It may have been because at IMM Cologne 2014 they were given a larger stand than in previous years. It may just have been that the time was ripe. The "why" is however ultimately unimportant, what is important is that at IMM Cologne 2014 Augsburg based Müller Möbelfabrikation presented a series of new products that decisively extended the company's portfolio, a series of new products that, in our opinion, make Müller Möbelfabrikation a more rounded, more complete company. And which achieved
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Curated annually by the German Design Council on behalf of Cologne Trade Fair the [D3] Contest is an international competition for young designers that reaches its conclusion every January with an exhibition and awards ceremony at IMM. The 2014 edition attracted over 600 entries, 22 of which made it onto the short list and so into the Cologne exhibition. And while we retain our well-founded distrust of design competitions, we do know that the [D3] Contest exhibition is a regular haunt of those
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In our post from the 2013 HfG Karlsruhe "Sommerloch" exhibition we wrote "Similarly the spiritedly named “Arbeitstitle” by Marlene Deken and the even more spiritedly unnamed object by Anne-Sophie Oberkrome from the K.O. Furniture class still have a lot of development work ahead of them, and may ultimately not work, but both presented in their design approach interesting solutions for quick and easy tool-less shelf construction." The K.O. Furniture project was run by Stefan Diez and asked the
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Revolutions in design and architecture invariably involve a new material. The oldest examples of this phenomenon being found in the context of metals: the Bronze Age and the Iron Age. And in the 6000 years since man first learnt to mix tin and copper the fascination for and desire to work with metal remains as primordial as ever. To celebrate the variety and durability of metal in design Frankfurt based Trademark Publishing recently released "Objects: Alle Metalle" an homage to classic and
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Every two years designers from the Dutch town of Groningen chum together to present a joint showcase during Cologne Design Week. The fourth "Gronicles" edition is being staged in the former Wohn-bar in Cologne Ehrenfeld and features works by Lotte Douwes, Jack Brandsma, Esther Jongsma, Lambert Kamps and Arend Groosman. Among a mix of product, conceptual and graphic design projects two works particularly caught our attention: Spatial Vase by Lotte Douwes and Bedcrate by Jack Brandsma. Created
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When we spoke with Nik Back and Alexander Stamminger aka maigrau back in 2010 they told us that in the context of developing the, then, fledgling companies collection "...on the one hand as designers we naturally want to continue designing products ourselves, but on the other we can also imagine developing products for maigrau in cooperation with other designers." The new maigrau products being launched at IMM Cologne 2014 perfectly demonstrate this binary approach: two new products from
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When Charlotte Perriand arrived in Japan in 1940 to begin her commission from the Japanese Ministry of Trade and Industry to investigate the current state of industrial production in Japan and suggest new ways forward, her guide and translator was a young man by the name of Sori Yanagi. Some 15 years later Sori Yanagi created one of the archetypal and most instantly recognised pieces of modern Japanese design: the Butterfly Stool. There are those who can see Ms Perriand's influence on the
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In 2012 the Berlin based publishers/curators/editors Ilka & Andreas Ruby established BKULT as an online platform for discussing issues in contemporary architecture. Every two weeks a new question is posed and prominent guests are invited to answer "yes", "no" or "jein", and more importantly to justify their position and elucidate their argument. The platform is then opened to all and thus develops a discussion over topics such as "Does architecture need a quota for women?", "Do we need more
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What would IMM Cologne week be without the official enthronement of the A&W Designer of the Year? One day shorter and one exhibition poorer say we. Following on from Patricia Urquiola in 2012 and Ronan & Erwan Bouroullec in 2013 the 2014 A&W Designer of the Year is Werner Aisslinger. And as tradition demands his work is currently being celebrated in an exhibition in the Kölner Kunstverein. In summer 2013 the Berlin gallery Haus am Waldsee presented a Werner Aisslinger solo exhibition under
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That furniture often has a cultural background can probably be best observed in chairs: the cultural background often defining, for example, the height, number and position of legs. That wall hooks can also have a cultural basis is new to us. But in the case of the North American Shaker community they would appear to. Traditionally Shaker homes have a wooden bar that runs round a room onto which at regular intervals hooks are attached. Meaning you're never more than a couple of metres from a
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In 1949 the Swedish publishing house Bonniers folkbibliotek organised a competition asking for designs for a bookcase system that was easy to ship, easy to assemble and easily affordable. The background is fairly obvious: the more book storage space your average Swede has, the more books they can buy. In the late 1940s the Swedish Industrial Designer Nils Strinning had enjoyed notable success with plastic coated steel wire designs - first as crockery drying racks and subsequently as storage
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For their now traditional IMM Cologne exhibition Ungers Archiv für Architekturwissenschaft is presenting an exhibition devoted to one of the more interesting characters in the story of German furniture design, Stefan Wewerka. Born in Magdeburg on October 27th 1928 Stefan Wewerka studied architecture at the Hochschule für Bildende Kunst Berlin under, amongst others, Max Taut and Georg Leowald, left however without formally graduating. Something which in those days was no hindrance to a
