Chairs by Elisabeth von Baczko realised by Korbmacher Kapsch, Bremen Just a few short years ago Dr. Karl Schaefer, the new Director of the Wallraf-Richartz-Museum, Cologne, opined that furniture and interior design required "a clear, well-disciplined architectural appreciation for the corporeal and its dimensions, for the tectonic and for the material, a certain dryness and an unapologetic sincerity" and for all "penetrating, deliberative understanding more than unbridled fantasy",
read moreAs we all know, the key to reading is learning your ABC. Once you've learned the letters, and combined them in simple words, you can approach more complex words, then sentences, paragraphs, essays and finally let that which you read discourse with your observations and experiences to help you better develop your understandings and appreciations of the world around us and those with whom we share it. But can learning the ABC of a designer help us to better approach understandings and
read more"I assure you that you and your work are the model case for what the Bauhaus has been after" wrote Walter Gropius to Wilhelm Wagenfeld in April 1965. Just how Wilhelm Wagenfeld developed that "model case" "after" Bauhaus is explored, at least in terms of one design genre, in that genre for which Wilhelm Wagenfeld is most popularly known as a Bauhaus model, in the exhibition Wilhelm Wagenfeld: Lamps at the Wilhelm Wagenfeld Haus Bremen. Tropfen (l) & Düren (r) by Wilhelm Wagenfeld for
read moreMore or less...... .....while 3 of the 5 have a direct connection to Bauhaus, 5 of the 5 are very much in the spirit of the attempts of inter-War architects and designers to reform architecture and design, to establish a new architecture and design for the new society, attempts in which Bauhaus played an important role. And for those seeking escape from Dessau and Weimar, figuratively not physically, we refer you to our more general 5 New Architecture & Design Exhibitions for May 2019
read moreThe first metaphors may, or may not, have been animal based, but materials are just as adaptable. And few are as adaptable as glass. The Glass Ceiling as the impenetrable, yet invisible boundary. The Heart of Glass as a state of extreme emotional weakness. While in most glass metaphors the focus is an inherent property of glass: transparency. With the exhibition Welt aus Glas. Transparentes Design the Wilhelm Wagenfeld Haus Bremen abstract that metaphor to explore the link between
read moreThe donkey, dog, cat and cockerel featured in the Brothers Grimm's retelling of the traditional folktale Die Bremer Stadtmusikanten never made to it to Bremen, never worked as musicians, and thus never enriched the cultural heritage of the Hansa port. But would any of the Hochschule für Künste Bremen's 2017 Integrated Design graduates augment the city's long history? Would any rise to the post of Bremer Stadtkreativen......? Hochschule für Künste Bremen (Photo Hochschule für Künste Bremen)
read moreWith the exhibition Stapeln. Ein Prinzip der Moderne the Wilhelm Wagenfeld Haus in Bremen celebrate the complex diversity of one of design's simplest principles .... Stacking. Stackable Chairs, as seen at Stapeln. Ein Prinzip der Moderne at the Wilhelm Wagenfeld Haus Bremen Placing one object on top of another is one of the more innate of human actions. Is something we start to do before we can talk, and an action so simple, so self-explanatory, we generally pay it no heed. Why should we?
read moreNormally October is all about design festivals, October 2015 wasn't. On the one hand we weren't at that many this year, and on the other those we were at didn't impress us that much. What did impress us was the new collection by Ateliers J&J. Oh yes! In addition October 2015 saw us consider questions of housing provision at Wohnungsfrage at the Haus der Kulturen der Welt Berlin, the oeuvre of Charles and Ray Eames at the Barbican Art Gallery in London and Art Nouveau at the Kunst und Gewerbe
read moreThe WA 24 table lamp by Wilhelm Wagenfeld is without question one of the most instantly recognisable pieces of Bauhaus design, so much so that it is often referred to as simply "the Bauhaus Lamp". Designed by Wilhelm Wagenfeld in 1923 the WA 24 was quickly followed by a series of variations on the theme, yet all maintaining the same pared-down grace and uncomplicated functional elegance of the original. Characteristics which can just as easily be applied to Bauhaus itself as to Wagenfeld's
read moreMay may have been slow in the past. May. For aside from DMY Berlin, Fritz Haller in Basel, Niek van der Heijden in Berlin, and Wilhelm Wagenfeld in Bremen we also got to visit Nürnberg and the new archaeology museum in Chemnitz. And so all things considered May 2014 may go down as one of our busiest months ever.....
read more"The purpose of an object is of secondary importance" claimed the German designer and artist Wilhelm Wagenfeld, "the use however is more relevant, explains the multi-faceted relationship of individuals to those objects which surround them. With use develops culture, the overcoming of a perceived raison d'etre"1 To celebrate their 20th anniversary the Bremen based Wilhelm Wagenfeld Foundation are currently hosting "Die Form ist nur Teil des Ganzen" - "The Form is Only a Part of the Composition"
read moreStanding in the shadow of his gargantuan lamp, "The Worker", Pascal Howe is well aware of how easily his work can be misunderstood. "Many people think it is just a lifestyle product or similar", he smiles, "but it has a strong concept behind it and isn't just about the aesthetic, the material or the functionality" The exhibition "Pascal Howe - VDI 2860" at the DMY Design Gallery Berlin is part of process to correct such misinterpretations and to introduce the real Pascal Howe. Following a
read moreAlthough these days talk of necessary redevelopment, renewal, reinvention and change of function in Bremen is often undertaken in context of the local football team Werder; generally the focus is the former harbour areas. With the relocation of the oversea harbours from their former city locations, Bremen has found itself with large areas of land and innumerate buildings looking for a new identity and new functions. Bremen of course isn't the only maritime metropolis having to come to terms
read moreOn September 3rd the Ungers Archiv für Architekturwissenschaft Cologne present the latest edition of their Ex Libris series. This time Ex Loco. In Bremen. As we noted in a previous Ex Libris post, "... much as the Internet is full of spam until you start looking for something, so to is a library just a lot of old paper until you read the books". And in this sense the Ungers Archiv für Architekturwissenschaft Cologne regularly invite architecture luminaries to select a work from the archive's
read moreWith over 100 members of the public getting in touch and 59 fake Wilhelm Wagenfeld WG 24 lamps being exchanged for licensed originals, Bremen based manufacturer Tecnolumen have declared themselves very satisfied with their recent "No Fake" promotion. Not least because they sense an increased and increasing awareness amongst consumers as to the problems associated with unlicensed copies; especially in association with Bauhaus era products Among the more interesting points made by the company
read moreIrritating as they are, forgers are rarely daft. You only very occasionally find one purveying, for example, fake Billy Ray Cyrus albums. Or fake Greek State Bonds. They prefer to stick to things they are certain they can sell with ease. Which is why Bauhaus furniture is so highly regarded by professional forging gangs. Not only is everyone familiar with the important pieces, but it all looks so simple. Who can tell the difference? However, aside from the potential safety issues, a copy
read moreWhile we are in Milan enriching the good and fair minded hoteliers of the north-Italian Metropolis; life here in Germany will continue in its normal, non-bloodsucking, non-money grabbing way. Oh yes, we're bitter. And we don't believe that all the other Milan attendees find the hotel prices fair. Just they are too cowardly to publicly complain. Milan Design Week is a rip off and everybody knows it. Just know one dare speak it..... However, back to the topic in hand. Thursday 15th April
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