X-Base Chair An xpression; An xpansion; An xposition Whereas the English word 'furniture' has its origins in the middle French verb 'fournir', to furnish, the French 'meuble' and German 'Möbel' have their origins in the Latin 'mobile': capable of being moved. Much as with the so-called Curule Chair, one of the earliest known manufactured seating objects, a seating object so-called because the legs generally 'curuled', a seating object of the distant past that was as much a symbol of power as
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In the exhibtion A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. But not sit on them. In the presentation Stühle zum (Be)Sitzen on the first floor landing of the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. And sit on them. Thirteen chairs which unite more than just thirteen
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In 1959 Alexander Girard was commissioned to design the interior of the New York restaurant La Fonda del Sol, a commission for which Charles and Ray Eames designed the seating. Yet whereas the La Fonda dining chair and La Fonda side chair are well-known, if currently out of production, components of the Eames' canon, what of the La Fonda bar stool....... La Fonda Bar Stool by Charles and Ray Eames Housed on the ground floor of the, then, new Time & Life building on Manhattan's Rockefeller
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Cranbrook An Alma Mater; An Academy of Art; A colony of experimentation Cranbrook Academy of Art arose on the Cranbrook Estate, a private fiefdom nestling quietly in a forest glade to the north of the contemporary Detroit ruled by the Booth dynasty; and a fiefdom which in the Age of George and Ellen of Booth developed from an agrarian farm into a garden of creativity. As the Cranbrook Scrolls record, George of Booth was a devotee of The Artsandcrafts, a movement most popularly embodied by
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Wandering aimlessly through the digital Marcel Breuer Archive one afternoon, we stumbled across a letter dated July 25th 1950 from Peter M Fraser, one of Breuer's employees, to the Eames Office, enquiring about a lighting design by Charles and Ray that Breuer was interested in using in one of his architectural projects, and requesting... ..."a lighting design by Charles and Ray"??? Eames lighting??? Eames furniture ✔ Eames toys ✔ Eames exhibitions ✔ Eames textiles ✔ Eames films ✔ Eames
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On May 17th 1955 Charles Eames*, as assignor to the Herman Miller Furniture Company, was granted US patent 2,708,476 for a "Furniture Frame Construction", specifically for, "a skeleton type metal furniture frame or shell construction" formed from "a plurality of lengths of wire arranged in crossed relation with another plurality of lengths of wire and welded thereto at their intersection..."1 A patent which although important and interesting in itself, is and was in many regards just as
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In these dispatches we once doubted the prevalence of designer furniture in comics, noting and acknowledging the regular appearance of popular furniture designs in other visual media, we, off-handedly, opined, "... Designer furniture in a comic?" Elegantly proving us very, very wrong the Vitra Design Museum's exhibition Living in a Box. Design and Comics not only explores the use and depiction of designer furniture and lighting in comics, but also considers how comics have contributed to and
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With their 1997 exhibition The Work of Charles and Ray Eames the Vitra Design Museum staged one of the first major Charles and Ray Eames retrospectives Twenty years later they return to two of the 20th century's most important creatives with An Eames Celebration: less of Charles and Ray, and more of the diversity, depth and continuing relevance of their work. Charles & Ray Eames. The Power of Design, Vitra Design Museum That it is 20 years since the Vitra Design Museum last dedicated an
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The September architecture and design exhibition recommendations are arguably the cruellest to write: the fact that the majority of the exhibitions end in the depths of the European winter meaning that as we sit here hoping that summer keeps going just a little, little, longer.... we're forced to think about winter jackets and gloves. And so before things get that far, best get out there and visit an exhibition!! Our five recommendations for September 2017 feature new exhibitions in Weil am
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"Does the world really need ever more chairs?", is arguably the question we are most regularly asked. Alongside, "What do you actually do all day?" The answer to the second question depends on who posed it, in how far we hope to impress them or in how far we fear they may stop us doing what we do were they to discover what that actually is. The answer to the first question is "Yes" Or "Yes, if the new chair represents an advance over existing chairs" A chair being not something you sit on,
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With the exhibition, The World of Charles and Ray Eames at the Barbican Art Gallery London coming to an end, it is most timeous that the Art & Design Atomium Museum, ADAM, Brussels are offering through their new exhibition Eames & Hollywood an opportunity to explore in a little more detail one of those many, many Eames' Worlds. And no, not film. Photography. Eames & Hollywood at Art & Design Atomium Museum, ADAM, Brussels Formally opened in December 2015 ADAM is a new design museum for
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December is famously a half month - no one does anything useful in the second half of the month, unless eating, drinking and stressing can be considered useful! We however managed to more than fill the first half of December 2015 with Berlin based Bora Hong's cosmetic surgery of the Eames LCW, the architecture of Ferdinand Kramer in Frankfurt and a very long chat with Köln International School of Design director, and neuen Deutschen Design protagonist, Wolfgang Laubersheimer. Cosmetic Surgery
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Normally October is all about design festivals, October 2015 wasn't. On the one hand we weren't at that many this year, and on the other those we were at didn't impress us that much. What did impress us was the new collection by Ateliers J&J. Oh yes! In addition October 2015 saw us consider questions of housing provision at Wohnungsfrage at the Haus der Kulturen der Welt Berlin, the oeuvre of Charles and Ray Eames at the Barbican Art Gallery in London and Art Nouveau at the Kunst und Gewerbe
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In our post from the Barbican Art Gallery exhibition "The World of Charles and Ray Eames" we noted the disappointing sparsity with which the otherwise excellent exhibition deals with the private world of Charles and Ray Eames. Arguing that understanding the designer is necessary to fully understanding their work. Charles and Ray are sadly no longer with us to directly answer our many questions; however, in the person of Charles's grandson Eames Demetrios we have an excellent alternative.
