June sees the start, in the northern hemisphere, of both meteorological summer and astronomical summer Yet for all that the arrival of summer invariably means an increasing living of life out-of-doors, and an increasing reluctance to concern oneself with overly cerebral activities, there are after all beaches to be lain on, alpine passes to be explored, and phenomenally lightweight pop novels to be read, it is important to not only take regular breaks from the sun, but also to ensure that you
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According to Germanic folklore, "If January is frosty and cold, a green woodland will soon entice us". The implication being that a severe January is the necessary pre-requisite not only for a timeous spring bursting forth with new life, but also for a warm, (meteorologically) settled, summer. But in the frost and cold and dark and endlessness of January that green (deciduous) woodland is still a long way off, is unimaginable, is unreachable, is almost mythical; however, protection, and
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"I wonder what it would be like to live in a world where it is always June", ponders Anne Shirley in Lucy Maud Montgomery's 1915 novel Anne of the Island. "You'd get tired of it", sighs her adoptive mother Marilla Cuthbert by way of reply. "I daresay", responds Anne, "but just now I feel that it would take me a long time to get tired of it..." Thoughts we very much concur with as we survey and contemplate the varied profusion of new architecture and design exhibitions sprouting forth in June
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"...when we shall hear The rain and wind beat dark December, how, In this our pinching cave, shall we discourse The freezing hours away?" asks Arvirargus of his brother Guiderius in Shakespeare's play Cymbeline, before lamenting, "We have seen nothing" Easily solved old boy, a visit to an architecture or design exhibition should not only provide for new, stimulating, impressions but plenty of discourse throughout not only December but for many, many months to come. For all a visit in December
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