're forced to think about winter jackets and gloves. And so before things get that far, best get out there and visit an exhibition!! Our five recommendations for September 2017 feature new exhibitions in Weil am
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We spend a lot of our time in exhibitions. A lot. And a lot more travelling to and from exhibitions. But are we wasting our time? Guus Beumer, director of Het Nieuwe Instituut in Rotterdam, believes so. And he is a man who has spent even more of his life in exhibitions than us. Both as viewer and as curator; perhaps most notably as artistic director of the 2009 Utrecht Manifest, Biennial for Social Design and as curator of the Dutch Pavilion at the 2011 Venice Biennale. On Thursday April
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By way of an addendum to our "5 New Design Exhibitions for February 2014" post.... The Stedelijk Museum Amsterdam is currently showing "Pinned Up at the Stedelijk, 25 years of design", the first major retrospective of the work of Dutch designer Marcel Wanders. Presenting over 400 objects the exhibition promises to cover Marcel Wanders' complete career since the release of the Set Up Shades lamp in 1989 and in doing so present a chance to better understand the man, his thinking and his works.
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"My, my, my, Delilah! Why, why, why, Delilah!" The morning of Friday September 27th 2013 was one of those misty autumn occasions that cause SANAA's immense new Vitra Factory Building in Weil am Rhein to merge, almost unseen, with the grey background. Even Herzog & de Meuron's new Basel Messe complex was reduced to nothing more grand than a continuation of the uncaring monotonous sky. The glitzing, shimmering palace of high summer just the weak shadow of a memory. And so it was perhaps fitting
read moreA few weeks ago in our post on the opening of the Droog Lab exhibition The New Original in Guangzhou, China we noted, "....knowing Droog we’re fairly certain that “The New Original” will be presented in Europe before too long. " Droog didn't disappoint and the objects were displayed in Milan as part of the show "Droog 20+, Up to a beautiful future", 20 years of Droog celebrated by looking forwards rather than the more conventional backwards. The background idea to The New Original is
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In a recent idle moment, we got to thinking.... if the Chinese - at least according to popular perception - just keep copying design ideas from others. Why don't we copy their designs? That'll teach them! We reasoned. A reasoning which of course brought home just how pointless the idea was. It would't teach no one nowt. The cheeky dogs at Droog Lab however have copied Chinese designs. But not out of revenge, rather as an exploration of the possibilities presented by copying. "The
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Back in April 2010 we reported that Dutch design anarchos Droog were planning a hotel in Amsterdam. On September 16th 2012 Hôtel Droog will finally open for business. And because it's from Droog, Hôtel Droog has only one bedroom. Which is really an apartment. The majority of the complex is taken up with all those things that in a "normal" hotel would be of secondary importance to the accomodation: eating, drinking, shopping, being pampered or relaxing in a garden. Situated in a 17th century
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Back in September droog "released" a diamond studded car tyre as part of their Fantastical Investments project. We fear the good folks at ECAL/University of Art & Design Lausanne may have taken the project a bit too literally, for as we learned the other day they offer a Master of Advanced Studies in, wait for it, you won't believe us: Luxury Industry & Design Honestly. Luxury Industry & Design Forget everything you learned from our post on "Warum Gestalten ?" at the HFBK Hamburg. The
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As if it wasn't hard enough to keep up with the various project strands that twine together to form Droog. They've launched an imaginary brand. We did consider marking the moment by penning an imaginary post. But that would be to completely miss the point. Again. Created from the Moscow leg of the Droog Lab "Here, there, everywhere" project, Fantastical Investments is both a response to consumer habits in Russia and a vision of how the world of the future could look. The Droog Lab team
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"What, another design week?!" While the rest of the (smow)HQ tried to work out which city we hadn't been to this year; we quietly packed our cameras for yes, another design week. And certainly design weeks are the new film festival - every self-respecting city has to have one. Which is fine by us. And this week it's Vienna Design Week. The 2010 Vienna Design Week programme features - in addition to the usual array of exhibitions - a series of workshops, installations and talks with and
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On several occasions in the past month we have repeatedly seen a similar scene. A scene that has made us cry. Lovely houses, truly wonderful, carefully considered constructions in idyllic locations - and then in the garden, furniture that the owners have obviously bought, possibly as an after thought, from their local garden centre. Just looking at some of the chairs made our upper thighs go numb from discomfort. And as for that recliner yesterday in Berlin!!!! People, gardens are there to
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For some July is all about relaxing, enjoying the sun and drinking G+Ts under a Droog Shadylace parasol. For the (smow)blog team July means art and design college annual exhibitions. However for reasons unfathomable to us most Germanic colleges insist on holding their exhibitions on the same weekend. Obviously Germany design schools can develop everything: except a joined-up, national student exhibition plan. Fortuitously amongst the shows that have caught our attention this year there is a
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With Royal Ascot in "full flight" and the All England Championships at Wimbledon beginning om Monday, the summer season is here and with it long evenings in the garden, on the terrace or on the balcony. Lovely. And so it was guaranteed no coincidence that we saw the wonderful Shadylace by Chris Kabel for Droog at DMY Berlin last week. For having reached a comfortable, and somewhat overweight, middle age we now feel justified in owning such a treasure. Not only does Shadylace stylishly
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"You can't have a light without a dark to stick it in" Arlo Guthrie's quote features on interror.be in conjunction with the product sevenup - a light that ironically proves that although a dark can be helpful to a light ... it aint a pre-requisite. Reminiscent of Rody Grauman’s 85 lamps for droog - just with only seven bulbs and with the bulbs elegantly held apart form one another - sevenup is a wonderful modern interpretation the classic chandelier. Stripped to the bare essentials - cables,
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Truth be told we'd expected a bit more bravery from our favourite Amsterdam anarcho-artisans. But no, no tree-trunk bench on the droog presence in Cologne. At least there was people - in comparison to their stand at ICFF 2009 in New York where they made do with a shadylace. High-point for us, however, was without doubt the Rag Chair. And especially the woman who sat on it, looked at her companion and said "Hard as stone!!" And Rag Chair is; which is of also why it is comfortable. The
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Those of you who know us know that we have little time or interest in fakers, copyists and other charlatans who undermine the work, talent and investment of furniture designers. However, we're also great admirers of inspired time wasting disguised as work and so it's a big (smow)blog hats off to the boys and girls at the spreadshirt blog for their attempt at a Rag Chair. That the spreadshirt blog team have such a big box of textiles is to be explained by the numbers of shirts required for the
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One of the most exciting moments of our trip to the ICFF, New York was our visit to the droog flagship store in SoHo. For those who don't know droog, firstly forget everything you accept about the separation between art and furniture design. And then having convinced yourself there is no divide imagine your Dutch and design something. OK droog also have some fantastic "normal" designs - but their real strength is pushing the borders of absurd until they become the most obvious thing ever.
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In local parlance Greene Street, NYC is known as "West smow", on account of the prevalence of high-quality designer furniture producers who have their flagship stores there. The Artemide store, for example, is a couple of doors down from USM Haller, across the road from USM Haller is Kartell - it really is uncannily like the navigation bar at smow.com Indeed as we strolled down West smow on Friday morning we couldn't help thinking that only Moormann failed. Then we spotted number 75.
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