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"The World of Charles and Ray Eames" It is inherent in the nature of America's most productive 20th century creatives that there is no "world" of Charles and Ray Eames; there are "worlds" In their new Eames retrospective the Barbican Art Gallery London attempt to combine these worlds into a coherent, comprehensible universe. The World of Charles and Ray Eames @ Barbican Art Gallery London Charles Eames was born in St Louis, Missouri in 1907. Ray Kaiser in Sacramento, California in 1912.
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We're fairly certain most museum curators aren't inherently nocturnal, it is however noticeable that the longer the nights become, the more activity one registers in museums globally. And so with autumn slowly giving way to winter it should perhaps come as little surprise that October 2015 offers such a richness of new design and architecture exhibitions...... Art Nouveau. The Great Utopia at the Museum für Kunst und Gewerbe Hamburg, Germany An important role in the (hi)story of contemporary
read moreIn our recent post "Blurred Lines or What if Pharrell Williams and Robin Thicke designed furniture?" we took a stroll along the very fine border between being inspired by a piece of furniture design and plagiarising a piece of furniture design. One of the most popular sources for both inspiration and plagiarism is Charles and Ray Eames: for inspiration because of the many ground breaking designs, processes and theories the pair developed over the decades, for plagiarism because of the
read more"We have a World's Fair opening in New York again today and it will, as always with fairs, offer the opportunity for looking forward into the future and backward into the past", announced the New York Times on April 22nd 1964 with the unmistakable self-confident bluff of a journalist racing to meet a deadline and struggling to make the patently obvious sound anything but. Although not officially sanctioned as a "World's Fair" the 1964/65 New York World's Fair attracted some 66 nations -
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Older readers will remember how last year one of the Vitra Senior Manager's quoted from this blog in his pre-fair pep talk to the assembled Team Vitra. Having reached the zenith of our careers we contemplated retiring. Fortunately we didn't. For at Milan 2014 Vitra have re-issued objects from a collection of Alexander Girard furniture designs that featured in our July 2012 "Lost Furniture Design Classics" post. OK not the furniture pieces we referred to, but objects from the same
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It is a universally acknowledged fact that men only buy Playboy to read the articles. And we only visited the exhibition "Playboy Architecture, 1953-1979" at the Deutsches Architekturmuseum in Frankfurt in order to, to, to, tttoooooooo see the Eames DCW that is on display.....mmmm...... its not a chair you see that often..... aaahhh......mmmmmmmm..... or the Bertoia Diamond Chair? [Audible nervous cough. Depart stage left.] Originating from a project by students at Princeton University
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"In the development and designing of furniture one prevailing problem is the means for securing parts of the furniture together particularly when the parts are made of thin materials such as plywood or metal. This problem is particularly difficult when a certain amount of twisting or give between the parts is desired so as to provide resiliency to one of the parts. In general efforts to solve this problem have failed."1 So begins a patent application filed by Charles Eames on 28th July 1958.
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With autum's algid wind in our faces and the promise of mince pies and Glühwein in our tails we approached November and a design tour through Brandenburg, met Napoleon in Erfurt and discovered that the Eames plastic armchairs and plastic side chairs used to be steel......
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March 2013 was a month of travelling: Stuttgart, Chemnitz, Weimar, Dessau..... its amazing we found time to actually write anything.......
read moreWhile researching our post "Eames Alchemy. Or how Charles and Ray Eames turned steel into plastic….." the most remarkable discovery came in the New York Museum of Modern Arts' press release announcing the opening of the Low-Cost Furniture Design Exhibition:1 "Perhaps the greatest advantage of this chair is the extraordinary lustre and soft, smooth surface of the plastic which, strengthened by the silky threads of glass imbedded within it, quickly absorb room temperatures. Never before used in
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