Following the declaration of the French Republic in 1792 a new calendar was introduced in the realms of France: the Revolution had washed away France past and the Republic marked the start of a new reality for mankind, one of universal Liberté, Égalité, Fraternité, and therefore demanded a resetting of the collective clock, a new measuring of time, and thus out went the Gregorian calendar and its historic associations with church and state, and in came le calendrier républicain, the French
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The Hungarian composer Béla Bartók was (reportedly) the opinion that, "in art there are only fast or slow developments. Essentially it is a matter of evolution, not revolution." A position one, arguably, could apply to all expressions of contemporary culture and society. And a position the exhibition SPACES. Interior design evolution at the ADAM Brussels Design Museum explores in context of domestic interiors. SPACES. Interior design evolution, ADAM Brussels Design Museum, Brussels
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Staged in context of Intersections, ADAM Brussels Design Museum's biennale programme, Design Generations explores not only the work of designers of differing generations, but for all design that remains relevant across generations...... Intersections #5. Design Generations, ADAM Brussels Design Museum The ADAM Brussels Design Museum's Intersections biennale predates the ADAM Brussels Design Museum: the first three being staged in the city's Atomium, that enduring symbol of the blind faith
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If academics are to be believed, which admittedly seems unnecessary given the wealth of irrefutable facts available on Twitter and Facebook, February has always been a short and flexible month. Initially non-existent - the contemporary January and February being once considered an indivisible "winter" - when the Romans decided to extend their calender, February was deliberately left shorter than all other months, largely for accounting purposes, that is, to allow it to be adjusted as the solar
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With his two faces the Roman God Janus looks simultaneously forward and backwards, standing in constant watch over transitions, the passage of time, beginnings, ends. The easy connection to make is with January, that month of the year when we are invariably reflecting and hoping in equal measure: the more complex connection to make is with a well-crafted architecture and design exhibition, one which effortlessly links reflections of the past with proposals, visions and excitement for the
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With the exhibition Panorama. A History of Modern Design in Belgium, the ADAM, Brussels Design Museum present an exploration of design in Belgium from the 1880s until the 1980s: and in doing so not only explain the development of design in Belgium, but provide for new understandings of that development. Panorama. A History of Modern Design in Belgium at ADAM Brussels Panorama. A History of Modern Design in Belgium Curated by the design historian Dr Katarina Serulus and design critic Thierry
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