Wandering aimlessly through the digital Marcel Breuer Archive one afternoon, we stumbled across a letter dated July 25th 1950 from Peter M Fraser, one of Breuer's employees, to the Eames Office, enquiring about a lighting design by Charles and Ray that Breuer was interested in using in one of his architectural projects, and requesting... ..."a lighting design by Charles and Ray"??? Eames lighting??? Eames furniture ✔ Eames toys ✔ Eames exhibitions ✔ Eames textiles ✔ Eames films ✔ Eames
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Qu'est-ce que le design? What is design? A question as old as the word itself, arguably older. But one with an answer? In an attempt to approach one the Musée des Arts Décoratifs Paris asked Charles Eames, Verner Panton, Roger Tallon, Joe Colombo and Fritz Eichler, Qu'est-ce que le design?...... A view of Verner Panton's installation at Qu'est-ce que le design Musée des Arts Décoratifs Paris 1969 (Photo Pierre Jahan © and courtesy Musée des Arts Décoratifs Paris) Organised in context of
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In our post from the Barbican Art Gallery exhibition "The World of Charles and Ray Eames" we noted the disappointing sparsity with which the otherwise excellent exhibition deals with the private world of Charles and Ray Eames. Arguing that understanding the designer is necessary to fully understanding their work. Charles and Ray are sadly no longer with us to directly answer our many questions; however, in the person of Charles's grandson Eames Demetrios we have an excellent alternative.
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"The World of Charles and Ray Eames" It is inherent in the nature of America's most productive 20th century creatives that there is no "world" of Charles and Ray Eames; there are "worlds" In their new Eames retrospective the Barbican Art Gallery London attempt to combine these worlds into a coherent, comprehensible universe. The World of Charles and Ray Eames @ Barbican Art Gallery London Charles Eames was born in St Louis, Missouri in 1907. Ray Kaiser in Sacramento, California in 1912.
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Charles Eames is arguably the best known representative of post-war American design. His works are certainly the most commonly recognized and endearing examples of post-war American design. Yet exactly because of the success of his post-war work it is often forgotten that Charles Eames has a pre-war biography, a biography that is pre-Ray Kaiser, pre-George Nelson, pre-Hermann Miller, pre-Vitra, pre-plywood, plastic and aluminium, pre-IBM, Moscow, India, Mathematica, Franklin & Jefferson.... and
read moreIn our recent post "Blurred Lines or What if Pharrell Williams and Robin Thicke designed furniture?" we took a stroll along the very fine border between being inspired by a piece of furniture design and plagiarising a piece of furniture design. One of the most popular sources for both inspiration and plagiarism is Charles and Ray Eames: for inspiration because of the many ground breaking designs, processes and theories the pair developed over the decades, for plagiarism because of the
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It is a universally acknowledged fact that men only buy Playboy to read the articles. And we only visited the exhibition "Playboy Architecture, 1953-1979" at the Deutsches Architekturmuseum in Frankfurt in order to, to, to, tttoooooooo see the Eames DCW that is on display.....mmmm...... its not a chair you see that often..... aaahhh......mmmmmmmm..... or the Bertoia Diamond Chair? [Audible nervous cough. Depart stage left.] Originating from a project by students at Princeton University
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"In the development and designing of furniture one prevailing problem is the means for securing parts of the furniture together particularly when the parts are made of thin materials such as plywood or metal. This problem is particularly difficult when a certain amount of twisting or give between the parts is desired so as to provide resiliency to one of the parts. In general efforts to solve this problem have failed."1 So begins a patent application filed by Charles Eames on 28th July 1958.
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At Design Miami Basel 2013 one of the more impressive presentations was without question the collection of Alvar Aalto furniture shown by Stockholm/Berlin based gallery Jackson Design. A presentation that included rare examples of Alvar Aalto's furniture for and by the Finnish manufacturer Artek. And all available for purchase. Basel based furniture manufacturer Vitra have gone one step further, and have purchased Artek. Following completion of his architecture studies in 1921 Alvar Aalto
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We know what you're thinking, lost furniture designs from Eero Saarinen and Charles Eames. ??? Yup. Two of the most important, influential and best known protagonists of mid-century modern design have a product series that has vanished without trace. And in our opinion it vanished exactly because Saarinen and Eames are two of the best known protagonists of mid-century modern design. But let's start at the beginning.... In 1940 the Museum of Modern Art New York staged their "Organic Design
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At the risk of upsetting furniture historians, wood is probably the longest serving material in furniture design. It is also one of the most deceptively complex and hard to work materials in furniture design. For all bending, shaping and moulding pieces of solid wood is a process that has long fascinated and infuriated designers and architects in equal measure. From Michael Thonet's ground breaking research in the 19th century, over the efforts of Alvar Aalto, Marcel Breuer or Charles Eames
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"Wooden spoon for pickled vegetables by John F. Kennedy" ? ? ? John F. Kennedy. Green Mountain Woodcrafters, Vermont. And no relation of Teddy or Robert. Still cheered us up. From March 20th until April 25th 1951 Stuttgart hosted the first post-war exhibition of modern American home furnishings and appliances in Europe. Organised by the New York Museum of Modern Art under the title "Design for Use, USA", the exhibition featured a cross section of American domestic design. And a Who's