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Following on from last year's highly enjoyable Objects for the Neighbour exhibition Karoline Fesser, Kai Linke and Thomas Schnur are back this year with a new show: Objects and the Factory. Time was when the factory was the aspiration of any industrial designer for their projects. A factory meant that project had become a product, and was an industrial product not a craft product. However over the decades changing social and cultural conditions coupled to numerous caesurae in design have meant
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Given that Cologne is geographically closer to Brussels than Berlin, there probably should be more Belgian designers exhibiting at Cologne Design Week than there actually/normally are. Also because a Belgian Frites seller can be found on near every street corner, thus ensuring no Belgian - or indeed Dutchman, Scot or Australian - need go hungry. Among the Belgians who are here this year are old (smow) blog favourites Tim Baute and Stefaan De Croock aka Atelier Bonk who are presenting their
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Aside from death, taxes and heartbreak, the only other certainty in life is that you will, with an unnerving regularity, need new furniture. Not because the old furniture is damaged or no longer en vogue, but simply because your needs and requirements have changed. A furniture system that can adapt to these changing needs is thus obviously advantageous. Developed in the early 1960s by Fritz Haller and Paul Schärer, System USM Haller is such a system. Composed of a steel tube frame
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On Monday January 13th the European design circus rolls into the new year with the opening of IMM Cologne 2014 and Passagen 2014, and against our natural inclinations we'll be there, or as Ride so nearly put it; "If we've seen it all before, Why's this train taking us back again? If we don't need anymore, Why's this train taking us back again?" Yes, the rent has to be paid. But there are easier ways to earn a living than spending a week in January on the banks of the Rhein questioning your
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With autum's algid wind in our faces and the promise of mince pies and Glühwein in our tails we approached November and a design tour through Brandenburg, met Napoleon in Erfurt and discovered that the Eames plastic armchairs and plastic side chairs used to be steel......
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What with the sweet afterglow of Vienna Design Week behind us we entered October 2013 full of enthusiasm - not least because it meant the opening of the new (smow) Cologne store. The month nearly nose-dived on account of a hideous plagiarism in Leipzig, but was more than rescued by Alison and Peter Smithson at the AIT ArchitekturSalon Cologne.......
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Those still looking for a New Year's Resolution could do worse than to promise to try to maybe visit more design exhibitions this year. And January 2014 offers a few wonderful places to start. That January is once again IMM Cologne and the accompanying Cologne Design Week we make no apologies for having selected two Rhein-side exhibitions, in addition we have an investigation of the production process and a brace of exhibitions devoted to Denmark's more important design "old masters".....
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On Wednesday December 5th the AIT ArchitekturSalon Cologne open an exhibition devoted to the Guga Children`s Theatre construction project in Langa, South Africa. Established in the late 1990s the Guga S’Thebe cultural centre in the Langa township by Cape Town provides facilities and courses for adults and children alike and in addition to meeting rooms and a theatre/concert venue also houses rehearsal rooms and craft workshops. While over the years the work and scope of the centre has grown,
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"Colour contributes towards enriching the sensitivity, the poetic resonance and harmony of architecture. Colour means a considerable extension of the functional precision of architecture towards psychological and human aspects", so begins colour designer Fritz Fuchs a letter to Stuttgart architect Günter Behnisch, as reproduced in Behnisch & Partner's 1993 book "Über das Farbliche / On Colour" Produced in conjunction with the exhibition of the same name "Über das Farbliche / On Colour"
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We’re almost too late, almost, but until November 8th the AIT ArchitekturSalon Cologne is presenting the exhibition, Alison and Peter Smithson – The Art of Inhabitation. A reworked version of the London Design Museum’s 2003 exhibition “Alison and Peter Smithson – From the House of the Future to a House of Today”, “The Art of Inhabitation” explores the work and legacy of two of the most important post-war British architects through just one facet of the extensive canon: private houses. A facet
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"Do the books that writers don't write matter?", asks Julian Barnes in his 1984 novel Flaubert's Parrot. In a similar vein, do the posts that bloggers don't write matter? Among Julian Barnes' arguments for not disregarding the unwritten novel is that, "Besides, an idea isn't always abandoned because it fails some quality control test. The imagination doesn't crop annually like a reliable fruit tree. The writer has to gather whatever's there: sometimes too much, sometimes too little, sometimes
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On September 3rd the Ungers Archiv für Architekturwissenschaft Cologne present the latest edition of their Ex Libris series. This time Ex Loco. In Bremen. As we noted in a previous Ex Libris post, "... much as the Internet is full of spam until you start looking for something, so to is a library just a lot of old paper until you read the books". And in this sense the Ungers Archiv für Architekturwissenschaft Cologne regularly invite architecture luminaries to select a work from the archive's
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