Olimp by Studio Raketa, as seen at Zagreb Design Week 2024 In context of critical reflections on the Bauhauses, reflections also intended to draw a distinction between the Bauhauses and the HfG Ulm, to explain that the HfG Ulm wasn't simply a post 1939-45 War continuation of the Bauhauses, Otl Aicher once asked, "is design an applied art, does it appear in the elements square, triangle and circle, or is it a discipline that draws its criteria from the task, from use, from production and
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"Dear Architect" wrote Maria Chinaglia Ponti in 1967 to the architect, but no relation, Gio Ponti, "why don't you design us some modern furniture? Daddy Walter is worried because our traditional stuff is not selling as it used to".1 An unsolicited request, from a company of whom he'd never heard, an architect of the status of a late 1960s Gio Ponti could have turned down, it wasn't as if a late 1960s Gio Ponti needed the commission; however, something about the letter from Maria Chinaglia
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What is a chair? You sure? With the exhibition Chairs. For children only! the Grassi Museum für Angewandte Kunst, Leipzig, explore the (hi)story of and developments in children's seating, and in doing so not only allow for insights into an all too often undervalued, underappreciated, ignored, genre of furniture, but also forces you to reconsider your response to what you thought was a very, very straightforward question... Chairs. For children only!, Grassi Museum für Angewandte Kunst,
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As Peer Gynt reminisces with his dying mother, they dwell long and fondly on how, when Peer was a child, they would imagine his bed was a sleigh whisking them across a frozen fjord, a sleigh pulled by "fleet-foot horses". Or more accurately by a cat proxying for fleet-foot horses; a cat who before being pressed into service as a horse had been peacefully "sad på en kubbestol"1, sat upon a kubbestol: a chair hewn from a tree trunk, and an item of furniture which is as closely associated with
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In all corners of the globe one finds objects of furniture which developed in response to local conditions, traditions and practices; vernacular objects without a formal author and which although, on account of?, arising from a very specific place and time can, invariably, both teach us a lot about the essentials of furniture and help explain furniture's relationships with wider realities. And objects we want to celebrate, starting with arguably, one of the best known examples of vernacular
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The metal wire chair is such a well established seating genre it is hard to imagine it is possible to do anything new with it. Far less anything exciting. However...... ArNO by Bright Potato, as seen at Meet My Project, Paris Design Week 2018 ArNO by Bright Potato Presented in context of the exhibition Meet My Project at the VIA gallery, the joy, nay, the deep satisfaction, of ArNO by London based studio Bright Potato a.k.a Galway-Mayo Institute of Technology graduates David Beirne & Diego
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As we've oft noted in these pages, not only have designers since time immemorial had a particular fascination for chairs, but society a particular predilection. Arguably the two are related and can be traced to the long, universal, cultural, political and social relevance of the chair and the act of sitting, a state of affairs which not only makes the physical chair/seat an integral part of our lives, but the metaphorical: excitement brings us to edge of our chairs, those who are brave/foolish
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In our interview with Marcel Kabisch, founder of and creative force behind German label Feinserie, he told us that what interested him in design, and part of his motivation to study design, was the idea of "bringing a certain intelligence into a product", and of achieving "an efficiency in design" Principles which are elegantly displayed in his new Griffbereit Chair. In many ways an extension of an idea begun with his award winning Griffbereit Stool/Side Table, the Griffbereit Chair is formed
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Now that it is finally online we did want to write at great lengths about the AC4 by Antonio Citterio for Vitra. But you know what. We're not going to. On the one hand; we already have: Red Dot Winner 2009 54% Recyclede, 91% Recyclable Heirloom Design Net'n'Nest And on the other Vitra have produced such a delightful promo video: We're impressed - especially by the three zone lumbar support and the constant eyeline tipping system - and we genuinely don't say that about all office
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Although the rumour persists that we only travel to trade fairs and exhibitions so that we can impress people in bars with phrases such as "Last week in New York..." or "For me the real beauty of Milan is...", in truth we do do a little work. And the fruits of that work can be seen, for example, in the ever expanding (smow)collection. And punctually to the start of The Ashes season we can now offer the extended Thonet outdoor range; quite possibly the most stylish furniture for sitting in the
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The Top 5 chairs from the smow design spring. In no particular order. We lie: there is a slight order. First up is our favourite chair from the smow design spring: Stuart Miller's unnamed foldable cardboard chair from the designersblock showcase in Milan. Over the course of the smow design spring we didn't see any thing that even came to close to capturing Stuart's simple, practical and comfortable chair. We've sadly lost sight of the project a little, and lack the requisite degree in
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