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Following our visits to the Bauhaus University Weimar, Fachhochschule Potsdam, Kunsthochschule Berlin-Weißensee and Universität der Künste Berlin the final stage of our 2011 summer tour was Burg Giebichenstein Halle. It may just be us, but we are firmly of the belief that Burg Giebichenstein students complete more, and more varied, seminars than students at any of the other schools we visit. At least based on the presentations at their end of year show. Be it designing record sleeves,
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August 20th marks the 100th anniversary of the birth of Finnish architect/designer Eero Saarinen. Eero Saarinen had - in all probability - very little career choice other than that of architect: Not only was his father Eliel Saarinen one of Finland's most celebrated architects, but two of his uncles followed the same profession. In addition his mother, Loja Gesellius Saarinen, was a sculptress and textile designer. Eero Saarinen spent his first 13 years in his birthplace, Kirkkonummi on the
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It may not be the most universally recognised example of either Charles Eames' nor Eero Saarinen's canon however their 1940 "Conversation Chair" is without doubt one of the more important examples of 20th century furniture design. Designed for the New York Museum of Modern Art's "Organic Design in Home Furnishings" competition the Conversation Chair was a concept piece and Eames' and Saarinen's first attempt at moulding synthetics. At that time however the technology lagged somewhat behind
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Zeeland, Michigan, 1969 Ten years ago Charles and Ray Eames revolutionised the world of chair design with their "aluminium Chair" range. And now they hope to do it again. In one of the most eagerly anticipated announcements of the year, Charles and Ray Eames today unveiled their new product range: soft Pad “soft Pad is our most advanced technology in a magical and revolutionary device” declared a proud Charles Eames as he unveiled the new range to the specially invited journalists in the
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It all started with "boutique" hotels. which, if one is brutally honest, were simply small hotels. Or guest houses as we used to call them. Back in the day. Then slowly, ever so slowly the term "design hotels" emerged and today - whether used to describe a hotel where each room has it's own "identity" or an establishment furnished with designer furniture - design hotels represent an important part of the accommodation repertoire, and tourist marketing concept, of all major cities. As with so
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In the world of designer furniture there are few designers for who "home" and "family" played such a central role as Charles and Ray Eames. From the design of their "Eames House" as a combined living and working space for a young family and on through their many works for and with children, Charles and Ray Eames always presented themselves as "domestic" rather than "industrial" designers. And so it is little wonder that so many of their designs can be so easily recommended as Christmas gifts.
read moreToday is World Usability Day. We do admit to be being more than a touch sceptical about the motivations that lead people to establish events such as "Global Avocado Day", "Bulgarian Aramaic Appreciation Week", or indeed "World Usability Day", but we can't help agreeing with the preamble to their charter. (Without endorsing the charter, per se): Human error is a misnomer. Technology today is too hard to use. A cell phone should be as easy-to-use as a doorknob. In order to humanize a world that
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On 03.11.1989 the Vitra Design Museum opened. On 09.11.1989 the Berlin Wall "fell". Coincidence? Almost certainly. But while the Vitra Design Museum may not be able to claim responsibility for the end of the DDR, it can look back on a remarkable 20 year history and proudly profess to have helped popularise designer furniture and furniture designers. Initially established as a location where Vitra chairman Rolf Fehlbaum could display his extensive collection of contemporary designer
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In the past week three independent events have occurred which fuse together in one important tale. Firstly, while visiting a student flat in Dresden the (smow)boss noticed an obviously well used, but functioning chair reminiscent of the EA 107 by Charles and Ray Eames for Vitra. Despite assuming it to be a copy - student flat, Dresden, etc... - his professional curiosity got the better of him and thought he'd better check .. and Lo and Behold it was an original EA 107 by Charles and Ray
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In these pages we have often described the dangers and problems associated with non-licensed copies of design classics. And now thanks to Core 77 a particularly appalling case from the USA has been brought to our attention...as the images below show. OK it is art, and specifically an installation by conceptual sculptor Mark Wentzel for the Global Health Odyssey Museum in Atlanta, Georgia, USA. Entitled XLounge x 3 the show is, according to the PR blurb " ... a series of cleverly-adapted
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Eames DSR from Vitra On a recent trip we discovered a genuine Herman Miller Eames fibreglass chair bench at an airport. Being a relatively small airport - in fact so small that the word "airport" appears optimistic in describing it's capabilities - our frenzied photographing of the chairs and the Herman Miller stickers caused quite a lot of amusement. And that among individuals who spend their spare time photographing aircraft!!! Anyway, once we'd calmed down a little we started reflecting a
read moreIf we're honest we've never understood TED ... and probably never will. Which is cool. And regradless of, and in how far, we comprehend why TED exists, they do offer some wonderful short films and lectures... and the newly released 2007 talk by Eames Demetrios, grandson of Charles and Ray Eames, is no exception. Occasionaly it wanders into the realms of "whatever!", but on the whole is a lovely little introduction to Charles and Ray Eames and for all their philosophy and approach to design.
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